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This controversial, and fully illustrated book forms a cornerstone of the mythology surrounding anti-Freemasonry. Captain William Morgan, was a disenchanted Freemason, based in Batavia, New York. After he was ejected by the local lodge, he announced he would publish a book exposing the secretive Masonic rituals. Shortly before the book was published in 1826, Morgan disappeared, and three Free Masons were later convicted of kidnapping. Although there were claims that Morgan had been murdered, others say that he was forced to leave the country. The incident led to widespread hostility towards Freemasons in the United States.
Due to the secrecy of Masonic society, the members heavily relied upon symbols and icons to communicate. This groundbreaking study details the secret society's influence on modern American and European aesthetics. In its own way, this book may be one of the most important contributions to an understanding of Western art, and will be invaluable to architects, artists, and anyone interested in the esoteric ideas and iconography of Freemasonry. Concepts such as death, trial, and descent into the depths are prevalent in Masonic architecture, and have permeated the designs of parks, gardens, and cemeteries for centuries. Architectural history professor James Stevens Curl also looks at the way Masonic ideas have permeated other art forms from literature to the performing arts, where operas like Mozart's The Magic Flute used Masonic elements in everything from the characters' names to the music to the stage designs-the original drawings of which are included here.The 190 exceptional illustrations are accompanied by detailed, informative captions.
Containing all the degrees of the Order conferred in a Master’s Lodge, as written by Captain William Morgan. All the degrees conferred in the Royal Arch, Chapter, and Grand Encampment of Knights Tcmplars, Knights of the Red Cross, of the Christian Mark, and of the Holy Sepulchre. Also, the eleven ineffable degrees conferred in the Lodge of Perfection; and the still higher degrees of Prince of Jerusalem, Knights of the East and West, Venerable Grand Masters of Symbolic Lodges, Knights and Adepts of the Eagle or Sun, Princes of the Royal Secret, Sovereign Inspector-General, etc. Revised and corrected to correspond with the most approved forms and ceremonies in the various Lodges of Freemasons throughout the United States.
Freemasonry is part of a long tradition of Western mysticism, steeped in a long-standing and eclectic mixture of historical fact and legend. Much of the ritual and symbolism prevalent in Freemasonry has developed over many centuries and relies heavily on notions inherited from the customs and practices of medieval stonemasons. Members are still taught its precepts using ritual dramas that follow ancient forms and use stonemasons' tools as allegorical guides.This absorbing and informative book provides an account of the history and legends of the Freemasons, from its links with the Knights Templar, its explorations into alchemy and the hermetic tradition, through the age of Enlightenment and the founding fathers of the USA, to the Victorians and up to the present day.
Culled from little-known Masonic texts of the 1800s and early 1900s, this volume is a must-read for anyone curious about the Masonic ties of George Washington, Benjamin Franklin, Paul Revere, John Sullivan, and Joseph Warren, or who is interested in a new perspective on the designs of America.
Many people have heard of Freemasonry, but few have any idea what it is, what it does, or why it exists. Freemasonry is not a religion, but rather a spiritual self-help society whose declared purpose is to help members become better citizens, and it has a strong track record of doing just that since it began in Scotland in the 15th century. Freemasonry For Beginners explores the objectives and teaching methods of Freemasonry and describes its influence on society in the past, present, and future. It recounts the origins of the movement in Scotland and its spread to North America and the rest of the world. Not least of all, it shows how Masonic teachings have helped so many members over the centuries learn the skills to become leaders in society, science, and the arts.
Choice Outstanding Academic Title for 2020 With the dramatic rise of Freemasonry in the eighteenth century, art played a fundamental role in its practice, rhetoric, and global dissemination, while Freemasonry, in turn, directly influenced developments in art. This mutually enhancing relationship has only recently begun to receive its due. The vilification of Masons, and their own secretive practices, have hampered critical study and interpretation. As perceptions change, and as masonic archives and institutions begin opening to the public, the time is ripe for a fresh consideration of the interconnections between Freemasonry and the visual arts. This volume offers diverse approaches, and explores the challenges inherent to the subject, through a series of eye-opening case studies that reveal new dimensions of well-known artists such as Francisco de Goya and John Singleton Copley, and important collectors and entrepreneurs, including Arturo Alfonso Schomburg and Baron Taylor. Individual essays take readers to various countries within Europe and to America, Iran, India, and Haiti. The kinds of art analyzed are remarkably wide-ranging-porcelain, architecture, posters, prints, photography, painting, sculpture, metalwork, and more-and offer a clear picture of the international scope of the relationships between Freemasonry and art and their significance for the history of modern social life, politics, and spiritual practices. In examining this topic broadly yet deeply, Freemasonry and the Visual Arts sets a standard for serious study of the subject and suggests new avenues of investigation in this fascinating emerging field.