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From the author of The Road to Winter trilogy comes an empowering standalone novel about the courage and consequences of taking climate action in a small coastal community.
If Not Us, Who? is both the story of an architect of the modern conservative movement and a colorful journey through a half century of high-level politics. Best known as the longtime publisher of National Review, William Rusher (1923–2011) was more than just a crucial figure in the history of the Right’s leading magazine. He was a political intellectual, tactician, and strategist who helped shape the historic rise of conservatism. To write If Not Us, Who?, David B. Frisk pored over Rusher’s voluminous papers at the Library of Congress and interviewed dozens of insiders, including National Review founder William F. Buckley Jr., in addition to Rusher himself. The result is a gripping biography that shines new light on Rusher’s significance as an observer and an activiast while bringing to life more than a generation’s worth of political hopes, fears, and controversies. Frisk vividly captures the joys and struggles at National Review, including Rusher’s complex relationship with the legendary Buckley. Here we see the powerful blend of wit, erudition, dedication, shrewdness, and earnestness that made Rusher an influential figure at NR and an indispensable link between conservatism’s leading theorists and its political practitioners. “If not us, who? If not now, when?”—a maxim often attributed to Ronald Reagan—could have been Rusher’s motto. In everything he did—publishing National Review, recruiting and advising political candidates, organizing cadres of young conservatives, taking on liberal advocates in a popular television debate program, writing a syndicated column—his objective was to build a movement. His tireless efforts proved essential to conservatism’s ascendancy, from the pivotal Goldwater campaign through the Reagan era. Largely unexamined until now, Rusher’s career opens a new window onto the history of the conservative movement. This comprehensive biography reintroduces readers to a remarkable man of thought and action.
In this gripping story of a historic clash between repressive government forces and individuals seeking freedom, we'll explore the reasons that led students in China to defy authority. We'll learn the details of their demands and of the shattering events that followed when they took to the streets to press for their civil rights. "In the blink of an eye, the tank was approaching the sidewalk and closing in on me. It seemed as if the barrel of its gun was inches from my face. I could not dodge it in time."―Fang Zheng, a student demonstrator at Tiananmen Square In the spring of 1989, university students in Beijing grabbed world headlines with a courageous stand against decades of Communist authoritarian rule in China. Thousands and then millions of students and workers from all over China gathered on the city's Tiananmen Square to support demands for democracy, clean government, and increased personal freedoms. China's premier, Li Peng, and his supporters wanted to crush the demonstration, and the government declared martial law on May 12. The world watched as army tanks and troops reached the city center on June 2. Soldiers fired their guns as students struggled to flee. A single demonstrator captured international attention as viewers around the globe watched him face off against encroaching military tanks. The army was in control of Beijing, and thousands of demonstrators were killed, wounded, or arrested.
“In Levi’s writing, nothing is superfluous and everything is essential.” —Saul Bellow A Penguin Classic In the final days of World War II, a courageous band of Jewish partisans makes its way from Russia to Italy, moving toward the ultimate goal of Palestine. Based on a true story, If Not Now, When? chronicles their adventures as they wage a personal war of revenge against the Nazis: blowing up trains, rescuing the last victims of concentration camps, scoring victories in the face of unspeakable devastation. Primo Levi captures the landscape and the people of Eastern Europe in vivid detail, depicting as well the terrible bleakness of war-ridden Europe. But finally, what he gives us is a tribute to the strength and ingenuity of the human spirit. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In the tradition of Gayle Forman and John Green comes this extraordinary YA debut about a blind teen girl navigating life and love in high school. Parker Grant doesn't need 20/20 vision to see right through you. That's why she created the Rules: Don't treat her any differently just because she's blind, and never take advantage. There will be no second chances. Just ask Scott Kilpatrick, the boy who broke her heart. When Scott suddenly reappears in her life after being gone for years, Parker knows there's only one way to react—shun him so hard it hurts. She has enough on her mind already, like trying out for the track team (that's right, her eyes don't work but her legs still do), doling out tough-love advice to her painfully naive classmates, and giving herself gold stars for every day she hasn't cried since her dad's death three months ago. But avoiding her past quickly proves impossible, and the more Parker learns about what really happened—both with Scott, and her dad—the more she starts to question if things are always as they seem. Maybe, just maybe, some Rules are meant to be broken. Debut author Eric Lindstrom's Not If I See You First combines a fiercely engaging voice with true heart.
Since a deadly virus and the violence that followed wiped out his parents and most of his community, Finn has lived alone on the rugged coast with only his loyal dog Rowdy for company. He has stayed alive for two winters—hunting and fishing and trading food, and keeping out of sight of the Wilders, an armed and dangerous gang that controls the north, led by a ruthless man named Ramage. But Finn’s isolation is shattered when a girl runs onto the beach. Rose is a Siley—an asylum seeker—and she has escaped from Ramage, who had enslaved her and her younger sister, Kas. Rose is desperate, sick, and needs Finn’s help. Kas is still missing somewhere out in the bush. And Ramage wants the girls back—at any cost. ‘Tense and atmospheric...Mark Smith’s debut is assured, gripping and leaves you wanting more.’ Best Books for Younger Readers 2016, Sydney Morning Herald ‘It’s easy to see why Mark Smith’s dystopian thriller has been compared with John Marsden’s Tomorrow When the War Began. I barely came up for breath as the pages flew. So strap yourself in for a high action ride.’ Kids Book Review ‘A riveting story of survival that questions the prices of freedom and safety as well as the value of an individual life...A breakout new series full of romance, danger, and a surprisingly engaging world.’ STARRED Review, Kirkus Reviews ‘A solid debut.’ Publishers Weekly ‘It’s been suggested more than once that dystopian fiction has had its day...but The Road to Winter is a welcome sign that there’s still life in the genre.’ Armadillo
Moving away from her oppressive parents in the hopes of taking charge of her own life, Beth takes a job as a school music teacher and initially resists her attraction to a tattooed mechanic who is the epitome of everything her conservative parents fear.
In this “brave and heartbreaking novel that digs its claws into you and doesn’t let go, long after you’ve finished it” (Anna Todd, New York Times bestselling author) from the #1 New York Times bestselling author of All Your Perfects, a workaholic with a too-good-to-be-true romance can’t stop thinking about her first love. Lily hasn’t always had it easy, but that’s never stopped her from working hard for the life she wants. She’s come a long way from the small town where she grew up—she graduated from college, moved to Boston, and started her own business. And when she feels a spark with a gorgeous neurosurgeon named Ryle Kincaid, everything in Lily’s life seems too good to be true. Ryle is assertive, stubborn, maybe even a little arrogant. He’s also sensitive, brilliant, and has a total soft spot for Lily. And the way he looks in scrubs certainly doesn’t hurt. Lily can’t get him out of her head. But Ryle’s complete aversion to relationships is disturbing. Even as Lily finds herself becoming the exception to his “no dating” rule, she can’t help but wonder what made him that way in the first place. As questions about her new relationship overwhelm her, so do thoughts of Atlas Corrigan—her first love and a link to the past she left behind. He was her kindred spirit, her protector. When Atlas suddenly reappears, everything Lily has built with Ryle is threatened. An honest, evocative, and tender novel, It Ends with Us is “a glorious and touching read, a forever keeper. The kind of book that gets handed down” (USA TODAY).
From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present. As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America’s most widely read and admired writer on art. In this book: nearly a hundred of his finest essays on the subject. For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes—astute, vivid and uninhibited—on dozens of famous and not-so-famous artists. He observes that Caravaggio was “one of the hinges of art history; there was art before him and art after him, and they were not the same”; he remarks that Julian Schnabel’s “work is to painting what Stallone’s is to acting”; he calls John Constable’s Wivenhoe Park “almost the last word on Eden-as-Property”; he notes how “distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.” He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic). Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded. His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market—its inflated prices and reputations, its damage to the public domain of culture. There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate. And as a finale, Hughes gives us “The SoHoiad,” the mock-epic satire that so amused and annoyed the art world in the mid-1980s. A meteor of a book that enlightens, startles, stimulates and entertains.
Bestselling author Ally Carter returns with an exciting stand-alone novel, about a girl stranded in the middle of the Alaskan wilderness with the boy who wronged her... as an assassin moves in. Maddie thought she and Logan would be friends forever. But when your dad is a Secret Service agent and your best friend is the president's son, sometimes life has other plans. Before she knows it, Maddie's dad is dragging her to a cabin in the middle of the Alaskan wilderness.No phone.No Iinternet.And not a single word from Logan.Maddie tells herself it's okay. After all, she's the most popular girl for twenty miles in any direction. She has wood to cut and weapons to bedazzle. Her life is full.Until Logan shows up six years later . . .And Maddie wants to kill him. But before that can happen, an assailant appears out of nowhere, knocking Maddie off a cliff and dragging Logan to some unknown fate. Maddie knows she could turn back- and get help. But the weather is turning and the terrain will only get more treacherous, the animals more deadly. Maddie still really wants to kill Logan. But she has to save him first.