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"Anyone who has spent time in Russia knows the importance of 'going to the dacha.' In this ethnography Melissa Caldwell reveals the mystique of rural life by exploring the social nature of gardening and making food, and Russian relationships to the land. It's truly an innovative study!"--Catherine Wanner, author of Communities of the Converted: Ukrainians and Global Evangelism "In this engaging ethnography, Melissa Caldwell brilliantly demonstrates what is peculiarly Russian about the dacha, long an object of literary and nostalgic imagining, while simultaneously situating the 'vacation cottage' within larger histories of leisure, consumption, home, and post-socialist transition. A must-read for scholars of Russia or tourism."--Pamela Ballinger, author of History in Exile: Memory and Identity at the Borders of the Balkans
This new dictionary provides over 2,000 clear and concise entries on human geography, covering basic terms and concepts as well as biographies, organisations, and major periods and schools. Authoritative and accessible, this is a must-have for every student of human geography, as well as for professionals and interested members of the public.
Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the social sciences and humanities, yet to date critical inquiry has tended to explore this issue as a question of the 'city' and the 'urban'. For the first time, leading scholars in geography, film and cultural studies have been drawn together to explore the multiple ways in ideas of cinema and countryside are co-produced: how 'film makes rural' and 'rural makes film'. From the expanse of the American great west to the mountainous landscapes of North Korea, Cinematic Countrysides draws on a range of popular and alternative film genres to demonstrate how film texts come to prefigure expectations of rural social space, and how these representations come to shape, and be shaped by, the material and embodied circumstances of 'lived' rural experience. At the heart of this volume's varied apprehensions of the 'cinematic countryside' is a concern to argue that ideas of rurality in film are central to wider questions of 'modernity' and 'tradition', 'self' and 'other', 'nationhood' and 'globalisation', and crucially, ones that are central to an account of the 'cinematic city'.
For the past century, governments have been compelled, time and again, to return to the search for solutions to the housing and economic challenges posed by a restructured countryside. This book provides an analysis of the complexity of housing and development tensions in the rural areas of England, Wales, and Scotland. It looks at a range of topics related to community and planning issues, including attitudes to rural development, economic change, land use, planning, and counter-urbanization. The Rural Housing Question emphasizes the need for serious debate on government's rural housing policies and on the broad approach to development and communities in the countryside.
Brill's Companion to Theocritus offers an up-to-date guide to a thorough understanding of Theocritus’ literary output. Exploring his corpus from a variety of novel perspectives, it presents a detailed account of the intricacy of Theocritus’ poetic art.
With Father in Washington and Cuffy, their housekeeper, away visiting a sick cousin, almost anything might happen to the Melendy kids left behind at the Four-Story Mistake. In the Melendy family, adventures are inevitable: Mr. Titus and the catfish; the villainy of the DeLacey brothers; Rush's composition of Opus 3; Mona's first rhubarb pie and all the canning; Randy's arrowhead; the auction and fair for the Red Cross. But best of all is the friendship with Mark Herron, which begins with a scrap-collection mission and comes to a grand climax on Oliver's birthday. Here is Elizabeth Enright's classic story of a long and glorious summer in the country with the resourceful, endearing Melendy bunch. Then There Were Five is the third installment of Enright's Melendy Quartet, an engaging and warm series about the close-knit Melendy family and their surprising adventures.
This is the first full-scale commentary on poems by Theocritus since Gow's edition of 1950, and the first to exploit the recent revolution in the study of Hellenistic and Roman poetry; the poems included in this volume (Idylls 1, 3, 4, 6, 7, 10, 11 and 13) are principally the bucolic poems which, through their influence on Virgil, established the Western pastoral tradition. The focus of the commentary is literary - both on how Theocritus exploited the classical heritage for a new type of poetry, and on what that poetry meant in the third century BC. The commentary, together with the introductory essays to each poem, makes a major contribution to the understanding of this extraordinary poetic form. The Introduction explores the meaning of 'bucolic', the presentation of a stylised countryside, the importance of eros in the bucolic world, and Theocritus' verbal and metrical style.
This book, first published in 1989, recounts the changing perceptions of the countryside throughout the nineteenth- and twentieth-centuries, helping us to understand more fully the issues that have influenced our view of the ideal countryside, past and present. Some of the chapters are concerned with ways in which Victorian artists, poets, and prose writers portrayed the countryside of their day; others with the landowners’ impressive and costly country houses, and their prettification of ‘model’ villages, reflecting fashionable romantic and Gothic styles. This title will be of interest to students of history.
'This is a unique interpretation of rural issues that will become essential reference for students, scholars, politicians, developers and rural activists...' - Imre Kovach, President, European Society for Rural Sociology, Research director, Institute for Political Sciences, Budapest