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Argues that most religions share core values, and difference only leads to intolerance and violence when politically ambitious leaderships exploit it, creating the essentially political phenomenon of fundamentalism which occurs in all civilizations. In the present age of globalization, suggests that social crisis grows out of an exclusionary dynamic that marginalizes growing numbers of people. [back cover].
We are in crisis. As a society we have never been less connected. The internet and globalisation fuel ignorance and anger, while the disconnect between people's reality and perceived identities has never been greater. Karl Marx outlined the idea of a material 'base' and politico-cultural 'superstructure'. According to this formula, a material reality - wealth, income, occupation - determined your politics, leisure habits, tastes, and how you made sense of the world. Today, the importance of material deprivation, in terms of threats to life, health and prosperity, are as acute as ever. But the identities apparently generated by these realities are increasingly detached from material circumstances. At the same time, different identities are needlessly conflated through a process of reeling off a list of -isms and -phobias, and are lumped together, as though these groups all somehow have something in common with one another. Th is process is not just inappropriate but obscures the specific nature of problems being faced. In The Identity Myth, David Swift covers the four different kinds of identity most susceptible to this trend - class, race, sex and age. He considers how the boundaries of identities are policed and how diverse versions of the same identity can be deployed to different ends. Ultimately, it is not that identities are simply more 'complex' than they appear but that there are more important commonalities. In a powerful call to arms, Swift argues that we must unite against these identity myths and embrace our differences to beat inequality.
Identity: The Necessity of a Modern Idea is the first comprehensive history of identity as the answer to the question, "who, or what, am I?" It covers the century from the end of World War I, when identity in this sense first became an issue for writers and philosophers, to 2010, when European political leaders declared multiculturalism a failure just as Canada, which pioneered it, was hailing its success. Along the way the book examines Erik Erikson's concepts of psychological identity and identity crisis, which made the word famous; the turn to collective identity and the rise of identity politics in Europe and America; varieties and theories of group identity; debates over accommodating collective identities within liberal democracy; the relationship between individual and group identity; the postmodern critique of identity as a concept; and the ways it nonetheless transformed the social sciences and altered our ideas of ethics. At the same time the book is an argument for the validity and indispensability of identity, properly understood. Identity was not a concept before the twentieth century because it was taken for granted. The slaughter of World War I undermined the honored identities of prewar Europe and, as a result, the idea of identity as something objective and stable was thrown into question at the same time that people began to sense that it was psychologically and socially necessary. We can't be at home in our bodies, act effectively in the world, or interact comfortably with others without a stable sense of who we are. Gerald Izenberg argues that, while it is a mistake to believe that our identities are givens that we passively discover about ourselves, decreed by God, destiny, or nature, our most important identities have an objective foundation in our existential situation as bodies, social beings, and creatures who aspire to meaning and transcendence, as well as in the legitimacy of our historical particularity.
An NPR Best Book of 2020 - An O, The Oprah Magazine Best LGBTQ Book of 2020 - An Electric Literature Favorite Nonfiction Book of 2020 - A Largehearted Boy Favorite Nonfiction Book of 2020 - A 2020 Goodreads Choice Award Nominee for Best Humor - One of Lambda Literary's "Most Anticipated LGBTQ Books of August 2020" - One of BuzzFeed's "15 Books From Smaller Presses You Won't Be Able to Put Down" - A Shondaland 15 Hot Books for Summer In this unique and hilarious debut memoir, writer and comedian Greg Mania chronicles life as a "pariah prodigy." From inadvertently coming out to his Polish immigrant parents, to immersing himself in the world of New York City nightlife, and finding himself and his voice in comedy. Born to Be Public is a vulnerable and poignant exploration of identity (and the rediscovery of it), mental health, sex and relationships, all while pursuing a passion with victories and tragicomic blunders. At once raw and relatable, Mania's one-of-a-kind voice will make you shed tears from laughter and find its way into your heart. PRAISE FOR BORN TO BE PUBLIC "This is a gift of a book from a young writer who seems likely to become a comedy star." - NPR "Comedic gold." - O, The Oprah Magazine "There's a lot of humanity in these pages, and it's a humanity that Mania renders with both tenderness and hilarity." - BuzzFeed "An impressive humorist with a voice all his own." - Kirkus Reviews "Greg Mania is one of the funniest up-and-coming writers cranking out work and he is finally releasing his laugh-out-loud memoir....Come for the laughs, stay for the heartwarming story of coming out in the most millennial way possible." - Electric Literature "Unafraid to tell the messy truths about identity, sex, mental health, and ambition, Mania's memoir is relatable and fun to read at the same time that it is heartfelt and honest. It even has photos, which are pure gold." - Shondaland "A smashing debut." - Lambda Literary "Greg Mania is the Cheesecake Factory of writers, and I say that with the utmost reverence: extravagant, unapologetic, hilarious, and f*cking good." - Lindy West, author of Shrill and The Witches Are Coming "This book is a hilarious wonder. Not only does it prove that Greg Mania was, indeed, born to be a public (and beloved) icon, but also that he was born to be a celebrated writer. It's sheer delight." - Alissa Nutting, author of Tampa and Made for Love
Green with envy. Feeling blue. White lies. Grey areas. In every language spoken on earth human beings use colors to express themselves. World renowned author, Vladimir Nabokov*, claimed he could hear color and actually assigned a color to each letter of the alphabet based on each letter's particular sound. The Eskimos of the polar regions have countless words that uniquely describe the color white. In the world of graphics some designers have devoted their entire body of work to one color, sometimes showing it off in all of its full-bodied glory, sometimes stripping it back to its barest essentials. Colour Mania brings together an eclectic group of talented designers who have one thing in common: they are artists who simply can't get enough of one particular color be that red, orange, yellow, green, blue, purple, black or white. This book offers a depth of understanding of individual colors that is unprecedented.
Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.
Carrie Cantwell grew up with an unstable father who suffered from manic depression. His emotional absence left her wounded and yearning for his affection. To make matters worse, she struggled with unexplainable mood swings of her own. As a child, she was hyperactive and attention-seeking. By her twenties she was engaging in reckless behavior to quiet her inner demons. When Carrie was 24, her father died by suicide, and she was hit with her first major depressive episode. When she was diagnosed with bipolar disorder, her heart sank. It felt like a death sentence. At age 38 and in a failing, abusive marriage, she tried to end her own life. Once discharged from an inpatient institution, she promised herself she'd never go back. Carrie made the same mistake her father had, but she'd gotten a second chance at life. She vowed not to squander it. She began a long journey of recovery by finally coming to terms with her daddy issues and the severity of her own mental illness. Carrie exposes a runaway roller coaster of emotions through brutally honest, raw recounting of soaring highs and crushing lows. Through powerful scenes of self-destruction and recovery, she invites readers into her turbulent and fragile inner world. Daddy Issues: A Memoir is a story of forgiveness and absolution, about how mental illness tore apart a father and daughter but was ultimately the very thing that brought them together.
A “provocative and sweeping” (Time) blend of family history and original reportage that explores—and reimagines—Asian American identity in a Black and white world “[Kang’s] exploration of class and identity among Asian Americans will be talked about for years to come.”—Jennifer Szalai, The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, Mother Jones In 1965, a new immigration law lifted a century of restrictions against Asian immigrants to the United States. Nobody, including the lawmakers who passed the bill, expected it to transform the country’s demographics. But over the next four decades, millions arrived, including Jay Caspian Kang’s parents, grandparents, aunts, and uncles. They came with almost no understanding of their new home, much less the history of “Asian America” that was supposed to define them. The Loneliest Americans is the unforgettable story of Kang and his family as they move from a housing project in Cambridge to an idyllic college town in the South and eventually to the West Coast. Their story unfolds against the backdrop of a rapidly expanding Asian America, as millions more immigrants, many of them working-class or undocumented, stream into the country. At the same time, upwardly mobile urban professionals have struggled to reconcile their parents’ assimilationist goals with membership in a multicultural elite—all while trying to carve out a new kind of belonging for their own children, who are neither white nor truly “people of color.” Kang recognizes this existential loneliness in himself and in other Asian Americans who try to locate themselves in the country’s racial binary. There are the businessmen turning Flushing into a center of immigrant wealth; the casualties of the Los Angeles riots; the impoverished parents in New York City who believe that admission to the city’s exam schools is the only way out; the men’s right’s activists on Reddit ranting about intermarriage; and the handful of protesters who show up at Black Lives Matter rallies holding “Yellow Peril Supports Black Power” signs. Kang’s exquisitely crafted book brings these lonely parallel climbers together and calls for a new immigrant solidarity—one rooted not in bubble tea and elite college admissions but in the struggles of refugees and the working class.
Beyond Blood Identities uncovers the social psychology of those who hold strong blood identities. In this highly original work, Jason D. Hill argues that strong racial, ethnic and national identities, which he refers to as 'tribal identities,' function according to a separatist logic that does irreparable damage to our moral lives. Drawing on scholarship in philosophy, sociology, and cultural anthropology, Hill contends that strong tribalism is a form of pathology. Beyond Blood Identities shows how a particular understanding of culture could lead to a new theoretical approach to enriched human living. Hill develops a new version of cosmopolitanism that he calls post-human cosmopolitanism to solve a number of challenges in contemporary society. From the problem of defining culture, the failure of multiculturalism, the question of who owns native culture, the identification of Jews as post-human people and the problem of their status as 'chosen people' in a modern world, the author applies a cosmopolitan analysis to some of the major problems in our global and interdependent world. He posits a world in which community has been dispensed with and replaced by its successor term sociality_the broad unmarked space in which creative social intercourse takes place. Hill applies a new cosmopolitanism to ideate a new post-humanity for the twenty-first century.
Once deemed an unworthy research endeavor, the study of sports fandom has garnered the attention of seasoned scholars from a variety of academic disciplines. Identity and socialization among sports fans are particular burgeoning areas of study among a growing cadre of specialists in the social sciences. Sports Fans, Identity, and Socialization, edited by Adam C. Earnheardt, Paul Haridakis, and Barbara Hugenberg, captures an eclectic collection of new studies from accomplished scholars in the fields such as communication, business, geography, kinesiology, media, and sports management and administration, using a wide range of methodologies including quantitative, qualitative, and critical analyses. In the communication revolution of the twenty-first century, the study of mediated sports is critical. As fans use all media at their disposal to consume sports and carry their sports-viewing experience online, they are seizing the initiative and asserting themselves into the mediated sports-dissemination process. They are occupying traditional roles of consumers/receivers of sports, but also as sharers and sports content creators. Fans are becoming pseudo sports journalists. They are interpreting mediated sports content for other fans. They are making their voice heard by sports organizations and athletes. Mediated sports, in essence, provide a context for studying and understanding where and how the communication revolution of the twenty-first century is being waged. With their collection of studies by scholars from North America and Europe, Earnheardt, Haridakis, and Hugenberg illuminate the symbiotic relationship among and between sports organizations, the media, and their audiences. Sports Fans, Identity, and Socialization spurs both the researcher and the interested fan to consider what the study of sports tells us about ourselves and the society in which we live.