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This elegant volume celebrates the tradition of Indian jewelry, featuring the gorgeous collection of Indian gold jewels in the Musee Barbie-Mueller.
"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.
Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed--and one of the most mysterious. This book provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain's most important collection, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.
“Gold to Rust: Monuments, Icons and Whitewashed History” is author Marques Vickers’ offbeat commentary and unconventional photographic journal. The edition includes travel impressions accumulated from over thirty years of travel spanning four continents. His photography documents and isolates unusual signage, monuments, and unorthodox sights frequently overlooked by traditional travel guides and journals. Over seventy cultural monuments are highlighted including: Alexandria Hotel Los Angeles Architectural Bones Artist Cemetery Statuary Bach’s Leipzig Church Gig Berlin Burial Dilemma Berlin: Memorializing Dividing Demons Bob Arneson’s Bricks Bridge Love Locks Bubblegum Alleys California Admission Day Monument California State Capitol Building California’s Wine Industry Cascade Mountain Abandoned Railroad Tunnels Celebrity Burial Pilgrimages Chambers Bay Monolithic Ruins Charles Cros Claude Nicolas Ledoux Confederate Soldier Monuments in Western United States Cultural Gluttony Dijon’s Ancient Jewish Cemetery Drive-In Theatres Dumas Brothel East German Border Guard Towers Empty Open Air Cathedrals Espresso Art Father Junipero Serra Fabrezan’s Village Windmill Flooding Level Markings Frauenlob: Medieval Rock Star Gargoyles Atop Paris’ Notre Dame Cathedral German City Holocaust Sidewalk Memorials Grand Park and Spring Street Junction Halley’s Comet Hearst Landmark Building Jack London: Short Story Virtuoso James Dean Memorial Kennebunkport: Too Much Information Sign Kiwi Bacon Sculpture Liberty Belle Slot Machine: Birthplace of The One-Armed Bandit Lil’ Sambo’s Heritage Los Angeles’ Chinatown Losing Everything Lotta Crabtree’s Fountain Lou Graham of Seattle Lowest Rent Accommodations Mainz’s Severed Extremity Sculptures Mechanics Monument Military Hardware Memorials Modesto’s Keyboard Crosswalks Montana State Prison Murder Memorials New Palace Hotel Panama Canal Memories Paul Revere’s Ride Personalized Soldier Memorials Pony Express Delivery Service Racetrack Church Raymond, Washington Iron Cut-Outs Robert Frost: The Road Not Taken Santiago de Compostela Pilgrimage Single Building School Houses Squatter’s Rights Stock Market Casualties of 1929 Story in the Stones Tiny Houses Twilight Tourism Vladimir Lenin’s Seattle Sculpture Voyeurism Sculpture Wilver Willie Stargell Wrinkles of the City Wall Murals
Solrunn Nes, one of Europe's most admired iconographers, illuminates the world of Christian icons, explaining the motifs, gestures, and colors common to these profound symbols of faith. Nes explores in depth a number of famous icons, including those of the Greater Feasts, the Mother of God, and a number of the better-known saints, enriching her discussion with references to Scripture, early Christian writings, and liturgy. She also leads readers through the process and techniques of icon painting, showing each step with photographs, and includes more than fifty of her own original works of art.
Writing in Gold is a bold and challenging statement about the importance of the visual arts in a largely illiterate society. Exploring the height of Byzantine society from the 6th to the 12th centuries through a survey of the period's surviving paintings, mosaics, and metalware, the book shows how these art objects molded attitudes and beliefs in the medieval world. The examples chosen cover the full range of Byzantine society from the sophisticated urban environment of Constantinople, where emperors used art to maintain loyalty and support for the system, to the life of a small community on Cyprus, where a recluse used art to glorify himself to his disciples. Written in a lively style, and drawing on new and original material throughout, Writing in Gold illuminates an intriguing period in art history.
Janowitz sifts through the polemics to make sense of the daunting mosaic of religious belief and practice in Late Antiquity. Janowitz reveals how ritual practitioners held common assumptions about why their rituals worked and how to perform them. Icons of Power makes an important contribution to our understanding of society in Late Antiquity.
Georgia Icons celebrates the Peach State through photographs and essays highlighting 50 of the best places, inventions, foods, buildings, and institutions the state has to offer..
Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic soul and identity. This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period.
Pentcheva demonstrates that a fundamental shift in the Byzantine cult from relics to icons, took place during the late tenth century. Centered upon fundamental questions of art, religion, and politics, Icons and Power makes a vital contribution to the entire field of medieval studies.