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This monumental book traces the origins and development of mathematics in the ancient Middle East, from its earliest beginnings in the fourth millennium BCE to the end of indigenous intellectual culture in the second century BCE when cuneiform writing was gradually abandoned. Eleanor Robson offers a history like no other, examining ancient mathematics within its broader social, political, economic, and religious contexts, and showing that mathematics was not just an abstract discipline for elites but a key component in ordering society and understanding the world. The region of modern-day Iraq is uniquely rich in evidence for ancient mathematics because its prehistoric inhabitants wrote on clay tablets, many hundreds of thousands of which have been archaeologically excavated, deciphered, and translated. Drawing from these and a wealth of other textual and archaeological evidence, Robson gives an extraordinarily detailed picture of how mathematical ideas and practices were conceived, used, and taught during this period. She challenges the prevailing view that they were merely the simplistic precursors of classical Greek mathematics, and explains how the prevailing view came to be. Robson reveals the true sophistication and beauty of ancient Middle Eastern mathematics as it evolved over three thousand years, from the earliest beginnings of recorded accounting to complex mathematical astronomy. Every chapter provides detailed information on sources, and the book includes an appendix on all mathematical cuneiform tablets published before 2007.
This volume presents first editions of a variety of cuneiform tablets from the Old Babylonian period belonging to the collection of the late Shlomo Moussaieff. It makes available for the first time three texts representing varying levels of Mesopotamian scribal education. The first is what the authors argue is the most complete copy of the first fifty lines of the standard version of the Sumerian epic Gilgameš and the Bull of Heaven. The second is a hitherto unpublished bilingual (Sumerian-Akkadian) lexical list of unknown provenance, similar to the Proto-Aa syllabary. Each of the 314 entries preserved on this tablet provides a pronunciation gloss, a Sumerian logogram, and an Akkadian translation. A unique feature of this list is that the signs are arranged on the basis of graphic concatenation: each sign contains one of the graphic components of the preceding sign. It also yields a great number of hitherto unknown, synonymous Akkadian translations to the Sumerian logograms. The final chapter contains an edition of two groups of lenticular school tablets, containing thirty-three elementary-level scribal exercises. With this volume, Jacob Klein and Yitschak Sefati preserve and disseminate important artifacts that advance the study of Sumerian literature, Mesopotamian lexicography, and ancient Near Eastern scribal education.
This volume contains a collection of revised papers given in the workshop Divination im Alten Orient that was convened on July 22, 2008, as part of the 54th Rencontre Assyriologique Internationale in Würzburg. The aim of this workshop was to bring together Assyriologists and Hittitologists in order to present and discuss the divination methods of their respective fields, most of which had not been studied until recently. The large audience that attended the workshop confirmed how wide is the interest in this subject.
The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.
The recent years have seen an upswing in studies of women in the ancient Near East and related areas. This volume, which is the result of a Danish-Japanese collaboration, seeks to highlight women as actors within the sphere of the religious. In ancient Mesopotamia and other ancient civilizations, religious beliefs and practices permeated all aspects of society, and for this reason it is not possible to completely dissociate religion from politics, economy, or literature. Thus, the goal is to shift the perspective by highlighting the different ways in which the agency of women can be traced in the historical (and archaeological) record. This perspectival shift can be seen in studies of elite women, who actively contributed to (religious) gift-giving or participated in temple economies, or through showing the limits of elite women’s agency in relation to diplomatic marriages. Additionally, several contributions examine the roles of women as religious officials and the language, worship, or invocation of goddesses. This volume does not aim at completeness but seeks to highlight points for further research and new perspectives.
The Comparable Body - Analogy and Metaphor in Ancient Mesopotamian, Egyptian, and Greco-Roman Medicine explores how analogy and metaphor illuminate and shape conceptions about the human body and disease, through 11 case studies from ancient Mesopotamian, Egyptian, and Greco-Roman medicine. Topics address the role of analogy and metaphor as features of medical culture and theory, while questioning their naturalness and inevitability, their limits, their situation between the descriptive and the prescriptive, and complexities in their portrayal as a mutually intelligible medium for communication and consensus among users.
"Science in the Archives" reveals affinities and continuities among the sciences of the archives, across many disciplines and centuries, in order to present a better picture of essential archival practices and, thereby, the meaning of science. For in both the natural and human sciences, archives of the most diverse forms make cumulative, collective knowledge possible. Yet in contrast to laboratories, observatories, or the field, archives have yet to be studied across the board as central sites of science. The volume covers episodes in the history of astronomy, geology, genetics, classical philology, climatology, history, medicine, and ancient natural philosophy, as well as fundamental practices such as collecting, retrieval strategies, and data mining. The time frame spans doxology in Greco-Roman antiquity to NSA surveillance techniques and the quantified-self movement. Each chapter explores the practices, politics, economics, and open-ended potential of the sciences of the archives, making this the first book devoted to the role of archives in the natural and human sciences.
Susa and Elam II contains 16 contributions presented at an international conference on Susa and Elam (SW Iran) in 2015 in Louvain-la-Neuve (Belgium). They cover various themes on Susian and Elamite history, language, religion, and culture.
Neo-Assyrian and Greek Divination in War is about practices which enabled humans contact the divine. These relations, especially in difficult times of military conflict, could be crucial in deciding the fate of individuals, cities, dynasties or even empires.
Francesca Rochberg has for more than thirty-five years been a leading figure in the study of ancient science. Her foundational insights on the concepts of “science,” “canon,” “celestial divination,” “knowledge,” “gods,” and “nature” in cuneiform cultures have demanded continual contemplation on the tenets and assumptions that underlie the fields of Assyriology and the History of Science. “The Scaffolding of Our Thoughts” honors this luminary with twenty essays, each reflecting on aspects of her work. Following an initial appraisal of ancient “science” by Sir Geoffrey Lloyd, the contributions in the first half explore practices of knowledge in Assyriological sources. The second half of the volume focuses specifically on astronomical and astrological spheres of knowledge in the Ancient Mediterranean. "This excellent Festschrift, dedicated to Francesca Rochberg, offers fascinating insight into the world of ancient magic and divination." -Lena-Sofia Tiemeyer, Journal for the Study of the Old Testament 43.5 (2019)