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The narrative of this book moves backwards across the generations from two brothers – George and Richard Dreyfus – who came to Australia from Germany on a Kindertransport in 1939. The circumstance of their forced migration situates that narrative squarely in relation to the Second World War in general, and the persecution of the Jews and the Holocaust in particular. Untimely death dominates the stories of many of these ancestors, relatives whom the brothers never knew. The chronicle of the extended European Dreyfus family provides a template for German Jewish history across the nineteenth and twentieth centuries. It includes rural Jews, people living in small towns or village communities, who were very different in outlook and lifestyle from those assimilated, secular, affluent, urban Jewish relatives who George remembers better. Using materials from George Dreyfus’s extensive personal archive and the collections of other family members, supplemented by the resources of the internet, the book aims to capture as much as is possible of the story of the European family for the sake of the generations to come, since such history can be so quickly and easily forgotten. In Jewish culture, remembering is a duty, a collective responsibility, a mitzvah, even when – as in this book – remembering is discomforting and confronting. In those familiar words of Immanuel Kant, “Tot ist nur, wer vergessen wird” [Only those who are forgotten are dead].
This is the second part of the Wallenstein trilogy by German playwright and mastermind Friedrich Schiller. The work as a whole produced a profound impression, and it is certainly Schiller's masterpiece in dramatic literature. He brings out with extraordinary vividness the ascendency of Wallenstein over the wild troops whom he has gathered around him, and at the same time we are made to see how the mighty general's schemes must necessarily end in ruin, not merely because a plot against him is skilfully prepared by vigilant enemies, but because he himself is lulled into a sense of security by superstitious belief in his supposed destiny as revealed to him by the stars. Wallenstein is the most subtle and complex of Schiller's dramatic conceptions, and it taxes the powers of the greatest actors to present an adequate rendering of the motives which explain his strange and dark career. The love-story of Max Piccolomini and Thekla is in its own way not less impressive than the story of Wallenstein with which it is interwoven. This is the bilingual edition of this literary masterpiece including the English and German versions of the play.
Pink Triangle Legacies traces the transformation of the pink triangle from a Nazi concentration camp badge and emblem of discrimination into a widespread, recognizable symbol of queer activism, pride, and community. W. Jake Newsome provides an overview of the Nazis' targeted violence against LGBTQ+ people and details queer survivors' fraught and ongoing fight for the acknowledgement, compensation, and memorialization of LGBTQ+ victims. Within this context, a new generation of queer activists has used the pink triangle—a reminder of Germany's fascist past—as the visual marker of gay liberation, seeking to end queer people's status as second-class citizens by asserting their right to express their identity openly. The reclamation of the pink triangle occurred first in West Germany, but soon activists in the United States adopted this chapter from German history as their own. As gay activists on opposite sides of the Atlantic grafted pink triangle memories onto new contexts, they connected two national communities and helped form the basis of a shared gay history, indeed a new gay identity, that transcended national borders. Pink Triangle Legacies illustrates the dangerous consequences of historical silencing and how the incorporation of hidden histories into the mainstream understanding of the past can contribute to a more inclusive experience of belonging in the present. There can be no justice without acknowledging and remembering injustice. As Newsome demonstrates, if a marginalized community seeks a history that liberates them from the confines of silence, they must often write it themselves.
Plebiscites, or referendums, are epitomes of direct democracy and the right of self-determination. While direct democracy has always been a key subject in the theory and practice of western liberal democracies, the issue of self-determination has been propelled to the fore by the hegemonistic moves of Russia. By providing a historical analysis of the post-World War One plebiscites, this book deals with enduring, painfully contemporary, and in in any case fundamental, concepts. The contributors to this edited volume approach the referendums comparatively. After grounding the analysis theoretically, the authors look at detailed aspects of individual cases, with the two plebiscites held in the Danish-German border region of Schleswig in the winter of 1920 as points of departure. They then extend the exploration through the inter-war period and address the effects of border delimitations on everyday life or gender roles in the context of ethnic mobilization. Finally, the book places the post-World War One plebiscites in a long-term perspective. The concluding essays assess, among others, the applicability of plebiscitary solutions to contemporary conflicts, taking into consideration issues of borders, religion, language, identity, and minority rights.
The extent to which the Nazi regime was truly representative of the German people was a key issue for external commentators. First published in 1940, The German People versus Hitler sets out to prove that the identification of ‘Germany and the Third Reich, Germanism and Nazism, the German people and the Nazi Party’ is a fallacy. It identifies widespread sources of opposition to the Nazi regime from all strata, including the Church and from the former socialist parties.