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This volume presents a selection of Betjeman's poems. They deal with love of many sorts, with people of all kinds observed with comedy and pathos, with the places he made his own and with the church whose foibles he pinpointed so exactly.
John Betjeman was without question the most popular poet of the twentieth century and his poems have been bought and read by millions. He opened eyes to what before him had seemed ordinary but is now unforgettable. There is no other poet remotely like him and this collection of favourites is a perfect reminder of his extraordinary originality and appeal. It is perfect too for those who still have in store the pleasure of discovery.
Much of the originality of John Betjeman as a poet, apart from the unique assonance of his haunting verse forms, comes from the sharp and affectionate gusto with which he introduces his readers to the people and places in a poetic world he has made so much his own. He has few rivals in the personal harmonics he draws from his themes and from the natural world as the setting for human hopes and achievements in all their odd, humorous, and poignant trajectories.
John Betjeman, appointed Poet Laureate in 1972, is celebrated as the best loved poet of the twentieth century. His subtle blend of wit and melancholia, affection and criticism continues to attract an ever-expanding readership. From beneath his sparkling wit and deceptively simple nostalgia, Betjeman emerges as the authority on a broad range of subjects from conservation and church architecture to tradition and Englishness. In this selection of his greatest poetry and prose, cherished classics such as Slough, Pot Pourri from a Surrey Garden and A Subaltern’s Love-song sit beside rare gems like Metro-land, Betjeman’s critically acclaimed film script.
Tells the story of a boy's growth to early manhood, seaside holidays, meddling arts, school bullies and an unexpected moment of religious awakening.
A celebration of love from the author and illustrator of Goth Girl, Ottoline and the Cloud Horse Chronicles, Poems to Fall in Love With sees Chris Riddell select and illustrate his very favourite classic and modern poems about love. This beautifully illustrated collection explores love in all its guises, from silent admiration through passion to tearful resignation. These poems speak of the universal experiences of the heart and are brought to life with Chris's exquisite, intricate artwork. This perfect gift, this book features famous poems, old and new, and a few surprises. Classic verses sit alongside the modern to create the ultimate collection. Includes poems from Neil Gaiman, Nikita Gill, Carol Ann Duffy, E. E. Cummings, Shakespeare, Leonard Cohen, Derek Walcott, Hollie McNish, Kae Tempest, John Betjeman and Roger McGough and many more. Enjoy more poetry with Chris's Poems to Live Your Life By, one of the Bookseller's best poetry books of the last twenty-five years.
The inimitable Alan Bennett selects and comments upon six favorite poets and the pleasures of their works In this candid, thoroughly engaging book, Alan Bennett creates a unique anthology of works by six well-loved poets. Freely admitting his own youthful bafflement with poetry, Bennett reassures us that the poets and poems in this volume are not only accessible but also highly enjoyable. He then proceeds to prove irresistibly that this is so. Bennett selects more than seventy poems by Thomas Hardy, A. E. Housman, John Betjeman, W. H. Auden, Louis MacNeice, and Philip Larkin. He peppers his discussion of these writers and their verse with anecdotes, shrewd appraisal, and telling biographical detail: Hardy lyrically recalls his first wife, Emma, in his poetry, although he treated her shabbily in real life. The fabled Auden was a formidable and off-putting figure at the lectern. Larkin, hoping to subvert snooping biographers, ordered personal papers shredded upon his death. Simultaneously profound and entertaining, Bennett's book is a paean to poetry and its creators, made all the more enjoyable for being told in his own particular voice. its creators, made all the more enjoyable for being told in his own particular voice.