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In this debut collection, Anna Journey invites the reader into her peculiar, noir universe nourished with sex and mortality. Her poems are haunted by demons, ghosts, and even the living who wander exotic landscapes that appear at once threatening and seductive. In these poems, her sly speaker renames a pink hibiscus on display at Lowe's, "Lucifer's Panties"; another character chants, "I'd fall devil / over heels over edge over oleander"; and one woman writes a letter to the underworld: Dear black bayou, once, by a river I bit a man's neck. His scent: the raw teak air husked inside stomachs of six Russian nesting dolls--the ones in the attic I pulled apart and open. The ones I pulled apart and open like Styrofoam cups.
"Anna Journey's poetry is really magical." -- David Lynch, director of Blue Velvet and creator of Twin Peaks "Anna Journey's second collection of poems is wonderful and brings something precise and wild out of a vivid night, an imagery that finds its own necessary music, like sudden isolated birdsongs at dawn. The multiplying shadows of the mind are made exterior here, surprisingly illustrated with anecdotal thought. And Dante no longer concludes that all lovers are martyrs. I'm so happy to have this work in my life." -- Norman Dubie, author of The Volcano "Anna Journey, in her new book of poems, Vulgar Remedies, creates an alchemical self whose shimmering limbic/alembic lyrics distill the mysterious terrors of childhood, the dangerous passions of adults, into her own honey-dusk 'voodun': protective, purified to gold. Poetry is always a time machine: here we are invisible travelers to a bewitched past, a beautifully occluded future. These poems are erotic, vertiginous, revelatory, their dazzling lyric force reflecting profound hermetic life." -- Carol Muske-Dukes, author of Twin Cities
"In this elegant narrative, celebrated naturalist Ted Floyd guides you through a year of becoming a better birder. Choosing 200 top avian species to teach key lessons, Floyd introduces a new, holistic approach to bird watching and shows how to use the tools of the 21st century to appreciate the natural world we inhabit together whether city, country or suburbs." -- From book jacket.
WINNER OF THE NOBEL PRIZE IN LITERATURE A dreamlike collection from the Nobel Prize-winning poet A Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place: All the roads in the village unite at the fountain. Avenue of Liberty, Avenue of the Acacia Trees— The fountain rises at the center of the plaza; on sunny days, rainbows in the piss of the cherub. —from "tributaries" Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed. Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "the type of describing, supervising intelligence found in novels rather than poetry," as Langdon Hammer has written of her long lines—expansive, fluent, and full—manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.
If you’ve ever wondered what goes on in bird nests, or what happens after a fledgling leaves the nest, come along on Julie’s sensitive exploration of often-uncharted ornithological ground. This beautiful book is as much an art book as it is a natural history, something readers have come to expect from Julie Zickefoose. More than 400 watercolor paintings show the breathtakingly swift development of seventeen different species of wild birds. Sixteen of those species nest on Julie's wildlife sanctuary, so she knows the birds intimately, and writes about them with authority. To create the bulk of this extraordinary work, Julie would borrow a wild nestling, draw it, then return it to its nest every day until it fledged. Some were orphans she raised by hand, giving the ultimate insider’s glimpse into their lives. In sparkling prose, Julie shares a lifetime of insight about bird breeding biology, growth, and cognition. As an artist and wildlife rehabilitator, Julie possesses a unique skill set that includes sketching and painting rapidly from life as well as handling delicate hatchlings. She is uniquely positioned to create such an opus, and in fact, nothing like it has ever been attempted. Julie has many fans, and she will gain many more with this unparalleled work.
“The tropic foliage of Anna Journey’s book is so lushly ashimmer with invitation andthreat that it’s difficult to tell the two apart. Which is just what this poet intends: the world seduces us to enter, and to enter again, and to do so is both to find pleasure and to perish into a field of ghosts.”— Mark Doty, author of Fire to Fire: New and Selected Poems "Anna Journey has talent to burn: gothic, elegiac, and celebratory by turns, her poems possess a giddy imaginative dexterity that is exceedingly rare in a debut collection. More important, there is a gravity and heft to her poems; they are willing to confront the Big Issues and militantly resist the easy tour de force. Jarrell says somewhere that a certain helplessness before her material is one of the poet’s principal tools. I hear that haunted helplessness in lines such as these: 'I can’t stop— / the story // going like the tongue goes: // lit and loosed, moving, / like Lucifer, / down.' Anna Journey is on the threshold of a significant career."—David Wojahn, author of Interrogation Palace: New and Selected Poems 1982-2004
An indispensable color-illustrated field guide to the tracks and signs of Europe's animals and birds This beautifully illustrated field guide enables you to easily identify the tracks and signs left by a wide variety of mammal and bird species found in Britain and Europe, covering behaviors ranging from hunting, foraging, and feeding to courtship, breeding, and nesting. Introductory chapters offer detailed drawings of footprints and tracks of large and small mammals, which are followed by sections on mammal scat, bird droppings, and the feeding signs of animals on food sources such as nuts, cones, and rose hips. The book then describes specific mammal species, providing information on size, distribution, behavior, habitat, and similar species, as well as more specific detail on tracks and scat. Distribution maps are also included. This indispensable field guide covers 175 species of mammals and birds, and features a wealth of stunning color photos and artwork throughout. Helps you easily identify the tracks and signs of a variety of mammals and birds Covers 175 species Illustrated throughout with photos, drawings, and artwork Includes informative descriptions of mammal species along with distribution maps
The National Book Award-winning novel about one remarkable young woman who dares to defy fate, perfect for readers who enjoyed A Long Walk to Water by Linda Sue Park or Inside Out and Back Again by Thanhha Lai. Like many girls her age in India, thirteen-year-old Koly faces her arranged marriage with hope and courage. But Koly's story takes a terrible turn when in the wake of the ceremony, she discovers she's been horribly misled—her life has been sold for a dowry. Can she forge her own future, even in the face of time-worn tradition? Perfect for schools and classrooms, this universally acclaimed, bestselling, and award-winning novel by master of historical fiction Gloria Whelan is a gripping tale of hope that will transport readers of all ages.
Anna Journey’s The Judas Ear resurrects a host of vanished people and places, often through marvelous Ovidian metamorphoses that seem as natural in the gritty tableaux of Richmond, Virginia, as in the luminous shape-shifting vistas of folktale or myth. Journey’s music is lush and visceral, her humor warm and sly, and her sensibility metes out tenderness and grotesquerie in equal parts. Like the ear-shaped mushroom named for a biblical betrayer, the poems in The Judas Ear can shift suddenly from wit to pathos, from seductiveness to danger, with a generosity of vision that is at once wise and revelatory.