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Charles Paterno was seven when he left Castelmezzano, a small mountain town in Basilicata to set sail on one of the rattletrap ships headed to America. Thirty years later he was one of the top builders in New York City, among the first to construct the skyscrapers that would form the world's most famous skyline. Intelligence, brilliance, intuition and an ability to stay ahed of the times made him a leading figure in the life of Manhattan. He created garden communities, focused on new technologies and turned to the best architects. Paterno didn't just want to offer houses, but new lifestyles to tens of thousands of people. His first American dream looked like a white castle at the northernmost tip of Manhattan, where he lived for years with his wife and son, sorrounded by a small but very loyal retinue. A friend of Giuseppe Prezzolini, he donated a library of 20.000 books, the Paterno Library, to the Casa Italiana at Columbia University. Fiorello La Guardia, the Italian-American mayor of New York City, called him a genius. Born into poverty, Paterno died a wealthy man on the green of the most exclusive country club in Westchester.
A portrait of the sun-drenched volcanic city from an American who has lost his heart to the place and to a beguiling Neapolitan woman. In Falling Palace Dan Hofstadter brilliantly reveals Naples, from the dilapidated architectural beauty to the irrepressible theater of everyday life. We witness the centuries-old festivals that regularly crowd the city’s jumbled streets, and eavesdrop on conversations that continue deep into the night. We browse the countless curio shops where treasures mingle with kitsch, and meet the locals he befriends. In and out of these encounters slips Benedetta, the object of the author’s affections, at once inviting and unfathomable. Weaving the tale of an elusive love together with a vivid portrayal of a legendary metropolis, this is a startling evocation of a magical place.
People aren’t born serial killers,,, these monsters are formed over time. Now is the Slayer’s time. Will rookie detective Donna Harris be able to follow the clues, decipher the evidence and stop him before he kills again? before she becomes a victim herself. The Slayer doesn’t want revenge. He isn’t motivated by anger, greed, or jealousy. He wants more from his victims, much more. More than money, more than sex, more than their physical suffering. He wants their souls. Claiming one new victim each week, the Slayer has the city living in terror. With each new week, the vigil begins anew. The Slayer, lurking in the shadows, has the city gripped in fear and the police frustrated. All wait for the new victim, the next companion of the Slayer to be chosen, to be taken. With few clues and even less evidence, the police struggle to identify the Slayer. Their efforts are complicated by a leak within the FBI, unrelenting pressure from the Mayor’s office, a missing victim, a copycat killer and the appearance a bloodthirsty vigilante. As time runs out, the detectives race to piece together the clues, complete the profile, and save the next innocent victim. With help from the crime lab, a few strands of hair, a drop of blood and a failed drug test, the police are closing in. Innocent lives hang in the balance as the investigators work feverishly to stop the killer stalking his prey in, A City Without Pity. If you enjoy an action-packed police drama A City Without Pity , will keep you reading well into the night. Packed with police procedures, CSI techniques and profiling, A City Without Pity has just the right amount of details and back story combined with an fast pace to keep the story steam rolling towards it dramatic conclusion.
'The Interpreter isn't merely the sequel to New Finnish Grammar and The Last of the Vostyachs: it is a singular and deeply felt thesis, a warped manifesto of sorts, derived from a career spent immersed in languages. For Marani is up to his old tricks. Like in its predecessors, the novel comes dripping in satire, but this time of a more avowedly self reflexive nature... A primordial, universal language is the trick, and it is this which, and it is this with which Marani's interpreter, the shape-shifter at the heart of this masked ball of a novel, purports to have 'infected' Felix. His 'incomprehensible blather' might in fact be 'the ancient language of Eden, the one in which the serpent spoke to Adam'. Marani's ideas are typically far-reaching and provocative.' Thea Lenarduzzi in The Times Literary Supplement 'This is more of a romp than the other two novels, more comedic, albeit a very dark kind of comedy; part investigation into the properties of language, part thriller. The only lead Bellamy has is a list of seemingly random cities: Vancouver, San Diego, Papeete, Vladivostok, Odessa ... At one point he is sent to a sinister therapeutic institution, where patients are taught languages unknown to them in order to address their problems (Bellamy is assigned Romanian. Each language has its own therapeutic effect, but “English is the language of cowards and queers,” says an inmate angrily at one point, which is certainly a new way of looking at it). When we find out what links the list of cities together we realise that we have, in a most enjoyable way, been subject to a kind of superior shaggy dog story. Marani understands the appeal of the idea of the primordial language, but knows well enough that it is a Snark, a chimera, which is why the novel ends the way it does, why it is deliberately not as haunting as Grammar and Vostyachs, and also why Marani says this is the last time he’ll address the subject in fiction. It is excellently translated by Judith Landry, who I hope is not suffering like Marani’s characters.' Nick Lezard's Choice in The Guardian
Understanding Italo Calvino's love of storytelling is pivotal to understanding the cultural and literary matrix of his lush fictional universe. A rich and vibrant critical portrait of Calvino's work.
Italo Calvino, Italy's most important postwar novelist, was also an influential literary critic, an important literary editor, and a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal, Michelangelo Antonioni and Pier Paolo Pasolini. The letters included in this selection are filled with insights about Calvino's writing and that of others; about Italian, American, English, and French literature; about literary criticism and literature in general; and about culture and politics.
From the acclaimed, genre-bending Italian fabulist author, a posthumous collection of career-spanning stories previously unavailable in English. “Everybody telephones everybody at every possible moment, and nobody can speak to anybody . . . Distance has been the warp that supports the weft of every love story.” —from Numbers in the Dark Written between 1943 and 1984, the stories in Numbers in the Dark span the career of one of fiction’s modern masters: from Italo Calvino’s earliest fables, to tales informed by life in World War II–era Italy, to the delightful experimentation that would define his later work. Here are speculative stories on life in the digital age, genre-bending wonders, and “impossible interviews” with the likes of Montezuma and a Neanderthal. Deftly translated by Tim Parks, Numbers in the Dark shows off Calvino’s lifelong gift for subtle humor and shimmering philosophical insight. Praise for Numbers in the Dark “Numbers in the Dark is a glorious grab-bag . . . [with] enough gems from every phase in Calvino’s career to make it feel indispensable.” —Seattle Times “These stories reward the patient reader with wisdom, humor, and insight.” —Library Journal “Calvino . . . is well-represented in this continually surprising collection . . . . Novelist Parks's superb translations capture Calvino’s quirky, iconoclastic voice, helping to make this a worthy addition to the Calvino shelf.” —Publishers Weekly
"These three stories, set during the summer of 1940, draw on Italo Calvino's memories of his own adolescence during the Second World War, too young to be forced to fight in Mussolini's army but old enough to be conscripted into the Italian youth brigades. The callow narrator of these tales observes the mounting unease of a city girding itself for war, the looting of an occupied French town, and nighttime revels during a blackout. Appearing here in its first English translation, Into the War is one of Calvino's only works of autobiographical fiction. It offers both a glimpse of this writer's extraordinary life and a distilled dram of his wry, ingenious literary voice."--from cover, page [4].