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Excerpt from Iconography of the West Front of Wells Cathedral: With an Appendix on the Sculptures of Other Medieval Churches in England The sculptures Of Wells Cathedral were designed to illustrate in the most ample and striking manner, the great and fundamental doctrines of the Christian Faith, its happy advent to this country, and its subsequent protection under the several dynasties to the date of their execution in 1214. For reasons hereafter to be explained, they relate also in a peculiar manner to the anglo-saxon originators of those laws and institutions which, under favouring Providence, have spread them selves together with Our race over vast portions Of the globe. They were conceived and executed by minds which enforced Magna Charta, and with Roger Bacon, Greathead, Scotus, and others, raised the intellectual character of our country to the highest grade of European civilization at that period. Fraught at once with the gravest and most important interests of religion, history, and archaeology, according to the learning and the taste of their day, they demand the best attention which can be bestowed upon them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reprint of the original, first published in 1870.
This title was first published in 2001. For the English people, the image of the monarchy is deeply bound up with the idea of nationhood. This book surveys aspects of England's royal heritage dialogue from the late middle ages to the 19th century. It concentrates on monumental sculpted portraits because that was the way in which the image of the monarchy was customarily presented in the most immediate and permanent form at large scale in the public arena. The aim of such memorials was to consolidate and commemorate shared loyalties and beliefs, focusing on the monarchs. They were sometimes protected by railings, more often than just by their talismanic value. There was widespread resistance to the idea that Oliver Cromwell should be commemorated by public memorial. The English generally remained uncomfortable with the idea of republicanism. The monarchial government of the middle ages, thought to be sanctioned by God, was very different from the figurehead the monarchy has become.
Reprint of the original, first published in 1881.