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Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.
In the last quarter century, a new form of iconic architecture has appeared throughout the world's major cities. Typically designed by globe-trotting "starchitects" or by a few large transnational architectural firms, these projects are almost always funded by the private sector in the service of private interests. Whereas in the past monumental architecture often had a strong public component, the urban ziggurats of today are emblems and conduits of capitalist globalization. In The Icon Project, Leslie Sklair focuses on ways in which capitalist globalization is produced and represented all over the world, especially in globalizing cities. Sklair traces how the iconic buildings of our era-elaborate shopping malls, spectacular museums, and vast urban megaprojects--constitute the triumphal "Icon Project" of contemporary global capitalism, promoting increasing inequality and hyperconsumerism. Two of the most significant strains of iconic architecture--unique icons recognized as works of art, designed by the likes of Gehry, Foster, Koolhaas, and Hadid, as well as successful, derivative icons that copy elements of the starchitects' work--speak to the centrality of hyperconsumerism within contemporary capitalism. Along with explaining how the architecture industry organizes the social production and marketing of iconic structures, he also shows how corporations increasingly dominate the built environment and promote the trend towards globalizing, consumerist cities. The Icon Project, Sklair argues, is a weapon in the struggle to solidify capitalist hegemony as well as reinforce transnational capitalist control of where we live, what we consume, and how we think.
In 1911 the French publisher Lucien Vogel challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen’s modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkácsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vinoodh and Mert & Marcus are reshaping our notion of what is acceptable—not just aesthetically but also technically and conceptually—in a fashion photograph. This lavishly illustrated survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre’s most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements.
This book showcases cutting-edge research papers from the 8th International Conference on Research into Design (ICoRD 2021) written by eminent researchers from across the world on design processes, technologies, methods and tools, and their impact on innovation, for supporting design for a connected world. The theme of ICoRD‘21 has been “Design for Tomorrow”. The world as we know it in our times is increasingly becoming connected. In this interconnected world, design has to address new challenges of merging the cyber and the physical, the smart and the mundane, the technology and the human. As a result, there is an increasing need for strategizing and thinking about design for a better tomorrow. The theme for ICoRD’21 serves as a provocation for the design community to think about rapid changes in the near future to usher in a better tomorrow. The papers in this book explore these themes, and their key focus is design for tomorrow: how are products and their development be addressed for the immediate pressing needs within a connected world? The book will be of interest to researchers, professionals and entrepreneurs working in the areas on industrial design, manufacturing, consumer goods, and industrial management who are interested in the new and emerging methods and tools for design of new products, systems and services.
Classic stories of science fiction featuring powered armor: Tales from the Golden Age through the current era featuring military, police, and civilians utilizing powered armor. Stories by Joe Haldeman, Christopher Ruocchio, Jason Cordova, and more! MEN, MACHINES, AND TOMORROW’S BATTLEFIELDS War is planned violence . . . or, at least, it starts out that way. And even if plans go awry, the violence is indispensable. Today’s soldiers have far more firepower on a per-man basis than the doughboys of a century ago, and there is no reason to believe that this trend will not extend into the future. Imagine a revival of suits of armor, but with structural strength undreamed of by medieval knights, and powered by built-in motors, giving each soldier the invulnerability of a tank, but even more mobility, and mechanical muscle strong enough to carry light artillery, rocket launchers, laser cannon, and weapons not even on the drawing boards yet. Add on the ability to fly, or at least jump for a kilometer at a time, using rocket boosters, or even powerful leg motors, or a combination of both. The stuff that superheroes are made of, hanging in every fighting man or woman’s closet, ready to wear. If it’s possible, history teaches us, it will be done. But don’t expect a nation or planet possessing such battalions of super-powered soldiers to not worry about attack by an enemy . . . there’s no reason why the enemy won’t have its own armored infantry. Keep the midnight oil burning and the R&D rolling. In the meantime, here’s a sneak peek by expert dreamers putting the battle-hardened reader at the sharp end of tomorrow. At the publisher’s request, this title is sold without DRM (Digital Rights Management). Praise for anthologies edited by Hank Davis and David Afsharirad: “This intriguing anthology explores the human race’s violent potential [but] also bends toward exploration and the triumph of the human spirit, with brave tales [that] take the reader on a fascinating, thoughtprovoking, enjoyable journey . . . ” —Publishers Weekly on The Year’s Best Military SF and Space Opera, starred review
Icons features colorful portraits of 50 of the most admired women in the fields of music, politics, human rights, and film. This diverse and inclusive collection features the world's most inspiring women, including Michelle Obama, Beyonce, Aretha Franklin, Dolly Parton, Ruth Bader Ginsburg, Yayoi Kusama and so many more. From singers to writers, activists to artists, politicians to filmmakers, Icons is a celebration of the strength of women. Illustrated by Monica Ahanonu, each portrait is accompanied by a short biography about what makes each woman a force to be reckoned with. • Share it with other women in your life: mom-to-daughter, daughter-to-mom, friend-to-friend • Read about the lives and accomplishments of each woman, or simply enjoy the enigmatic portraits. Ahanonu's illustrated portraits are both easily recognizable and also an artistic take on each featured woman's likeness and identity. • A smart and empowering collection of female role models • Perfect for those who loved In the Company of Women: Inspiration and Advice from over 100 Makers, Artists, and Entrepreneurs by Grace Bonney and Bygone Badass Broads: 52 Forgotten Women Who Changed the World by Mackenzi Lee
The authors present twenty icons of mathematics, that is, geometrical shapes such as the right triangle, the Venn diagram, and the yang and yin symbol and explore mathematical results associated with them. As with their previous books (Charming Proofs, When Less is More, Math Made Visual) proofs are visual whenever possible. The results require no more than high-school mathematics to appreciate and many of them will be new even to experienced readers. Besides theorems and proofs, the book contains many illustrations and it gives connections of the icons to the world outside of mathematics. There are also problems at the end of each chapter, with solutions provided in an appendix. The book could be used by students in courses in problem solving, mathematical reasoning, or mathematics for the liberal arts. It could also be read with pleasure by professional mathematicians, as it was by the members of the Dolciani editorial board, who unanimously recommend its publication.
For those who love icons and who would love to know more about their history and the art itself, this book will prove a real treasure. Featuring pages of illustrations and photographs, 96 in full color, the book relates a wealth of information on iconography and iconographers, and on their relationship to Church and State.
Tasoula Hadjitofi was only a child when her homeland, Cyprus, was invaded. As bombs fell and soldiers marched through the streets, her mother stood guard, reminding her children to not be afraid—not of the bombs or anything else that may follow. They would always have their family and their faith. Soon thereafter, Tasoula found herself homeless and nation-less. A refugee. Decades later, she's a successful entrepreneur and the honorary Cypriot consul to The Netherlands. But family and faith remained her touchstones—and she never lost her longing for "home." She often thought of the gorgeous Cypriot churches and their icons. One day, an art dealer offers her a chance to buy Cyprian icons stolen during the war. Icons hold a special place in the hearts of many Greek Cypriots. They are not just masterpieces—they are artistic manifestations of faith and a gateway to the divine.Outraged, Tasoula sets out on a quest to repatriate these artifacts. An immensely difficult task as icons often lack provenance in the eyes of the law. But she is determined. Yet the road to “The Munich Case”—the largest art trafficking sting in European history—is filled with mind games, subterfuge, global politics, and a shady figure named Van Rinj, whose motives are never entirely clear...