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Learn at home with help from The Wonder Years/Hallmark actress, math whiz, and New York Times bestselling author Danica McKellar using her acclaimed McKellar Math books! Fairies, butterflies, and magic help to make this math-focused board book positively enchanting! Join ten flower friends for a night of excitement that mixes a little math with a lot of magic. As each flower turns into a butterfly, children will discover different ways to group numbers to create ten, an essential building block of math, all while watching each flower's dream come true. (And keep an eye out for the adorable caterpillar who wishes he could fly, too!) In this, the second book in the McKellar Math line, Danica McKellar once again sneaks in secret addition and subtraction concepts to help make your child smarter and uses her proven math success to show children that loving numbers is as easy as a wave of a wand and a BING BANG BOO! "[Danica McKellar's] bringing her love of numbers to children everywhere." --Brightly on Goodnight, Numbers "Danica McKellar is now on a mission to make math fun for even the youngest of kids." --L.A. Parent Magazine Don't Miss Even More Math Fun in Bathtime Mathtime!
The acclaimed interactive picture book about the changing seasons. “Like Hervé Tullet’s Press Here, Matheson’s Tap the Magic Tree proves you don’t need apps for interactivity,” praised the New York Times. This board book edition is perfect for little hands. Every book needs you to turn the pages. But not every book needs you to tap it, shake it, jiggle it, or even blow it a kiss. Innovative and timeless, Tap the Magic Tree asks you to help one lonely tree change with the seasons. Now that’s interactive—and magical! It begins with a bare brown tree. But tap that tree, turn the page, and one bright green leaf has sprouted! Tap again—one, two, three, four—and four more leaves have grown on the next page. Pat, clap, wiggle, jiggle, and see blossoms bloom, apples grow, and the leaves swirl away with the autumn breeze. The collage-and-watercolor art evokes the bright simplicity of Lois Ehlert and Eric Carle and the interactive concept will delight fans of Pat the Bunny. Combining a playful spirit and a sense of wonder about nature, Christie Matheson has created a new modern classic that is a winner in every season—and every story time! And don't miss the follow-up, Touch the Brightest Star!
Bracingly candid, sweetly indignant, and writing with an unchecked sense of entitlement, the Internet's wildly popular Honest Toddler delivers a guide to the parenting techniques he deems acceptable (keep the cake coming and the apple juice undiluted).
"Highly recommended... Perfect for readers of Wonder and Erin Entrada Kelly's Hello, Universe."— Booklist magazine, starred review Etan has stopped speaking since his mother left. His father and grandfather don’t know how to help him. His friends have given up on him. When Etan is asked to deliver a grocery order to the outskirts of town, he realizes he’s at the home of Malia Agbayani, also known as the Creature. Malia stopped going to school when her acute eczema spread to her face, and the bullying became too much. As the two become friends, other kids tease Etan for knowing the Creature. But he believes he might have a cure for Malia’s condition, if only he can convince his family and hers to believe it too. Even if it works, will these two outcasts find where they fit in?
Seriously! What genre is this?! So get this...Me, the Demon Lord, the baby bloodsucker, Mera, and the puppet posse are on our way to the demon territory when Mera falls into a hole and gets attacked by giant ants. We wipe 'em out in no time, but the commotion (and totally not me sticking my nose where it doesn't belong) just haaappens to wake up some ancient, hyper-advanced killing machines, and now the entire planet is gonna be destroyed! It's such a big deal that Güli-güli, the pontiff, and even Potimas are teaming up with the Demon Lord. Wait, when did they all get so chummy? And I'm sorry, what? They want ME to take out the main weapon?! No waaay!
I've finally escaped the monster infested Elroe Labyrinth and now making my way towards the land of humans! But what was waiting for me on the surface was something even worse than dragons...it's MY MOTHER!! We don't have the greatest relationship for various spidery reasons but am I going to make it out of this family reunion in one piece?!
Mother, have you heard the news that you’re dead? The other mes have been hard at work around the clock, consuming more and more of Mother’s soul. And today is the day! Ever since Mother tried to eat me as a wee just-hatched spider baby, it was inevitable. When the dust settles, only one of us will walk outta that labyrinth alive—and it ain’t gonna be her!!
Phil M. Jones has trained more than two million people across five continents and over fifty countries in the lost art of spoken communication. In Exactly What to Say, he delivers the tactics you need to get more of what you want.
After my battle to the death with Mother, now my days are filled with preparing the next boss-the Demon Lord! But now I have a problem... I've said it before, but I'm TOO STRONG. Now I'm attracting all kinds of unwanted attention! Now I'll have to interact humans whether I want to or not...
Jean-Paul Sartre's technical and multifaceted concept of magic is central for understanding crucial elements of his early philosophy (1936-1943), not least his conception of the ego, emotion, the imaginary and value. Daniel O'Shiel follows the thread of magic throughout Sartre's early philosophical work. Firstly, Sartre's work on the ego (1936) shows a personal, reflective form of consciousness that is magically hypostasized onto the pre-reflective level. Secondly, emotion (1938) is inherently magical for Sartre because emotive qualities come to inhere in objects and thereby transform a world of pragmatism into one of captivation. Thirdly, analyses of The Imaginary (1940) reveal that anything we imagine is a spontaneous creation of consciousness that has the power to enchant and immerse us, even to the point of images holding sway over us. Culminating with Sartre's ontological system of Being and Nothingness (1943), O'Shiel argues that Sartre does not do away with the concept, but in fact provides ontological roots for it. This is most evident in Sartre's analyses of value, possession and language. A second part shows how such Sartrean magic is highly relevant for a number of concrete case studies: the arts, advertising, racism and stupidity, and certain instances of psychopathology. O'Shiel shows that Sartre's magical being is important for any contemporary philosophical anthropology because it is essentially at work at the heart of many of our most significant experiences, both creative and damaging.