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It’s Christmastime in 1946, and all Addie wants is a pair of cowboy boots and a Christmas tree Ten-year-old Addie lives in Clear River, Nebraska, population fifteen hundred, with her stoic but loving father and quirky grandmother. Carla Mae is her neighbor and best friend in the fifth grade. Carla Mae’s house is different than Addie’s—she has five siblings and another on the way, while Addie is an only child. It’s the week before Christmas, and shopping lists are at the front of the girls’ minds. Addie’s house doesn’t have a tree—her dad says they are a waste of money, and they’ll be opening presents at Uncle Will’s anyway. Uncle Will has a tree, but to Addie, it doesn’t feel like Christmas without a tree of their own. Then she comes up with the perfect plan. Will it make this the best Christmas they’ve ever had, or will her father never forgive her?
Sharon Moughtin-Mumby considers the often unrecognised impact of different approaches to metaphor on readings of the prophtic sexual and marital metaphorical language. She outlines a practical and consciously simplified approach to metaphor, placing strong emphasis on the influence of literary context on metaphorical meaning. Drawing on this approach, she read Hosea 4-14, Jeremiah 2:1-4:4, Isaiah, Ezekiel 16 and 23, and Hosea 1-3 with fresh eyes. Her lucid new readings reveal the way in which scholarship has repeatedly stifled the prophetic metaphorical language by reading it within the 'default contexts' of 'the marriage metaphor' and 'cultic prostitution', which for so many years have been simply assumed. Readers are encouraged instead to read these diverse metaphors and similes within their distinctive literary contexts in which they have the potential to rise vividly to life, provoking the question: how are we to respond to these disquieting, powerful texts in the midst of the Hebrew Bible?