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This interdisciplinary volume explores various identities and their expressions in Georgia from the early 19th century to the present. It focuses on memory culture, the politics of history, and the relations between imperial and national traditions. It also addresses political, social, cultural, personal, religious, and gender identities. Individual contributions address the imperial scenarios of Russia’s tsars visiting the Caucasus, Georgian political romanticism, specific aspects of the feminist movement and of pedagogical reform projects before 1917. Others discuss the personality cult of Stalin, the role of the museum built for the Soviet dictator in his hometown Gori, and Georgian nationalism in the uprising of 1956. Essays about the Abkhaz independence movement, the political role of national saints, post-Soviet identity crises, atheist sub-cultures, and current perceptions of citizenship take the volume into the contemporary period.
This interdisciplinary volume explores various identities and their expressions in Georgia from the early 19th century to the present. It focuses on memory culture, the politics of history, and the relations between imperial and national traditions. It also addresses political, social, cultural, personal, religious, and gender identities. Individual contributions address the imperial scenarios of Russia’s tsars visiting the Caucasus, Georgian political romanticism, specific aspects of the feminist movement and of pedagogical reform projects before 1917. Others discuss the personality cult of Stalin, the role of the museum built for the Soviet dictator in his hometown Gori, and Georgian nationalism in the uprising of 1956. Essays about the Abkhaz independence movement, the political role of national saints, post-Soviet identity crises, atheist sub-cultures, and current perceptions of citizenship take the volume into the contemporary period.
What Happened to the Soviet University? explores how one of the largest geopolitical changes of the twentieth century—the dissolution of the Soviet Union— triggered and inspired the reconfiguration of the Soviet university. The reader is invited to engage in a historical and sociological analysis of radical and incremental changes affecting sixty-nine former Soviet universities since the early 1990s. The study departs from traditional deficit-oriented, internalist explanations of change and illustrates how global flows of ideas, people, and finances have impacted higher education transformations in this region. It also identifies areas of persistence. The processes of marketisation, internationalisation, and academic liberation are analysed to show that universities have maintained certain traditions while adopting and internalising new ways of fulfilling their education and research functions. Soviet universities have survived chaotic processes of post-Soviet transformation and have self-stabilised with time. Most of them remain flagship institutions with large numbers of students and relatively high research productivity. At the same time, the majority of these universities operate in a top-down, one-man management environment with limited institutional autonomy and academic freedom. As the homes of intellectuals, universities represent a duality of opportunity and threat. Universities can nurture collective possibilities, imagining and bringing about different futures. At the same time, or perhaps because of this, the probability is high that universities will continue to be perceived as threats to governments with authoritarian inclinations. One message to take away from this monograph is that the time is ripe for former Soviet universities to loosen their last remaining chains.
As Georgia seeks to reinvent itself as a nation-state in the post-Soviet period, Georgian women are maneuvering, adjusting, resisting and transforming the new economic, social and political order. In Gender in Georgia, editors Maia Barkaia and Alisse Waterston bring together an international group of feminist scholars to explore the socio-political and cultural conditions that have shaped gender dynamics in Georgia from the late 19th century to the present. In doing so, they provide the first-ever woman-centered collection of research on Georgia, offering a feminist critique of power in its many manifestations, and an assessment of women’s political agency in Georgia.
Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
The book investigates processes and strategies of remembering the so-called Georgia Salzburger exiles, German-speaking immigrants in the 18th century British colony of Georgia. The longitudinal study explores the construction of Georgia Salzburger memory in what is today Austria, Germany and the United States from the 18th to the 21st century. The focus is set on processes of memoria throughout three centuries at the intersections between the creation of German-American, Lutheran, U.S.-American and `Southern' identity, memories of migration, nativism and Whiteness.
Argues for an original, unorthodox conception about the relationship between globalization and contemporary nationalism. While the prevailing view holds that nationalism and globalization are forces of clashing opposition, Sabanadze establishes that these tend to become allied forces. Acknowledges that nationalism does react against the rising globalization and represents a form of resistance against globalizing influences, but the Basque and Georgian cases prove that globalization and nationalism can be complementary rather than contradictory tendencies. Nationalists have often served as promoters of globalization, seeking out globalizing influences and engaging with global actors out of their very nationalist interests. In the case of both Georgia and the Basque Country, there is little evidence suggesting the existence of strong, politically organized nationalist opposition to globalization. Discusses why, on a broader scale, different forms of nationalism develop differing attitudes towards globalization and engage in different relationships.Conventional wisdom suggests that sub-state nationalism in the post-Cold War era is a product of globalization. Sabanadze?s work encourages a rethinking of this proposition. Through careful analysis of the Georgian and Basque cases, she shows that the principal dynamics have little, if anything, to do with globalization and much to do with the political context and historical framework of these cases. This book is a useful corrective to facile thinking about the relationship between the ?global? and the ?local? in the explanation of civil conflict. Neil MacFarlane, Lester B. Pearson Professor of International Relations and fellow at St. Anne?s College, Oxford University and chair of the Oxford Politics and International Relations Department.
Since the first Baltic nations joined the European Union, debates about reorganizing post-Soviet republics have grown increasingly heated. How do citizens in the Baltic and South Caucasian states cope with EU expansion and the feeling of existing simultaneously "inside" and "outside" Europe? Based on ethnographies and archival work, Representations on the Margins of Europe offers new insights into shifts in the national identity, cultural geography, and symbolic boundaries. This exploration of local responses to Europe's new hegemony will appeal to anyone interested in anthropology, history, and politics.
Southern Beauty explains a curiosity: why a feminine ideal rooted in the nineteenth century continues to enjoy currency well into the twenty-first. Elizabeth Bronwyn Boyd examines how the continuation of certain gender rituals in the American South has served to perpetuate racism, sexism, and classism. In a trio of popular gender rituals—sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage—young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to “do” white southern womanhood, convincingly and on cue, has remained a valued performance. But why? Based on ethnographic research and more than sixty taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation. The picture that Boyd paints is not pretty: it is one of southern beauties securing status and sustaining segregation by making nostalgic gestures to the southern past. Boyd also maintains that the audiences for these rituals and pageants have been complicit, unwilling to acknowledge the beauties’ racial work or their investment in it. With its focus on performance, Southern Beauty moves beyond representations to show how femininity in motion—stylized and predictable but ephemeral—has succeeded as an enduring emblem, where other symbols faltered, by failing to draw scrutiny. Continuing to make the moves of region and race even as many Confederate symbols have been retired, the southern beauty has persisted, maintaining power and privilege through consistent performance.
Deborah Epstein Nord traces the nearly ubiquitous British preoccupation with Gypsies in imaginative works by John Clare, Walter Scott, William Wordsworth, George Eliot, Arthur Conan Doyle, and D. H. Lawrence. She also exhumes lesser-known literary, ethnographic, and historical texts, exploring the fascinating histories of the nomadic writer George Borrow, the Gypsy Lore Society, Dora Yates, and other rarely examined figures and institutions. These textual representations are characterized by a tension between Gypsies as an alien, often despised "race" and the psychic or aesthetic desire to dissolve the boundary between English and Gypsy worlds. Nord suggests that, by the beginning of the twentieth century, romantic identification with Gypsies hardened into caricature and served to obscure the realities of Gypsy life and history. This phenomenon is reflected most famously in The Virgin and the Gipsy, in which D. H. Lawrence both exploits and criticizes the myth of Gypsies' unfettered sensuality, closeness to nature, and opposition to the oppressive strictures of modern life.