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Syndicated columnist Adams humorously dissects and revels in the absurdity and chaos of modern family life in her debut book.
O'Connor's bestselling message to moms gets a fresh new look that can appeal to the latest generation of new mothers struggling to find joy. In practical chapters that can put a smile on every face, Lindsey uncovers the secret hurdles women meet on their way to joy.
A sparkling collection of interviews with African American directors and producers. Bringing together more than thirty candid conversations with filmmakers and producers such as Spike Lee, Gordon Parks, Julie Dash, Charles Burnett, and Robert Townsend, Why We Make Movies delivers a cultural celebration with the tips of a film-school master class. With journalist George Alexander, these revolutionary men and women discuss not only how they got their big breaks, but more importantly, they explore the creative process and what making movies means to them. Why We Make Movies also addresses the business of Hollywood and its turning tide, in a nation where African Americans comprise a sizable portion of the film-going public and go to the movies more frequently than whites. In addition, Alexander’s cast of directors and producers considers the lead roles they now play in everything from documentaries and films for television to broad-based blockbusters (in fact, the highest-grossing film in Miramax history was Scary Movie, directed by Keenen Ivory Wayans). For film buffs and aspiring filmmakers alike, Why We Make Movies puts a long-overdue spotlight on one of the most exciting and cutting-edge segments of today’s silver screen. INTERVIEWS INCLUDE: MELVIN VAN PEEBLES • MICHAEL SCHULTZ • CHARLES BURNETT • SPIKE LEE • ROBERT TOWNSEND • FRED WILLIAMSON • ERNEST DICKERSON • KEENEN IVORY WAYANS • ANTOINE FUQUA • BILL DUKE • FORREST WHITAKER • JULIE DASH • KASI LEMMONS • GINA PRINC-BLYTHEWOOD • JOHN SINGLETON • GEORGE TILLMAN Jr. • REGINALD HUDLIN • WARRINGTON HUDLIN • MALCOLM LEE • EUZHAN PALCY • DOUG McHENRY • DEBRA MARTIN CHASE • St. CLAIR BOURNE • STANLEY NELSON • WILLIAM GREAVES • KATHE SANDLER • CAMILLE BILLOPS • HAILE GERIMA • GORDON PARKS
A new edition of this award-winning modern classic, with an introduction by Tayari Jones (An American Marriage), an excerpt from the never before seen follow-up, and discussion guide. Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle’s, estimation, but she’s also the brightest. Rozelle—beautiful, charismatic, and light-skinned—exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at “the farmhouse” on the edge of town, where Rozelle beds local men for money. But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle’s grasp without ruinous—even fatal—consequences?
GOD HAD ME In His Hands All The Time is a true story of mental, verbal and physical abuse of a child from memory. Some of the names have been changed. Even though I am an adult, I can remember most of it like it was yesterday, while part of my mind seem to put up a shield to block out the abuse. I can feel the pressure on my brain, but it wont release it. Childens minds are very fragile thats why a good and well nurtured environment is so important during their growth. I knew God had to be carrying me like the poem Foot Prints in the Sand, because otherwise I would not have survived. I couldnt see it or understand why it was happening to me. All I ever knew was hurt and pain. The abuse scared me. Through the years I looked for love in the wrong places and in the wrong people. Growing up unloved and unwanted makes you yearn just that much harder, because you never stop looking and taking chances without thinking. Wanting to belong and loved is what food is to the body in order to survive. You always tell yourself this person will love me. Every time I put my heart out on the line it get crushed. I always found myself struggling to survive, even as an adult. I felt beat down with no self esteem. I found TRUE UNCONDITIONAL LOVE for the first time when I accepted JESUS the CHRIST in my life. I was so shocked because I was on the receiving end of love this time. Something I never had before.
I wonder what dying is. And death. I listened hard and heard Mother talking about it, but I guess even she doesn't know.ExcerptMother talks to me a lot. I'm even getting so I can talk to her a little. I think she likes that. But Mother talks to me even when I don't ask anything. That's how I know I'll be going Outside pretty soon. I'm glad because even though Mother has told me all about it, it's not the same as seeing it for yourself. Of course, I wouldn't tell Mother that. It might make her unhappy and I couldn't do that. Not to anyone. Especially Mother. I remember a long time ago - anyhow it seems like a long time ago - I woke up and rolled over and touched Mother. That's when she started talking to me. She told me how long she'd been waiting for me to do that and how much she loved me and wanted me. I felt kind of ashamed. I'd been so busy with other things that I hadn't even thought of her. So I rolled over as close to her as I could to make up for it. The love-feeling grew and grew until we - laughed, I guess. Just because we were happy. At least, Mother laughed and maybe I did, too. I'm not sure. Mother said I just had the hiccups. I was very happy, though. We were happy for a time, Mother, Daddy and I. We live on a farm and Daddy is a farmer. He wasn't always a farmer, though. Once he worked in a big white room with all kinds and shapes of bottles sitting on long white tables all over the room. And people went scurrying among the bottles checking and changing and adding bubbly colored stuff to more bubbly colored stuff and it was all very exciting. At least, that's what Mother says and she should know because that's where she met Daddy. But Daddy says he's sorry he ever knew one chemical from another. So now he's a farmer and goes out in the fields every day or into the woods to hunt and fish and get firewood. Mother jokes about how Daddy and I will be going off hunting and fishing and leaving her home alone. This gave me a bad worry for awhile but Mother loved it away. That's how I knew she was joking. I didn't really understand but if it makes her happy, it makes me happy, too. I know it's got something to do with Daddy and I being "pals." Not yet, because I can't even go Outside yet. But they talk about it even now. One day at breakfast, Daddy and Mother were talking about it "over a second cup of coffee." Daddy said he sure wished I could go with him today and Mother said, "Time enough when the time comes."
The magazine that helps career moms balance their personal and professional lives.
Isn’t That Clever provides a new account of the nature of humor – the cleverness account – according to which humor is intentional conspicuous acts of playful cleverness. This volume asks whether there are limits to what can be said in dealing with a heckler and how do we determine whether one comedian has stolen jokes from another.