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Bible that has been specifically designed for the Bible journaler. [€[ Twice the margin as a traditional journaling Bible! [€[ Spiral bound, so it lies flat and grows with all your entries! [€[ The first-ever square Bible, perfect for social media sharing![€[ Thicker paper than traditional Bibles means reduced bleed-through!
This NIV Journalling Bible, with a cover inspired by the Japanese ceramic art form, kintsugi, is a beautifully presented Bible for you to treasure. The New International Version of the Scriptures is printed in clear, easy-to-read 9PT British Text on thicker than usual Bible paper, with a five centimetre blank margin on every page, giving you lots of extra room for notes, reflections, illustrations or Bible studies. A 32-page concordance can be found at the back. The Bible text is interspersed with 32 pages introducing the art of verse-mapping. This Bible study method encourages you to prayerfully choose a verse, compare it with other translations, study the context, including the history and characters mentioned, and then reflect and allow the Spirit to guide you in application. There are also verses to colour in, with lots of space around them for you to add your own illustrations, and many other pages with creative prompts for Bible journalling.
The best-selling King James translation in a large easy-to-read type size. Features: flexible Italian Leatherette covers, non-glare Bible paper, personalized presentation page, Concordance, satin ribbon marker, 26 pages of classic art illustrating the best known stories from Scripture and 6 pages of historic Bible maps. 6 1/8" x 9 1/4" size.
New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.
Most evangelical Christians believe that those people who are not saved before they die will be punished in hell forever. But is this what the Bible truly teaches? Do Christians need to rethink their understanding of hell? In the late twentieth century, a growing number of evangelical theologians, biblical scholars, and philosophers began to reject the traditional doctrine of eternal conscious torment in hell in favor of a minority theological perspective called conditional immortality. This view contends that the unsaved are resurrected to face divine judgment, just as Christians have always believed, but due to the fact that immortality is only given to those who are in Christ, the unsaved do not exist forever in hell. Instead, they face the punishment of the "second death"--an end to their conscious existence. This volume brings together excerpts from a variety of well-respected evangelical thinkers, including John Stott, John Wenham, and E. Earl Ellis, as they articulate the biblical, theological, and philosophical arguments for conditionalism. These readings will give thoughtful Christians strong evidence that there are indeed compelling reasons for rethinking hell.
Powerful evidence for the existence of a personal God! Information is the cornerstone of life, yet it is something people don't often think about. In his fascinating new book, In the Beginning Was Information, Dr. Werner Gitt helps the reader see how the very presence of information reveals a Designer: Do we take for granted the presence of information that organizes every part of the human body, from hair color to the way internal organs work? What is the origin of all our complicated data? How is it that information in our ordered universe is organized and processed? Gitt explains the necessity of information - and more importantly, the need for an Organizer and Originator of that information. The huge amount of information present in just a small amount of DNA alone refutes the possibility of a non-intelligent beginning for life. It all points to a Being who not only organizes biological data, but also cares for the creation.
The NIV Journal the WordT Bible, Large Print helps you creatively express yourself every day with plenty of room for notes or Bible art journaling next to your treasured verses. With unique and sophisticated covers, this single-column edition features large print type and thick cream-colored paper with lightly ruled lines in the extra-wide margins.