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"In this collection eighteen scholars offer various readings on British literature of the Middle Ages and the Renaissance. Although the period covered ranges from the thirteenth through the seventeenth centuries, the essays are tied together by a common interest in one of three topics: poetic personae, dramatic production, and the influence of social context upon authors or dramatists. Common to these topics is the crucial point of contact between an artist and society that prompts the literary imagination to respond either with the creation of a new character or with the demonstration of change in an old one."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Describes authors, works, and literary terms from all eras and all parts of the world.
For more than four centuries, cultural preferences, literary values, critical contexts, and personal tastes have governed readers’ responses to Shakespeare’s sonnets. Early private readers often considered these poems in light of the religious, political, and humanist values by which they lived. Other seventeenth- and eighteenth- century readers, such as stationers and editors, balanced their personal literary preferences against the imagined or actual interests of the literate public to whom they marketed carefully curated editions of the sonnets, often successfully. Whether public or private, however, many disparate sonnet interpretations from the sonnets’ first two centuries in print have been overlooked by modern sonnet scholarship, with its emphasis on narrative and amorous readings of the 1609 sequence. First Readers of Shakespeare’s Sonnets reintroduces many early readings of Shakespeare’s sonnets, arguing that studying the priorities and interpretations of these previous readers expands the modern critical applications of these poems, thereby affording them numerous future applications. This volume draws upon book history, manuscript studies, and editorial theory to recover four lost critical approaches to the sonnets, highlighting early readers’ interests in Shakespeare’s classical adaptations, political applicability, religious themes, and rhetorical skill during the seventeenth and eighteenth centuries.
A comprehensive survey of mirror-imagery in English literature from the thirteenth to the end of the seventeenth century.
First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
The Mirror of the Worlde is an important addition to the canon of Elizabeth Tanfield Cary. Best known for her play The Tragedy of Mariam, Cary is revealed here as a sheltered but precocious child who translated the texts accompanying the maps in an early modern atlas when she was no more than twelve. This book identifies the source text and makes widely available for the first time the full transcription of Elizabeth Cary's manuscript translation of L'Epitome du Théâtre du Monde d'Abraham Ortelius (c. 1588). Dedicated to her mother's well-connected aristocratic uncle, Sir Henry Lee, The Mirror of the Worlde - one of the first known English versions of Ortelius - is a rich source of information about her childhood and education, the writers who influenced her, and the emerging themes and preoccupations that would come to inform her later work. Peterson's critical edition illuminates the strategies by which this savvy young writer finds means to comment on the atlas' descriptions, reveals an active and original authorial presence, and suggests a much earlier interest in Catholicism than biographers have hitherto considered. An impressive work of apprenticeship, The Mirror of the Worlde shows Cary honing her poetic craft, mastering the rhetoric of polite resistance, and, above all, thinking critically about the place of women in the wide, wonderful, and often violent world that Ortelius depicted.