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This is Volume X of ten of the selected works of Frances Yates. Originally published in 1984, this collection of thirty-five essays.
"In this volume, the work of the German, Dutch, Flemish, French, and English masters of the fifteenth and sixteenth centuries is explored in more than one hundred reproductions. In addition to such well-known masterpieces as Van Eyck's Crucifixion and Last Judgment, Memling's Tommaso Portinari and Maria Baroncelli, Bruegel's Harvesters, Durer's woodcut The Four Horsemen of the Apocalypse, Cranach's Judgment of Paris, and Holbein's Erasmus of Rotterdam, this volume includes many lesser-known works in oil and on paper, as well as sculpture, decorative arts, and armor from the collections of The Metropolitan Museum of Art."--Page [2] of cover.
Ideas Have a History offers a history of ideas from ancient Greece to postmodern times. From the time of the Greeks, the West has experienced a dramatic transition in the way it views "truth." For there no longer exists a blind faith in the objective truth, but, rather a denial of the possibility of truth. What role have religion, philosophy, and science played in this transition? Ideas Have a History should be of interest to all those who are interested in the relationship between science and religion, in the role that theory of knowledge plays in human thought and action belief systems, and in the manner in which a study of the past helps elucidate the present.
This is the definitive study of John Dee and his intellectual career. Originally published in 1988, this interpretation is far more detailed than any that came before and is an authoritative account for anyone interested in the history, literature and scientific developments of the Renaissance, or the occult. John Dee has fascinated successive generations. Mathematician, scientist, astrologer and magus at the court of Elizabeth I, he still provokes controversy. To some he is the genius whose contributions to navigation made possible the feats of Elizabethan explorers and colonists, to others an alchemist and charlatan. Thoroughly examining Dee’s natural philosophy, this book provides a balanced evaluation of his place, and the role of the occult, in sixteenth-century intellectual history. It brings together insights from a study of Dee’s writings, the available biographical material, and his sources as reflected in his extensive library and, more importantly, numerous surviving annotated volumes from it.
Building the Italian Renaissance focuses on the competition to select a team to execute the final architectural challenge of the cathedral of Santa Maria del Fiore--the erection of its dome. Although the model for the dome was widely known, the question of how this was to be accomplished was the great challenge of the age. This dome would be the largest ever built. This is foremost a technical challenge but it is also a philosophical one. The project takes place at an important time for Florence. The city is transitioning from a High Medieval world view into the new dynamics and ideas and will lead to the full flowering of what we know as the Renaissance. Thus the competition at the heart of this game plays out against the background of new ideas about citizenship, aesthetics, history (and its application to the present), and new technology. The central challenge is to expose players to complex and multifaceted situations and to individuals that animated life in Florence in the early 1400s. Humanism as a guiding philosophy is taking root and scholars are looking for ways to link the mercantile city to the glories of Rome and to the wisdom of the ancients across many fields. The aesthetics of the classical world (buildings, plastic arts and intellectual pursuits) inspired wonder, perhaps even envy, but the new approaches to the past by scholars such as Petrarch suggested that perhaps the creative classes are not simply crafts people, but men of ideas. Three teams compete for the honor to construct the dome, a project overseen by the Arte Della Lana (wool workers guild) and judged by them and a group of Florentine citizens who are merchants, aristocrats, learned men, and laborers. Their goal is to make the case for the building to live up to the ideals of Florence. The game gives students a chance to enter into the world of Florence in the early 1400s to develop an understanding of the challenges and complexity of such a major artistic and technical undertaking while providing an opportunity to grasp the interdisciplinary nature of major public works.
Zeev Gries’s analysis of what books were being published and where shows the importance of the printed book in disseminating religious and secular ideas, creating a new class of Jewish intellectuals, and making knowledge of the world available to women. This unique perspective on Jewish intellectual history in the eighteenth and nineteenth centuries through the history of book-publishing throws light on many of the key Jewish cultural issues of the time.
In this enthralling historical detective story, the authors of The Holy Blood and the Holy Grail trace the flight after 1309 of the Knights Templar from Europe to Scotland, where the Templar heritage was to take root, and would be perpetuated by a network of noble families. That heritage, and the Freemasonry that arose from it, became inseparable from the Stuart cause. The Temple and the Lodge charts the birth of Freemasonry through the survival of Templar traditions, through currents of European thought, through the mystery surrounding Rosslyn chapel, and through an elite cadre of aristocrats attached as personal bodyguards to the French king. Pursuing Freemasonry through the 17th and 18th Centuries, Michael Baigent and Richard Leigh reveal its contribution to the fostering of tolerance, progressive values, and cohesion in English society, which helped to pre-empt a French-style revolution. Even more dramatically, the influence of Freemasonry emerges as key facto in the formation of the United States of America as an embodiment of the ideal 'Masonic Republic'.
The history of a single book sheds light on the beginnings of modern Jewish thought In 1797, in what is now the Czech Republic, Pinḥas Hurwitz published Book of the Covenant. Nominally an extended commentary on a sixteenth-century kabbalist text, Pinḥas’s publication was in fact a compendium of scientific knowledge and a manual of moral behavior. Its popularity stemmed from its ability to present the scientific advances and moral cosmopolitanism of its day in the context of Jewish legal and mystical tradition. Describing the latest developments in science and philosophy in the sacred language of Hebrew, Hurwitz argued that an intellectual understanding of the cosmos was not at odds with but actually key to achieving spiritual attainment. In A Best-Selling Hebrew Book of the Modern Era, David Ruderman offers a literary and intellectual history of Hurwitz’s book and its legacy. Hurwitz not only wrote the book, but also was instrumental in selling it, and his success ultimately led to the publication of more than forty editions in Hebrew, Ladino, and Yiddish. Ruderman provides a multidimensional picture of the book and the intellectual tradition it helped to inaugurate. Complicating accounts that consider modern Jewish thought to be the product of a radical break from a religious, mystical past, Ruderman shows how, instead, a complex continuity shaped Jewish society’s confrontation with modernity.