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Will Heather's Homecoming date be dreamy or disastrous? Freshman Heather Tildy is finally starting to fit in at Pecan Hills High--sort of. What she wants more than anything is to turn her Homecoming date with hunky Drew Blanton into a permanent relationship. But how can a girl have the date of her dreams when rumors say that he'd rather be taking another girl to the dance? The last thing Heather's big night needs is an interfering ghost, especially one who is way into grunge and likes to share unwanted advice about Heather's love life. If Heather can find a way to quickly solve her new haint's problem, she might have the romantic date with Drew she's always dreamed of. Too bad nothing involving ghosts is ever that simple. Although Georgia author Maureen Hardegree concedes to having all the usual baggage of a middle child, she is NOT a ghost handler. She does, however, believe in connecting with her inner teenager and in feeding her active imagination--it likes Italian food and chocolate.
Can't a girl choose her own boyfriend without his kid brother haunting her? Ghosts might not be heavy, but the guilt Heather's best friend, Xavier, is carrying around for his dead little brother weighs at least a ton. Of course, just as Heather's crush, Drew Blanton, shows some interest in her, Xavier's haintly brother Stevie shows up. Ten-year-old Stevie has a simple request--he'll only move on if Heather goes out on a date with his brother. But as Heather knows, nothing involving ghosts is ever that simple, and Stevie is a determined troublemaker. With him interfering in Heather's love life, her Halloween may be more trick than treat. Although Georgia author Maureen Hardegree concedes to having all the usual baggage of a middle child, she is NOT a ghost handler. She does, however, believe in connecting with her inner teenager and in feeding her active imagination--it likes Italian food and chocolate.
"The Broken Sword; Or, A Pictorial Page in Reconstruction" by D. Worthington is a novel set in the particular period of American history from 1865 till 1877. The government of the South by carpet-baggers was essentially oppressive and inquisitorial. It was, in its practical operation, a pure and unadulterated despotism, superseding the protection guaranteed by the Federal Constitution to each and every State. It was under the dominion of organized anarchy, with legislatures and courts of justice, subordinated to a lawless assemblage of unprincipled men calling themselves the representatives and judges of the people. Among its necessarily implied powers was that of confiscation, and numbered in its enumeration of brutalities, was a nameless crime that shocked the moral sense of mankind. Reconstruction came upon the South with fearful impulse.
The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.
Rose Forester, the ward of Ohio pioneer, Captain Maywood, is captured by Indians and rescued by Maywood's son Albert.
Bayou Savage died in 2006. At least that’s how the story played out in the mainstream media. The demented Magi and his evil spirits had been defeated and all portals to the underworld’s inferno slammed shut. The gruesome battle cost Bayou his father and his spirit. After losing the infamous Razor Savage, Bayou needed some rest. Bayou had all he wanted of the talisman, the slimy ghosts, ghouls, goblins and malevolent spirits. The Ghost Defense Institute knew better. The next two hundred years were a frustrating and futile attempt to bring Bayou and the ’53 Fender back to what remained of Bayou’s world. Life had changed after the Religious Wars of 2012. The GDI needed Bayou Savage. The cold, silver and enigmatic cylinder containing Bayou and the guitar kept teams of scientists befuddled and confused for two hundred years. No mortal came close to solving its secret…so far. Steve Johnson’s job is to resurrect Bayou and the guitar…tonight, October 31, 2206… Halloween like you’ve never seen it.