Download Free Illyria Book in PDF and EPUB Free Download. You can read online Illyria and write the review.

Madeleine and Rogan are first cousins, best friends, twinned souls, each other’s first love. Even within their large, disorderly family—all descendants of a famous actress—their intensity and passion for theater sets them apart. It makes them a little dangerous. When they are cast in their school’s production of Twelfth Night, they are forced to face their separate talents and futures, and their future together. This masterful short novel, winner of the World Fantasy Award, is magic on paper.
As a reporter for the prestigious New York Times the author interviewed many of the leading political figures of the Balkans (Illyria). He also sought out the area's intellectuals, many of them critical of their leaders, and everyday people who provide a sense of daily life. He devotes a chapter to each ethnic group from Vlachs to Serbs, talks about their differences and similarities, and does so without giving offense. He also provides a short historical account of the various places he visits, which deepens our understanding of the local cultures. The reader meets people from all walks of life: politicians, poets, literary and art critics, journalists, handymen, car mechanics, fishermen and farmers. From Milovan Djilas and Nicolae Ceausescu to Markos Vafiadis and Sali Berisha to the Serbian “majstor” Misha and an un-named Bosnian bar singer, Binder's book features a remarkable gallery of people whose presence contributes authenticity and human warmth to the narrative.
Some places have rats. Some places have insects. Some places even have monkeys as vermin. Illyria has mermaids...and Piper is obsessed with one. Just when she thinks her life can't possibly get any more problematic, Astrid waltzes in with her alluring promises and (literally) killer looks. But there are rules in Illyria. Rules against liking a mermaid, and Piper isn't quite sure she can stick to them. NOTE: Mermicide is also available in B&W (non-illustrated) and Kindle versions on Amazon
Illyria in Shakespeare’s England is the first extended study of the eastern Adriatic region, often referred to in the Renaissance by its Graeco-Roman name “Illyria,” in early modern English writing and political thought. At first glance the absence of earlier studies may not be surprising: that area may seem significant only to critics pursuing certain specialized questions about Shakespeare’s Twelfth Night, which is set in Illyria. But in fact, it is not only often misrepresented in the discussions of that play but also typically ignored in the critical conversation on English prose romances, poems, and other plays that feature Illyria or its peoples, some rarely read, others well-known, including Shakespeare’s Comedy of Errors, 2 Henry VI, Measure for Measure, and Cymbeline. Lea Puljcan Juric explores the reasons for such views by engaging with larger questions of interest to many critics who focus on subjects other than geographic regions, such as “othering,” religion, race, and the development of national identity, among other issues. She also broadens the conversation on these familiar problems in the field to include the impact of post-Renaissance notions of the Balkans on the erasure of Illyria from Shakespeare studies. Puljcan Juric studies the encounters of the English with the ancient and early modern Illyrians through their Greek and Roman heritage; geographies, histories, and travelogues, written in a variety of European polities including Illyria itself; religious conflict after the Reformation and the threat of Islam; and international politics and commerce. These considerations show how Illyria’s geopolitical position among the Ottoman Empire, Habsburg Empire and Venice, its “national” struggles as well as its cultural heterogeneity figured in English interests in the eastern Mediterranean, and informed English ideas about ethnicity, nationhood, and religion. In Shakespeare studies, however, critics have consistently cast Twelfth Night’s Illyria as a utopia, an enigma, or a substitute for England, Italy, or Greece. Arguing that twentieth-century politics and negative conceptions of the eastern Adriatic as part of “the Balkans” have underwritten this erasure of Illyria from our perspective on the field, Puljcan Juric shows how entrenched cultural hierarchies tied to elitism and colonial politics still inform our analyses of literature. She invites scholars to recognize that, for Shakespeare and his contemporaries, Illyria is the site of important socio-political and cultural struggles during the period, some shared with neighboring areas, others geographically specific, that invite dynamic historical and literary scrutiny.
The burial tumulus of Lofkend lies in one of the richest archaeological areas of Albania (ancient "Illyria"), home to a number of burial tumuli spanning the Bronze and Iron Ages of later prehistory. Some were robbed long ago, others were reused for modern burials; few were excavated under scientific conditions. Modern understanding of the pre- and protohistory of Illyria has largely been shaped by the contents of such burial mounds. What inspired the systematic exploration of Lofkend by UCLA was more than the promise of an unplundered necropolis; it was also a chance to revisit the significance of this tumulus and its fellows for the emergence of urbanism and complexity in ancient Illyria. In addition to artifacts, the recovery of surviving plant remains, bones, and other organic material contribute insights into the environmental and ecological history of the region.
For more than a thousand years before the arrival of the Slavs in the sixth century AD, the lands between the Adriatic and the river Danube, now Yugoslavia and Albania, were the home of the peoples known to the ancient world as Illyrians. This book, now available in paperback, draws upon the considerable archaeological evidence that has become available since the Second World War to provide an account of the origins, culture, history and legacy of the Illyrians. John Wilkes describes the geography of Illyria and surveys the region in the prehistoric, Greek, Roman and medieval periods. He discusses Illyrian art, material, culture, religion and customs. A chapter examines the Illyrian language, of which little trace survives, and its connection with other Indo-European languages. Professor Wilkes also scrutinizes the linguistic evidence for the Illyrians' relatedness to other peoples - Thracian, Italic, Greek and Celtic. He concludes with a discussion of a possible survival of an Illyrian native culture in the Roman and Byzantine periods.
The Queen's conjurer, Doctor John Dee; Elizabethan mathematician, cryptographer, and mystic, is commissioned by her Majesty's spymaster, Walsingham, to suss out the loyalty of a Catholic Duke who governs an island in the English Channel. His mission: Discover any treason, religious terrorists and possible threats to The Crown. In preparation for his mission, Dee becomes acquainted with William, an unknown, teenaged playwright, who has just written a horrendousflop - "Prince Amleth". On a blustery winter's day, they set sail on their clandestine mission to find forbidden, seditious clues in the strangest of places. Dee must rely on his ingenuity, build trust with his young companion, and follow each slim lead to discover if recusants exist on the island or if there are yet some loyal to the Crown.His very life depends on it.
Illyria, one of the most mysterious creatures in the Angelverse, must confront her own demons when she sets out to find answers to her existence.