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Reprint of the original, first published in 1877.
In the Isle of Man, the name of William Christian of Ronaldsway (known as 'Illiam Dhone' by his fellow countrymen even today) still resonates with drama and controversy 350 years after his hurried execution. The fate of this seemingly obscure 17th century Manx official sent shock waves far beyond the shores of his island home, unexpectedly provoking the wrath of King Charles II and rocking the English legal system to its foundations. William Christian was the most trusted employee of the Earls of Derby, the feudal lords of the Isle of Man, yet in the turmoil of the English Civil War this loyal servant surrendered the Island to Oliver Cromwell's Parliamentarian forces. Was this the action of a traitor, or of a patriot, defending the Manx people and their traditions? Or was he simply an opportunist, motivated by nothing nobler than self-interest? Illiam Dhone briefly flourished under Cromwell, but mysterious setbacks and allegations (of embezzlement, plotting a coup and even impregnating his own illegitimate daughter) dogged him until the Restoration, when the new Earl of Derby took revenge and put him on trial. Although a 'silver-tongued orator', Illiam refused to plead and was shot by a firing squad. This intriguing story casts fascinating light on the little-known history and traditions of the Isle of Man, which underpin its unique relationship with England and the UK today.
Cavaliers and Roundheads are figures who appear in hundreds of English ghost stories. In this innovative account, Charles Esdaile argues that such tales are in reality folk memories of an episode of English history that was second only to the Black Death in terms of individual and collective suffering alike, and, further, that they reveal important truths about the way in which the conflict was represented: it is no surprise, then, to find that spectral Cavaliers are often romantic figures and revenant Roundheads grim ones full of menace. Yet, the book is no mere catalogue. On the contrary, rather than being discussed in a vacuum, the tales of haunting are rather set within a detailed regional history of the conflicts of 1642-1651 of a sort that has never yet been attempted, but is, for all that, badly needed.
The author of Ireland's Holy Wars journeys through the Celtic world to discover the Celtic past and what remains of the authentic culture today, discovering that Celtic revival is largely misplaced and that the threats to the world's Celtic communities and culture are relentless.