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Italian writer and political activist Ignazio Silone spent fifteen years from 1929 to 1944 as a political exile in Switzerland. Focusing on this period, this book throws new light on Silone's complex biography and shows how his literary production influenced and was influenced by fellow antifascist German émigrés and the Swiss socialist intelligentsia. Using previously unknown archival materials, letters, and diaries, and following a flexible chronological structure, the book examines the developing role Silone played in the intellectual life of Zurich. Its analysis of Silone's links with 'Bauhaus' circles, disciples of C.J. Jung, and Zurich's socialist city council offers an interdisciplinary and comparative perspective on Silone's exile that both questions and celebrates his status as an 'un-Italian' Italian author. Holmes also considers wider topics such as the functions of the engagé writer in times of crisis, the dynamics of cultural transfer through translation, and the phenomenon of exile literature. Italian antifascist exile writing is an area of Italian literature that has never been explored as an entity. With its painstaking archival research and critical approach to the pioneering methods and results of German 'Exilforschung,' Ignazio Silone in Exile opens the way for further studies on this little known aspect of Italian emigration culture.
From the New York Times best-selling author of Blitzed, the incredible true story of two idealistic young lovers who led the anti-Nazi resistance in the darkening heart of Berlin.
Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year “Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal “Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston Globe Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.
We are used to distinguishing the despotic regimes of the 20th century - communism, fascism, National Socialism, Maoism - very precisely according to place and time, origins and influences. But what should we call that which they have in common? On this question, there has been and is still a passionate debate. This book documents the first international conference on this theme, a conference that took place in September of 1994 at the University of Munich. The book shows how new models for understanding political history arose from the experience of modern despotic regimes. Here, the most important concepts - totalitarianism and political religions - are discussed and tested in terms of their usefulness.
The central theme of this volume is the work of Sabahattin Ali, the Turkish author and translator from German into Turkish who achieved posthumous success with his novel Kürk Mantolu Madonna (The Madonna in the Fur Coat). Our contributors analyze this novel, which takes place largely in Germany, and several other texts by Ali in the context of world literature, (cultural) translation, and intertextuality. Their articles go far beyond the intercultural love affair that has typically dominated the discussion of Madonna. Other articles consider Zafer Şenocak’s essay collection Deutschsein and transcultural learning through picture books. An interview with Selim Özdoğan rounds out the issue.
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Bertolt Brecht in Context examines Brecht's significance and contributions as a writer and the most influential playwright of the twentieth century. It explores the specific context from which he emerged in imperial Germany during the late nineteenth and early twentieth centuries, as well as Brecht's response to the turbulent German history of the twentieth century: World Wars One and Two, the Weimar Republic, the Nazi dictatorship, the experience of exile, and ultimately the division of Germany into two competing political blocs divided by the postwar Iron Curtain. Throughout this turbulence, and in spite of it, Brecht managed to remain extraordinarily productive, revolutionizing the theater of the twentieth century and developing a new approach to language and performance. Because of his unparalleled radicalism and influence, Brecht remains controversial to this day. This book – with a Foreword by Mark Ravenhill – lays out in clear and accessible language the shape of Brecht's contribution and the reasons for his ongoing influence.