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"Palazzo delle Papesse Contemporary Art Centre presents a major exhibition showcasing the German movement, Zero Group, and the origins of kinetic art in Italy, opening on May 29th. The selection of works on display covers the period going from the late Fifties to the mid-Sixties. The curators, Marco Meneguzzo and Stephan von Wiese, have focused especially on the founders of Zero Group: Otto Piene, Heinz Mack and Günther Uecker. The same years saw the beginning, in Italy, of a series of related artistic movements - such as Azimuth and the Gruppo T in Milan, or the Gruppo N in Padua - which will be represented in the show through a wide anthology of works. The retrospective aims to provide a portrait of the moment where the paths of the three German artists met and joined, originating one of the most interesting artistic trends to see the light during the second half of the Twentieth century. At the same time, the show as a whole intends to provide an update on the artistic results the members of the group independently achieved after their separation in 1966. To this purpose, each of the three artists will display a work specifically produced for the Papesse show. Moreover, the exhibition also showcases the works of those Italian artistic movements that, while collaborating with the Zero Group in Europe during the Sixties, developed their own, autonomous artistic narratives. The exhibition takes its first steps from the origins of the Zero Group in Germany, acknowledging the explicit references of those early works to artists such as Manzoni, Klein and Fontana; it then moves on to Italy, highlighting the close affinity of the German group with the dynamics of Italian artists of the early Sixties, and the motivations behind kinetic art and programmed art."--Kunstaspekte website.
Monographie approfondie analysant 50 ans de travail de l'artiste japonais.
Ludwig Klages' 1922 book, On Cosmogonic Eros (Vom kosmogonischen Eros), delves into the realms of mythology, the esotericism of ancient mystery cults, and the science of consciousness to construct a profound metaphysics of life. At its core, Klages presents Eros as an "Eros of distance," from which springs forth the essence of ecstasy and de-selfing. This intriguing concept suggests that experiencing separation and distance can lead to extraordinary states of transcendent bliss and a dissolution of the self. Furthermore, Klages argues that this ecstatic experience serves as the foundation for the emergence of symbolism, the cult of the dead, ancestor worship, as well as the creation of original poetry and art. Klages' work offers a concise and engaging exploration of these key concepts, intertwining mythology, esoteric knowledge, and the study of consciousness to illuminate the enigmatic nature of life and the transformative power of Eros.