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Reprint of the original, first published in 1881.
A brilliant, ambitious follow–up to The Secret Lives of Buildings, in which Hollis turns his focus from the great architectural constructions of the past to the now–vanished chambers they once contained. The rooms we live in are always more than just four walls. As we decorate these spaces and fill them with objects and friends, they shape our lives and become the backdrop to our sense of self. one day, the structures will be gone, but even then, traces of the stories and the memories they contained will persist. In this dazzling work of imaginative reconstruction, edward Hollis takes us to the sites of great abodes now lost to history and piecing together the fragments that remain, re–creates their vanished chambers. From Rome's palatine to the old palace of Westminster and the petit Trianon at Versailles, from the sets of MGM studios in Hollywood to the pavilions of the Crystal palace and the author's own grandmother's sitting room, The Memory Palace is a glittering treasure trove of luminous forgotten places and the alluring people who lived in them.
For the first time in over twenty years, the exquisite and unique building of the Houses of Parliament, also known as the Palace of Westminster, is the subject of an authoritative and fully illustrated publication, offering new insight into Britain's most famous and celebrated symbol of state. Spanning the medieval period to the present day, The Houses of Parliament: History, Art, Architecture is a fresh, innovative study of this unique and complex Victorian building, placing it within a broad historical, political, and cultural context. The absorbing narrative is complemented by newly commissioned photography and rarely seen archival material, revealing the richly ornamented interiors, the art and the architecture, and how they relate to the political institutions within this monumental edifice, the site of British authority since the eleventh century. -- First book published on the building for over 20 years. -- Fresh perspectives on the history, architecture, art and design of one of the most famous and recognizable buildings in the world. -- Sumptuously illustrated with newly commissioned photography and unseen archival material and artwork from the medieval period to the present day. -- The scene of many of the most famous and significant events in British history and politics. Continues to be at the centre of the British political world today. -- One of the most visited monuments in Europe, drawing millions of tourists from Britain and around the world each year.
Printing and Painting the News in Victorian London offers a fresh perspective on Social Realism by contextualizing it within the burgeoning new media environment of Victorian London. Paintings labelled as Social Realist by Luke Fildes, Frank Holl and Hubert Herkomer are frequently considered to typify the sentimental Victorian genre painting that quickly became outdated with the development of modernism. Yet this book argues that the paintings must be considered as the result of the new experiences of modernity-the urban poverty that the paintings represent and, most importantly, the advent of the mass-produced illustrated news. Fildes, Holl and Herkomer worked for The Graphic, a publication launched in 1869 as a rival to the dominant Illustrated London News. The artists? illustrations, which featured the growing problem of urban poverty, became the basis for large-scale paintings that provoked controversy among their contemporaries and later became known as Social Realism. This first in-depth study of The Graphic and Social Realism uses the approach of media archaeology to unearth the modernity of these works, showing that they engaged with the changing notions of objectivity and immediacy that nineteenth-century new media cultivated. In doing so, this book proposes an alternative trajectory for the development of modernism that allows for a richer understanding of nineteenth-century visual culture.