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Roman B.J. Kwasniewski, son of Polish immigrants, used his camera to document life in Milwaukee's Polish community during the early decades of the twentieth century. His images transform the particulars of everyday life at local businesses, in homes and classrooms, and at cultural, social, and recreational events into powerful depictions of the immigrant experience. With an introduction by well-known Milwaukee historian John Gurda, this book offers rare insight into the daily lives of a proud people struggling to maintain their heritage while living in a time of rapid change. While Kwasniewski's camera captured the sights and sounds of Milwaukee at the turn of the century from the perspective of a single ethnic group in a single neighborhood, his photographs resonate far beyond Milwaukee's Polish South Side. They illuminate the particulars of American life during the early decades of the twentieth century. "What we see, reflected in the distant mirror," says John Gurda, "is ourselves."
This is a new volume from the Book of Mormon Academy at Brigham Young University. This volume explores the relationship between the Nephite and the Jaredite records culturally, politically, literarily, and theologically. The first approach is a cultural-historical lens, in which elements of Jaredite culture are discussed, including the impact of a Jaredite subculture on Nephite politics during the reign of the judges, and a Mesopotamia perspective as seership and divination, and the brother of Jared's experience as a liminal one. The second grouping looks at the book of Ether through a narratological lens, all three papers exploring different aspects of Moroni's construction of the book of Ether. The third grouping explores the book of Ether's depiction of women, as it contains one of the most descriptive, yet ambivalent female figures in the Book of Mormon, both historically and in our contemporary era. Finally, the book of Ether is reviewed via a teaching lens. In Alma 37, Alma the Younger explained the teaching value of the Jaredite records, these last two studies examine ways in which the book of Ether in particular can be taught to a modern audience.
Popular author of eight books and abbess of the online retreat center Abbey of the Arts, Christine Valters Paintner explores how the lives and spirituality of twelve monks and mystics offer distinct patterns of thought that will lead you to a deeper understanding of your strengths and areas of growth and will guide you on the path to your true spiritual identity. In Illuminating the Way, Christine Valters Paintner takes you on a journey through your inner life accompanied by twelve great monks and mystics from the Christian tradition. Each figure invites you to discover the energy and potential of a particular archetype--the inner sage in Benedict; the inner visionary in Hildegard of Bingen; and the inner orphan in Dorothy Day. From the prophet Miriam of the Hebrew scriptures to twentieth century monk Thomas Merton, Paintner offers an array of challenging and enlivening models to explore. Paintner is beloved by readers for her creative practices, guided meditations, and beautiful prayers and poems, and she has included all of these elements in her new book to further explore the image associated with each mystic. Her insightful reflections on key selections of each mystic's writings will help you gain greater self-knowledge and experience a deeper encounter with God. Each chapter also includes a full-color painting of each monk or mystic by Marcy Hall with commentary by Paintner and scripture passages and mediations by Paintner's husband, John. Supplemental materials, including a CD with music, a DVD with movement prayers, and a book that includes images, poems, and music notations are available on Paintner's website AbbeyoftheArts.com.
The idea that morally, mentally, and physically superior 'new men' might replace the currently existing mankind has periodically seized the imagination of intellectuals, leaders, and reformers throughout history. This volume offers a multidisciplinary investigation into how the 'new man' was made in Russia and the early Soviet Union in the first third of the 20th century. The traditional narrative of the Soviet 'new man' as a creature forged by propaganda is challenged by the strikingly new and varied case studies presented here. The book focuses on the interplay between the rapidly developing experimental life sciences, such as biology, medicine, and psychology, and countless cultural products, ranging from film and fiction, dolls and museum exhibits to pedagogical projects, sculptures, and exemplary agricultural fairs. With contributions from scholars based in the United States, Canada, the UK, Germany and Russia, the picture that emerges is emphatically more complex, contradictory, and suggestive of strong parallels with other 'new man' visions in Europe and elsewhere. In contrast to previous interpretations that focused largely on the apparent disconnect between utopian 'new man' rhetoric and the harsh realities of everyday life in the Soviet Union, this volume brings to light the surprising historical trajectories of 'new man' visions, their often obscure origins, acclaimed and forgotten champions, unexpected and complicated results, and mutual interrelations. In short, the volume is a timely examination of a recurring theme in modern history, when dramatic advancements in science and technology conjoin with anxieties about the future to fuel dreams of a new and improved mankind.