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Ill Met by Murder, the second in Elizabeth J. Duncan's compelling mystery series, will satisfy every Shakespeare and mystery lover alike It's the most important night of the year for costume designer Charlotte Fairfax and the Catskills Shakespeare Theater Company—the annual fund raising performance at the country estate of the wealthy widow Paula Van Dusen. This year, the company will give a moonlight performance of A Midsummer Night's Dream as part of the wedding celebrations for Paula's daughter, Belinda, and her fiance Adrian. But then Hugh Hedley, family friend of the Van Dusens and Adrian's rival in the cutthroat world of high-end Manhattan real estate, is found murdered with a stolen prop from the play. Paula, desperate to keep her daughter's name of out of the paper, enlists Charlotte's help, despite the fact that Charlotte's already got her hands full amidst her costume design responsibilities and finding a home for the company's new theater school. But Charlotte nevertheless throws herself into an investigation of shady business deals, a missing dog, and long buried family secrets because "though she be but little, she is fierce!"
When a directorial debut turns deadly, it falls to costume designer Charlotte Fairfax to unmask the culprit in award-winning author Elizabeth J. Duncan’s third Shakespeare in the Catskills mystery Charlotte Fairfax has another murder on her hands as she prepares for the latest performance of the Catskills Shakespeare Theater Company, Much Ado About Nothing. The company’s steady growth enables them to cast star British actress Audrey Ashley, who arrives on scene to play the lead role of Beatrice. But things immediately get more complicated when Audrey insists the company replace the current director with new, up and coming British director Edmund Albright. Edmund plans to change the popular romantic comedy, which alienates several people associated with the production. And the list of people he upsets only grows: the laid off former director, the hotel owner’s secretary, and even Audrey herself. Just as Edmund’s plans are about to come to fruition, his body is discovered on his sofa, holding a gun in his hand. His death is quickly ruled a suicide but Charlotte thinks otherwise. Why would Edmund, on the brink of greatness, kill himself? With a whole cast of characters to investigate, Charlotte is determined to unmask each one before it’s final curtain call on the whole production.
GOD (AND ELFLAND) SAVE THE QUEEN Peace reigns in Elfland. Incredibly, King Oberon and his exquisite but willful queen, Titania, are at peace with one another. But still the FarSeers of the Selieghe Court are uneasy. They fear trouble is coming to the mortal world of England, which is close to Elfhame Avalon. King Henry VIII is ageing but the futures shown when the FarSeers lift the great crystal lens are unchanged. The rule of the son Great Harry finally succeeded in begetting will bring gray lives and a misery of dull oppression to England. Worse will come if his eldest daughter comes to the throne--a queen warped by fanaticism who might easily summon the Inquisition to rule by torture and fire, burning out heresy ... and every bright aspect of life. The prize at the end of the rainbow is the possibility of a red-haired queen with lion-gold eyes, brilliant with interest and curiosity, welcoming the blossoming of art, music, and literature. But now the last image is flickering, edged in a dark menace. Years before, Prince Vidal had tried to seize the child Elizabeth and replace her with a simulacrum who would soon die. Vidal had been wounded almost to death in the attempt--but so also had Denoriel, Elizabeth's principal protector. Denoriel is now healing--but so, unbeknownst to those of the Bright Court, is Vidal. And when Vidal wakes to himself, his determination to hurl England into a new dark age is fiercer than ever, fueled by his fury over his defeat and injury. Also, his Dark Court feeds on human suffering and dark emotions. To ensure his own power, he must at all costs prevent Elizabeth from coming to the throne. To gain this goal, Vidal has set in motion a plan of which Denoriel and his comrades are dangerously unaware. . . . At the publisher's request, this title is sold without DRM (Digital Rights Management).
On a steamy August night in 1952, a British family settles down to sleep beside their car in a lay-by. Before daybreak all three of them, a father, a mother, and their ten-year-old daughter, have been brutally murdered. In a remote corner of Provence two worlds collide under a full moon. The British family are pioneering scientists and cosmopolitan; the French family accused of the crime are farmers defined by their land and codes of conduct which struck outsiders as feral. The accused farmers closed ranks and lied repeatedly in the shadow of the guillotine and to save the family’s honour. An inspector calls. With extraordinary tenacity he tracks down the man dubbed ‘the monster of the farm of the damned’. This is the true story of the most contested murder in France since the Second World War, the inspiration for films and tales of espionage, hit squads, wartime bullion treasure, and chemical weapons research. Doubts still linger locally in this part of France as to the final judicial outcome. Conspiracy theories about the reason for the murders are routinely aired, and some family members of the man finally convicted of the crime still claim his innocence.
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.
NOW WITH AN INTRODUCTION BY W. STANLEY MOSS'S DAUGHTER GABRIELLA BULLOCK AND AN AFTERWORD BY PATRICK LEIGH FERMOR Ill Met By Moonlight is the true story of one of the most hazardous missions of the Second World War. W. Stanley Moss is a young British officer who, along with Major Patrick Leigh Fermor, sets out in Nazi-occupied Crete to kidnap General Kreipe, Commander of the Sevastopool Division, and narrowly escaping the German manhunt, bring him off the island - a vital prisoner for British intelligence. As an account of derring-do and wartime adventure, made into a classic film starring Dirk Bogarde, Ill Met By Moonlight is one of the most brilliantly written, exciting and compelling stories to come out of the Second World War.
A black Labrador retreiver discovers the body of a missing woman at an agricultrual fair. A newcomer to town, a transgender woman, is suspected but amateur sleuth Penny Brannigan believes her to be innocent. Penny sets out to find the real killer, but when a second body is discovered, the case is thrown into confusion and it's up to Penny to figure out what happenend and why.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.