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In June 2012, President Obama’s executive order enforcing parts of the Dream Act and the Supreme Court’s decision to block components of Arizona’s draconian immigration law propelled the immigration debate back into the headlines once again. Based on oral histories, individual testimonies, and years of research into the lives of ordinary migrants, Living “Illegal” offers richly textured “stories that often get lost in the rhetoric” (Gainesville Sun)—of real people working, building families, and enriching their communities even as the political climate has grown increasingly hostile. Moving far beyond stock images and conventional explanations, Living “Illegal” challenges our assumptions about why immigrants come to the United States, where they settle, and how they have adapted to the often confusing patchwork of local immigration ordinances. This revealing narrative takes us into Southern churches, onto the streets of major American cities, into the fields of Florida, and back and forth across different national boundaries—from Brazil to Mexico and Guatemala. A new preface by the authors frames these stories in light of recent policy developments, as well as the 2012 elections and possible shifts ahead. An unmistakably relevant, deeply humane book, Living “Illegal” will continue to stand as an authoritative guide as we address one of the most pressing issues of our time.
Tells "the story of the building at 80 Wooster Street in New York and the people who lived and worked there. The first of 16 artists' coops started by George Maciunas, founder of the Fluxus art movement, Fluxhouse Coop II spurred the development of SoHo and the spread of worldwide loft conversions. ... The authors reveal the myriad ways that the legal formalities and unavoidable business decisions of a live-work cooperative were shaped on a daily basis." -- back cover.
For two decades photojournalist David Bacon has documented the connections between labor, migration, and the global economy. In Illegal People Bacon exposes the many ways globalization uproots people in Latin America and Asia, driving them to migrate. At the same time, U.S. immigration policy makes the labor of those displaced people a crime in the United States. Bacon makes his case through interviews and on-the-spot reporting both from impoverished communities abroad and from immigrant workplaces and neighborhoods here. He analyzes NAFTA's corporate tilt as a cause of displacement and migration from Mexico and shows that criminalizing immigrant labor also benefits employers. He argues that immigration and trade policy are elements of a single economic system. Bacon traces the development of illegal status back to slavery and shows the human cost of treating the indispensable labor of millions of migrants--and the migrants themselves--as illegal. Illegal People argues for a sea change in the way we think, debate, and legislate around issues of migration and globalization, promoting a human rights perspective throughout a globalized world.
For two decades veteran photojournalist David Bacon has documented the connections between labor, migration, and the global economy. In Illegal People Bacon explores the human side of globalization, exposing the many ways it uproots people in Latin America and Asia, driving them to migrate. At the same time, U.S. immigration policy makes the labor of those displaced people a crime in the United States. Illegal People explains why our national policy produces even more displacement, more migration, more immigration raids, and a more divided, polarized society. Through interviews and on-the-spot reporting from both impoverished communities abroad and American immigrant workplaces and neighborhoods, Bacon shows how the United States' trade and economic policy abroad, in seeking to create a favorable investment climate for large corporations, creates conditions to displace communities and set migration into motion. Trade policy and immigration are intimately linked, Bacon argues, and are, in fact, elements of a single economic system. In particular, he analyzes NAFTA's corporate tilt as a cause of displacement and migration from Mexico and shows how criminalizing immigrant labor benefits employers. For example, Bacon explains that, pre-NAFTA, Oaxacan corn farmers received subsidies for their crops. State-owned CONASUPO markets turned the corn into tortillas and sold them, along with milk and other basic foodstuffs, at low, subsidized prices in cities. Post-NAFTA, several things happened: the Mexican government was forced to end its subsidies for corn, which meant that farmers couldn't afford to produce it; the CONASUPO system was dissolved; and cheap U.S. corn flooded the Mexican market, driving the price of corn sharply down. Because Oaxacan farming families can't sell enough corn to buy food and supplies, many thousands migrate every year, making the perilous journey over the border into the United States only to be labeled "illegal" and to find that working itself has become, for them, a crime. Bacon powerfully traces the development of illegal status back to slavery and shows the human cost of treating the indispensable labor of millions of migrants-and the migrants themselves-as illegal. Illegal People argues for a sea change in the way we think, debate, and legislate around issues of migration and globalization, making a compelling case for why we need to consider immigration and migration from a globalized human rights perspective.
Terry Greene Sterling enters the fearful ghettoes of Arizona, the gateway for nearly half of the nation's undocumented immigrants and the state that is the least welcoming toward them, to tell the stories of the men, women, and children who have crossed the border.
“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today
A day after José Ángel N. first crossed the United States border from Mexico, he was caught and then released onto the streets of Tijuana. Undeterred, N. crawled back through a tunnel to San Diego, where he entered the United States to stay. Illegal: Reflections of an Undocumented Immigrant is his timely and compelling memoir of building a new life in America. Arriving in the 1990s with a ninth grade education, N. traveled to Chicago where he found access to ESL and GED classes. He eventually attended college and graduate school and became a professional translator. Despite having a well-paying job, N. was isolated by a lack of legal documentation. Travel concerns made promotions impossible. The simple act of purchasing his girlfriend a beer at a Cubs baseball game caused embarrassment and shame when N. couldn't produce a valid ID. A frustrating contradiction, N. lived in a luxury high-rise condo but couldn't fully live the American dream. He did, however, find solace in the one gift America gave him–-his education. Ultimately, N.'s is the story of the triumph of education over adversity. In Illegal, he debunks the stereotype that undocumented immigrants are freeloaders without access to education or opportunity for advancement. With bravery and honesty, N. details the constraints, deceptions, and humiliations that characterize alien life "amid the shadows."
Publisher Description
A powerfully moving, award-winning graphic novel that explores the current plight of undocumented immigrants from New York Times bestselling author Eoin Colfer and the team behind the Artemis Fowl graphic novels. How can a human being be illegal for simply existing? Ebo is alone. His brother, Kwame, has disappeared, and Ebo knows it can only be to attempt the hazardous journey to Europe, and a better life—the same journey their sister set out on months ago. But Ebo refuses to be left behind in Ghana. He sets out after Kwame and joins him on the quest to reach Europe. Ebo's epic journey takes him across the Sahara Desert to the dangerous streets of Tripoli, and finally out to the merciless sea. But with every step he holds on to his hope for a new life, and a reunion with his family. An achingly poignant tale for learning about immigration and current global issues. This book is fiction, but it is based on a very real and terrible journey. There are young people who have lived this, and it is a story those young people want us to know about. 2019 Excellence in Graphic Literature Award Winner A New York Public Library Best Book of 2018 A Chicago Public Library Best Book of 2018 An Amazon Best Book of 2018 A Kirkus Reviews Best Middle Grade Graphic Novel of 2018 An American Library Association Notable Book for 2019 2019 YALSA Top Ten Great Graphic Novels for Teens 2019 CBC Notable Social Studies Book A Junior Library Guild Selection