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"A replica edition of the ... Francis Bannerman Sons catalogue of 1927 filled with surplus war equipment--antique and modern: cannons, pistols, muskets, rifles, saddles, uniforms, swords, ammunition." Includes 2-page introduction by Joseph Schroeder.
Reproduced from a rare 1903 catalog of architectural woodwork, this compilation displays a vast assortment of finely crafted products. Nearly 300 black-and-white illustrations depict interior and exterior millwork, including window blinds, brackets, china closets, church fittings, doors, frames, gable finishes, linen closets, moldings, shingles, sideboards, wainscoting, parquet floors, and other items.
Fine reproduction of rare catalog depicting 188 pieces of Mission-style furniture: fold-down tables and desks, bookcases with leaded glass doors, library and octagonal tables, chairs, settees, more. Descriptive captions.
By the late nineteenth century, advances in medical knowledge, technology and pharmaceuticals led to the development of a thriving commercial industry. The medical trade catalogue became one of the most important means of promoting the latest tools and techniques to practitioners. Drawing on over 400 catalogues produced between 1870 and 1914, Jones presents a study of the changing nature of medical professionalism. She examines the use of the catalogue in connecting the previously separate worlds of medicine and commerce and discusses its importance to the study of print history more widely.
The lifetime work of the rifle's premier authority. Exhaustive research has taken Brophy into some of the rarest collections in existence.
The jewelry of the Wiener Werkstätte blurs the lines between gorgeous ornament and miniature sculpture The Wiener Werkstätte, or Vienna Workshops, was founded in 1903. The firm's artistic cofounders, Josef Hoffmann and Koloman Moser, subscribed to the English Arts and Crafts ideal of exceptionally well-made objects designed by artists and executed by specialized craftsmen. Following the example of near contemporaries René Lalique and Louis Comfort Tiffany, Hoffmann and Moser shared the belief that jewelry should be valued for its artistic merit and not simply for its monetary value. This opulent publication highlights masterpieces created by the Wiener Werkstätte between 1903 and the early 1920s. It features significant pieces by Josef Hoffmann, Koloman Moser, Carl Otto Czeschka and Dagobert Peche, among others. Supplemental materials include relevant periodicals, design drawings and photographs of prominent clients.