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Identity and The Quartered Circle is an eclectic Wiccan discussion of the search for identity through the power of a cast circle and the four directions. The book defines the Circle as a container for magic. A chapter on psychological identity follows. From casting a circle to meeting the Elementals and winged spirits of faerie, the author leads the reader on a personal journey in consciousness. At its conclusion we can speak intelligently of merger with the Gods and Oneness and the reader can answer the big four questions: Who Am I, Why am I here, Where did I come from and Where am I going? ,
In the sixty years following the publication of Gerald Gardner’s Witchcraft Today, new paths have appeared, and older ones emerged out of the shadow of repression and illegality, to express with a new and more confident voice their beliefs and practice, and share, with a steadily growing audience, their knowledge, their certainties, their questions and their vision. This book is a celebration of some of the many paths that Witchcraft/Wicca has taken and of the journeys that people have embarked upon.
The current debate about the best methods of European organization - central or regional - is influenced by an awareness of regional identity, which offers an alternative to the rigidities of organization by nation-state. Yet where does the sense of regionalism come from? What are thedistinctive factors that transform a geographical area into a particular 'region'? Tom Scott addresses these questions in this study of one apparently 'natural' region - the Upper Rhine - between 1450 and 1600. This region has been divided between three countries and so historically marginalized,yet Dr Scott is able to trace the existence of a sense of historical regional identity cutting across national frontiers, founded on common economic interests. But that identity was always contingent and precarious, neither 'natural' nor immutable.
The authors present a manual for designing and creating iOS games for the iPhone, iPad and iPod touch using Apple's Swift programming language.
This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond.
This book illustrates that the idea of a 'national' literature is profoundly problematic. Chapters on boundaries and crisscrossing show how a nation and its writers' works do not exist in isolation from their history. Stressing migration and (inter)cultural dialogue, authors explore how the characters in the texts establish a sense of belonging both within the context of migrations and within the context of Lithuania since its independence. The final series of essays in this book discusses Lithuanian literature abroad that is in translation.
The first two books in this series "Stealing the Network: How to Own the Box and "Stealing the Network: How to Own a Continent have become classics in the Hacker and Infosec communities because of their chillingly realistic depictions of criminal hacking techniques. In this third installment, the all-star cast of authors tackle one of the fastest growing crimes in the world: Identity Theft. Now, the criminal hackers readers have grown to both love and hate try to cover their tracks and vanish into thin air... "Stealing the Network: How to Own an Identity" is the 3rd book in the "Stealing" series, and continues in the tradition created by its predecessors by delivering real-world network attack methodologies and hacking techniques within a context of unique and original fictional accounts created by some of the world's leading security professionals and computer technologists. The seminal works in TechnoFiction, this "STN" collection yet again breaks new ground by casting light upon the mechanics and methods used by those lurking on the darker side of the Internet, engaging in the fastest growing crime in the world: Identity theft. Cast upon a backdrop of "Evasion," surviving characters from "How to Own a Continent" find themselves on the run, fleeing from both authority and adversary, now using their technical prowess in a way they never expected--to survive.* The first two books in the series were best-sellers and have established a cult following within the Hacker and Infosec communities* Identity theft is the fastest growing crime in the world, and financial loss from identity theft is expected to reach $2 trillion by the end of 2005* All of the authors on the book are world renowned, highly visible information security experts who present at all of the top security conferences including Black Hat, DefCon, and RSA and write for the most popular magazines and Web sites including Information Security Magazine, and SecurityFocus.com. All of these outlets will be used to promote the book
This study is the first and only scholarly attempt to cover the process of the formation of the modern national identity among the Crimean Tatars during the first decades of this century. It also illuminates similar processes among the other Turkic peoples of the Russian Empire.
This volume explores the interaction of poetry and mathematics by looking at analogies that link them. The form that distinguishes poetry from prose has mathematical structure (lifting language above the flow of time), as do the thoughtful ways in which poets bring the infinite into relation with the finite. The history of mathematics exhibits a dramatic narrative inspired by a kind of troping, as metaphor opens, metonymy and synecdoche elaborate, and irony closes off or shifts the growth of mathematical knowledge. The first part of the book is autobiographical, following the author through her discovery of these analogies, revealed by music, architecture, science fiction, philosophy, and the study of mathematics and poetry. The second part focuses on geometry, the circle and square, launching us from Shakespeare to Housman, from Euclid to Leibniz. The third part explores the study of dynamics, inertial motion and transcendental functions, from Descartes to Newton, and in 20th c. poetry. The final part contemplates infinity, as it emerges in modern set theory and topology, and in contemporary poems, including narrative poems about modern cosmology.
Examines the implications of intermarriages between white Americans of differing ethnic backgrounds and looks at this new culture