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The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 10-12-1950 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XV. No. 50. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 16-43 ARTICLE: 1. Social Conditions and Crime 2. Bernard Shaw on Love and Marriage 3. Fuel: Soft Coke4. Science in Service AUTHOR: 1. Justice G. D. Khosla 2. K. C. Addy 3. Prof. N. Ananta Vaidyanathan 4. Dr. B. C. Guha KEYWORDS: 1. Crime and law, Public opinion and anti-social activities 2. Shaw's struggle in life, Shaw and his satire 3. Combustion of wood, Composition of coke 4. Scientific discovery and society, Science for progress of mankind Document ID: INL-1950 (J-D) Vol-III (26)
This volume examines the global media coverage of the armed conflict in Ukraine, focusing on the marginalization of dissident perspectives in the West and the information quality and diversity on social media. Along with presenting original, empirical studies on how mainstream media in countries as diverse as Israel, the Czech Republic, Ghana, and the Netherlands have covered the conflict between NATO and Russia since 2022, this book sheds light on the role of the state and the media in policing the boundaries of permissible thought on the conflict in the West, as well as in Russia and Ukraine. It also delves into the war’s representation on prominent social media platforms. Written by a diverse group of international researchers, this multifaceted volume offers new perspectives and insights on the reporting of the ongoing conflict. It will interest scholars of international communication and media, foreign policy and international politics, war and conflict, content analysis, and journalism.