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This work covers topics related to the exercise of influence by individuals and groups within organizations. It includes an introductory group of articles dealing with the nature of influence processes and power. With more than two-thirds fresh material, this new updated edition of Organizational Influence Processes provides an overview of the most important scholarly work on topics related to the exercise of influence by individuals and groups within organizations. In selecting articles for inclusion the editors were guided by the conviction that the most useful and interesting way to view organizational influence is to take a directional approach - that is, to consider the process from the perspective of downward, lateral, and upward influence. They have organized the readings around this framework, preceded by an introductory group of articles dealing more generally with the nature of influence processes and power. The book includes both classic readings and the latest cutting edge research from some of the most respected experts writing in the field. It will be equally useful for any upper level undergraduate or graduate course concerned with organizational behavior, group behavior, leadership or power and politics.
This work covers topics related to the exercise of influence by individuals and groups within organizations. It includes an introductory group of articles dealing with the nature of influence processes and power. With more than two-thirds fresh material, this new updated edition of Organizational Influence Processes provides an overview of the most important scholarly work on topics related to the exercise of influence by individuals and groups within organizations. In selecting articles for inclusion the editors were guided by the conviction that the most useful and interesting way to view organizational influence is to take a directional approach - that is, to consider the process from the perspective of downward, lateral, and upward influence. They have organized the readings around this framework, preceded by an introductory group of articles dealing more generally with the nature of influence processes and power. The book includes both classic readings and the latest cutting edge research from some of the most respected experts writing in the field. It will be equally useful for any upper level undergraduate or graduate course concerned with organizational behavior, group behavior, leadership or power and politics.
"For thousands of years, the cultures of Asia have traded, interacted, and exchanged artistic ideas. This book presents highlights of cross-cultural Asian art acquired by Singapore's Asian Civilisations Museum between 2009 and 2013. The objects show the migration of religions, the lure of exotic materials and rare techniques, and the creation of new art forms through the blending of traditions. The encounters between cultures and the global networks of trade that have shaped our world are much in evidence in the objects discussed in this volume." -- book cover.
This study revisits one of the most extensive examples of the spread of ideas in the history of civilization: the diffusion of Indian religious and political ideas to Southeast Asia before the advent of Islam and European colonialism. Hindu and Buddhist concepts and symbols of kingship and statecraft helped to legitimize Southeast Asian rulers, and transform the political institutions and authority of Southeast Asia. But the process of this diffusion was not accompanied by imperialism, political hegemony, or "colonization" as conventionally understood. This book investigates different explanations of the spread of Indian ideas offered by scholars, including why and how it occurred and what were its key political and institutional outcomes. It challenges the view that strategic competition is a recurring phenomenon when civilizations encounter each other.
Learn about the ancient Chinese by examining the art they created. This title examines what their art reveals about their history and simultaneously how history explains the art. It explores the Chinese civilization through both the images it produced and cultural artifacts that remain. The title focuses on how art and architecture from a distinct period reflect life at the time, and how we can use the surviving art to understand how people used to live.
Past studies of China have concentrated on specific events or have related a chronological history of the dynastic periods. These works have included aspects of cultural history but have underemphasized the country's great social, political, and intellectual movements and their ultimate expression in the art and literature of the time. By focusing on such themes, Professor Michael provides a new framework for understanding the Chinese cultural tradition. The author describes the evolving history of ideas in China, from ancient faith in powerful magic to more modern concepts of a logical moral order of the universe and mankind's place in it. He also explores the intellectual ferment following the dawn of the age of reason, the integration of Buddhism into the Confucian social order, and the social transformations accompanying the rise and fall of the centralized state. Throughout, he illustrates how the changing society's beliefs, values, and aesthetic sense were embodied in its art and literature. This portrayal of the Chinese cultural tradition not only puts Chinese history in a new perspective, it also illuminates the process through which China constructed a modern society from a non-Western foundation and serves as an essential tool for understanding modern-day China and its prospects for the future.
A leading scholar in the United States on Chinese archaeology challenges long-standing conceptions of the rise of political authority in ancient China. Questioning Marx's concept of an "Asiatic" mode of production, Wittfogel's "hydraulic hypothesis," and cultural-materialist theories on the importance of technology, K. C. Chang builds an impressive counterargument, one which ranges widely from recent archaeological discoveries to studies of mythology, ancient Chinese poetry, and the iconography of Shang food vessels.
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.