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A handy pocket-sized guide which covers the complete architectural history of the city from its origins to the present. Maps and plans facilitate location.
A recurrent theme that characterizes the work of Dennis Oppenheim (Electric City, Washington, 1938), one of the most unusual and adventurous of contemporary American artists, is the encounter between art and nature. His first work using land, in Oakland, was produced in 1967. From the beginning of the Seventies, his work began to take a wide variety of forms, from performance art to installations, from video to the production, at the end of the decade, of the machine pieces, three-dimensional structures animated by mechanical devices. In 1986, the work of the artist took another turn: his works, enormous imaginary objects, mutant and distorted, are all pervaded by a new violent and playful irony. This book presents Oppenheim's sculptural upside-down church Device to root out evil. Produced for Venice, this glass and aluminum sculpture, 12 metres high, 6 metres long, and 4 metres deep, balances only on the tip of the bell-tower.
Il volume è dedicato alla Light Art, la corrente dell'arte contemporanea che utilizza la luce artificiale come strumento espressivo primario. Nella prima sezione un saggio introduttivo di Amnon Barzel evidenzia come uno studio praticamente ininterrotto sulle valenze cromatiche della luce abbia accompagnato la storia dell'arte dalla sua nascita fino agli sviluppi più recenti. Seguono un testo di Paolo Targetti sul ruolo fondamentale che il rapporto tra arte e industria gioca nell'ambito dell'arte contemporanea e un'intervista di Consuelo de Gara a James Turrell. La seconda sezione è invece dedicata alla Targetti Light Art Collection, una delle più prestigiose collezioni al mondo dedicate alla luce artificiale. Annotation Supplied by Informazioni Editoriali
This volume presents the history of glass shown through 400 works ranging from ancient times to the new technological applications. Rarities and masterpieces of glass art from important Italian and foreign, public and private collections of antique, modern and contemporary glass are shown.