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We live in a time of great social, political and economic crisis that many date to the collapse of the global banking system in 2008. Many are finding it difficult to contextualise the hardships that have taken place in the years following on from those events. It is difficult to find the answers in our present media landscape, or in a political and intellectual climate that continues to laud capitalism as the winning economic system coming out of both World War II and the end of the Cold War, which has become over the last century synonymous with democracy itself. The irony is that in our times the majority of the world’s people feel disenfranchised by both capitalism and democracy. How did we come to this historical juncture? What can we learn not just from history, but from our cultural artefacts that might tell us how we first came to conduct ourselves within a system of global finance capitalism? This volume proposes that we reinterpret the writings of Charles Dickens to find the antecedents of our present situation with regards to capital, empire and subjectivity.
Jean-Michel Rabaté uses Nietzsche's image of a “pathos of distance,” the notion that values are created by a few gifted and lofty individuals, as the basis for a wide-ranging investigation into the ethics of the moderns. Revealing overlooked connections between Nietzsche's and Benjamin's ideas of history and ethics, Rabaté provides an original genealogy for modernist thought, moving through figures and moments as varied as Yeats and the birth of Irish Modernism, the ethics of courage in Virginia Woolf, Rilke, Apollinaire, and others in 1910, T. S. Eliot's post-war despair, Jean Cocteau's formidable selfmythology in his first film The Blood of a Poet, Siri Hustvedt's novel of American trauma, and J. M. Coetzee's dystopia portraying an affectless future haunted by a messianic promise.
Developmental projects have long been displacing people in large numbers every year, but it is only in recent years that the fate of those adversely affected has become an issue of widespread concern requiring urgent action. This volume is the scholarly exploration of these critical issues in a wider perspective, examining resettlement policies as well as resettlement strategies, their strengths, their weaknesses, the persisting gap between policy and its actual practice and the means to improve resettlement outcomes. This volume is well-structured into four parts: (a) Displacement and Resettlement in Developmental Projects (b) Re-examining Resettlement Policies (c) Addressing Resettlement Concerns and (d) Resettlement in a Globalizing World. It goes beyond the common description of resettlement problems and attempts at gaining a deeper understanding of resettlement realities. In a separate section, the book discusses the hotly debated current issues of resettlement policy and practice in the context of globalization. The volume contains original case studies which will bring to academic and policy tables a body of important new ideas that will stimulate debates and also hopefully change and improve current practices. The contributors to this volume are eminent scholars, including some who have played a vital role in shaping resettlement policies as well as in implementing projects at the grassroots level.
In this touching account, veteran New York Times reporter Joseph Berger describes how his own family of Polish Jews -- with one son born at the close of World War II and the other in a "displaced persons" camp outside Berlin -- managed against all odds to make a life for themselves in the utterly foreign landscape of post-World War II America. Paying eloquent homage to his parents' extraordinary courage, luck, and hard work while illuminating as never before the experience of 140,000 refugees who came to the United States between 1947 and 1953, Joseph Berger has captured a defining moment in history in a riveting and deeply personal chronicle.
A loophole in the Postal Services Act says you can open other people’s mail under certain circumstances. This is that certain circumstance... Songs, politics, dodgy landlords and detective work: Another potentially felonious show by the award-winning Sh!t Theatre for Generation Rent.
Through incisive readings of ten poets from William Wordsworth to Alice Oswald, this book shows how poets have engaged with the possibilities and pitfalls of memory. Linking poets’ uses of personal, aesthetic, and collective memory, as well as history, the book provides a new critical template for understanding how literature engages with the past.
Human displacement is an old phenomenon; however, the dislocation of people in the twenty-first century has been unprecedented. At the end of 2019, over 260 million people were living outside their countries of birth. Some are forced to relocate—by violence, wars, hunger, persecution, and other causes—and some are voluntary migrants. A single term cannot define who they are or why they are on the move. For those uprooted by force, the psychological and spiritual loss of homeland can be devastating. The millions who are mentally uprooted—because of war-induced PTSD, addiction, and aging—can suffer similar displacement and trauma. Through outstanding fiction, poetry, memoir, and drama, the authors in Displaced Lives vividly depict the responses and emotions of ordinary people to displacement, a devastating and widespread crisis of our time. Authors are from Bangladesh, Canada, Cuba, China, Germany, India, Ireland, Iran, Israel, Macedonia, Mexico, the Netherlands, Pakistan, the Philippines, Romania, Russia, South Africa, Spain, and the U.S. Featured is a portfolio of photographs by Serena Chopra, taken in the Tibetan refugee colony of Majnu Ka Tilla, Delhi.
Miles Asher, a respected physician in the prime of his career, commits a critical error resulting in the sudden death of a patient and friend. His remorse, intensified by the ambiguous circumstances surrounding his father’s demise, begins to consume him, threatening both his career and family. Attempting to come to terms with his fallibility, Asher immerses himself in the story of Zigfrid Zantay, a dying patient, who, at one time, had been Asher’s mentor. As a child, during World War II, after the Nazis abducted his father, Zantay spent his youth imprisoned in Displaced Persons camps. Asher follows Zantay’s quest to discover the fate of his father, mirroring Asher’s own search, as they each seek to become liberated from their oppressive pasts. Instead, they uncover evidence of their fathers’ inexcusable crimes. In scenes that range from the charged intensity of a hospital emergency room, to a ravaged post-war Europe, to the bowels of Auschwitz, Displaced Persons follows these two untethered souls as they are forced to confront the stigma of intergenerational guilt and the need to persevere over their flawed legacies.
This lively and intellectually vigorous conspectus of studies approaches the subject of exile from a variety of disciplinary perspectives. The contributions to this volume give due attention to the twentieth century migratory phenomena, theorised by Edward Said, Julia Kristeva and Salman Rushdie. They also show that the discourse and experience of exile is not the stuff of modernity alone. The volume illustrates that the waning of the Middle Ages, Reformation and Restoration politics, and the importation of Egyptian mummies into a nineteenth-century England hungry for imperial exotica reveal displacement, dislocation, otherness and the uncanniness of observing strangers-on-display to have long been part of European cultural currency. The essays range across a variety of disciplines: literary studies, modern languages, history of science, philosophy and museum studies.