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Using stories from his classroom, Bernie Schein shows how his untraditional educational methods help middle-school students overcome their defense mechanisms and focus on the secret to their creativity--true emotion.
The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery..
By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize Selected by Time as One of the Ten Best Books of the Year | A New York Times Notable Book | Named One of the Best Books of the Year by The Washington Post Book World, The Christian Science Monitor, Rocky Mountain News, and Kirkus Reviews | A Los Angeles Times Book Prize Finalist | Winner of the ALA Alex Award | Finalist for the Costa Novel Award From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date. Praise for Black Swan Green “[David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.”—The Boston Globe “[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time
The "original, first-rate, serious, and beautiful" short fiction (New York Times Book Review) that introduced J. D. Salinger to American readers in the years after World War II, including "A Perfect Day for Bananafish" and the first appearance of Salinger's fictional Glass family. Nine exceptional stories from one of the great literary voices of the twentieth century. Witty, urbane, and frequently affecting, Nine Stories sits alongside Salinger's very best work--a treasure that will passed down for many generations to come. The stories: A Perfect Day for Bananafish Uncle Wiggily in Connecticut Just Before the War with the Eskimos The Laughing Man Down at the Dinghy For Esmé--with Love and Squalor Pretty Mouth and Green My Eyes De Daumier-Smith's Blue Period Teddy
“If Catcher in the Rye has lost its raw clout for recent generations of Internet-suckled American youth, here is a coming-of-age novel to replace it.” —Publishers Weekly (starred review) The first days of summer: Jim Praley is home from college, ready to unlock Tulsa's secrets. He drives the highways. He forces himself to get out of his car and walk into a bar. He's invited to a party. And there he meets Adrienne Booker; Adrienne rules Tulsa, in her way. A high-school dropout with a penthouse apartment, she takes a curious interest in Jim. Through her eyes, he will rediscover his hometown: its wasted sprawl, the beauty of its late nights, and, at the city's center, the unsleeping light of its skyscrapers. In the tradition of Michael Chabon's The Mysteries of Pittsburgh, A Map of Tulsa is elegiac, graceful, and as much a story about young love as it is a love letter to a classic American city.
"The world is a surreal pageant," writes Stephen Kuusisto. "Ahead of me the shapes and colors suggest the sails of Tristan's ship or an elephant's ear floating in air, though in reality it is a middle-aged man in a London Fog rain coat which billows behind him in the April wind." So begins Kuusisto's memoir, Planet of the Blind, a journey through the kaleidoscope geography of the partially-sighted, where everyday encounters become revelations, struggles, or simple triumphs. Not fully blind, not fully sighted, the author lives in what he describes as "the customs-house of the blind", a midway point between vision and blindness that makes possible his unique perception of the world. In this singular memoir, Kuusisto charts the years of a childhood spent behind bottle-lens glasses trying to pass as a normal boy, the depression that brought him from obesity to anorexia, the struggle through high school, college, first love, and sex. Ridiculed by his classmates, his parents in denial, here is the story of a man caught in a perilous world with no one to trust--until a devastating accident forces him to accept his own disability and place his confidence in the one relationship that can reconnect him to the world--the relationship with his guide dog, a golden Labrador retriever named Corky. With Corky at his side, Kuusisto is again awakened to his abilities, his voice as a writer and his own particular place in the world around him. Written with all the emotional precision of poetry, Kuusisto's evocative memoir explores the painful irony of a visually sensitive individual--in love with reading, painting, and the everyday images of the natural world--faced with his gradual descent into blindness. Folded into his own experience is the rich folklore the phenomenon of blindness has inspired throughout history and legend.
South Carolina is a state of inspiration as well as recreation. Through its natural beauty, storied heritage, and curious character, the Palmetto State finds its way into the hearts and imaginations of every native, resident, and guest to set foot on its 32,000 square miles of soil. Continuing the format of the popular original, this second volume of State of the Heart: South Carolina Writers on the Places They Love celebrates and commemorates the connections that the accomplished contributors have found in the well-known and far-flung locations most dear to them. With companionable charm and storytellers' spirits, editor Aïda Rogers and the thirty-eight contributors invite you to amble across South Carolina with them for a chance to see the state as they have come to know it. For writers beloved places can captivate, teach, comfort, and occasionally haunt. In this collection contributors reflect on their hometowns, the rivers and roads that marked their lives' journeys, and the maligned neighborhoods they transformed just by living and working in them. Family beach vacations, churches and churchyards, athletic arenas modest and grand, a mountain vista, a quiet pond, a city park, an old-time produce market, Lake Murray, Brookgreen Gardens—these are just a sampling of the nearly three dozen private and public places favored by this diverse group of writers of fiction, memoir, poetry, history, journalism, and more. Photographs, artwork, verse, and even a few recipes accompany the essays, bringing readers further into sharing the writers' experiences. While State of the Heart is rooted in the landscape of South Carolina, readers from anywhere will relate to its universal themes of growing up and growing old, recognition of past mistakes, returned-to faith, the closeness of family and friends, honoring those who came before, and setting our collective sights on the promise of the future for cherished people and places. Marjory Wentworth, South Carolina's poet laureate, provides the foreword to this collection, which includes her poem "One River, One Boat." Includes essays by: Ron Aiken, Jack Bass, Nancy Brock, Jim Casada, Emily L. Cooper, Ronald Daise, Christopher Dickey, Tom Diggers, Sue Duffy, Pam Durban, Margaret Shinn Evans, Herb Frazier, Sammy Fretwell, Shani Gilchrist, Vera Gómez, Harlan Greene, Rachel Haynie, Tommy Hays, Josephine Humphreys, Thomas L. Johnson, Charles Joyner, Janna McMahan, Ray McManus, Ben McC. Moïse, Mary Alice Monroe, Patricia Moore-Pastides, Glenis Redmond, Rose Rock, Valerie Sayers, Bernie Schein, George Singleton, Kate Stagliano, Michael Smoak, Ernest L. Wiggins, Susan Millar Williams, Curtis Worthington
This sweeping comic novel examines the public and private upheavals of life in a small Southern town from the Civil Rights era to the new millennium. Famous All Over Town, the first novel from Southern storyteller Bernie Schein, is a comically candid multi-generational account of two Jews, a lowcountry native and a Northern transplant. Their lives interweave through the momentous events of a sleepy coastal hamlet based on Schein’s native Beaufort, South Carolina. Schein’s cast includes Southern Jewish lawyer Murray Gold and his foil, displaced New York psychiatrist Bert Levy. There’s also an emotionally scarred drill sergeant and his alluringly unconventional wife; a corrupt sheriff and his violent son; an African American madam and her two brilliant children; a fallen Southern belle; a transvestite Vietnam veteran; and many others. With their conflicted identities, burgeoning ambitions, and romantic entanglements, they live through the turbulent 1960s into the 1990s, confronting the ramifications of the civil rights era, Vietnam, Watergate, and—closer to home—a deadly version of the infamous Ribbon Creek incident. Foreword by Janis Owens.
Education is a contested topic, and not just politically. For years scholars have approached it from two different points of view: one empirical, focused on explanations for student and school success and failure, and the other philosophical, focused on education’s value and purpose within the larger society. Rarely have these separate approaches been brought into the same conversation. Education, Justice, and Democracy does just that, offering an intensive discussion by highly respected scholars across empirical and philosophical disciplines. The contributors explore how the institutions and practices of education can support democracy, by creating the conditions for equal citizenship and egalitarian empowerment, and how they can advance justice, by securing social mobility and cultivating the talents and interests of every individual. Then the authors evaluate constraints on achieving the goals of democracy and justice in the educational arena and identify strategies that we can employ to work through or around those constraints. More than a thorough compendium on a timely and contested topic, Education, Justice, and Democracy exhibits an entirely new, more deeply composed way of thinking about education as a whole and its importance to a good society.
Cruelty is such a ubiquitous and at the same time disturbing phenomenon that we take for granted that we understand what it is, and how it impacts the ways in which we think about our humanity as a moral condition—how we understand our moral significance. Cruelty: A Book About Us offers an accessible interrogation of cruelty and humanity, and, most critically, it provides a groundwork for us to raise questions collectively; it is an invitation for us all to join in the dialogue. Through academic studies, literary works, and’ personal stories and observations, this book provokes deeper insights into why cruel acts trouble our usual ways of articulating and addressing wrongness. Mining interdisciplinary sources, it excavates what we may not know we don't know and guides us in conversations about this profoundly evocative and often uneasy subject.