Download Free Iconography Of Minor Hindu And Buddhist Deities Book in PDF and EPUB Free Download. You can read online Iconography Of Minor Hindu And Buddhist Deities and write the review.

At the very outset, I wish to clarify that this is not a new work : This WebGuruCool Indological Studies 3 incorporates parts of my work, Encyclopaedia of Indian Coins (Ancient Coins of Northern India up to c 650 AD), a two-volume set, published by Agam Kala Prakashan, Delhi, in 2012. The main object behind undertaking this publication is to make information about the divinities and their symbols, appearing on ancient Indian coins, available to students, who may be interested, but are unable to access the Encyclopaedia. On a more selfish note, it is a sort of an advertisement for the Encyclopaedia. It is hoped that a perusal of this WebGuruCool Indological Studies 3 may whet the appetite of the readers for the Encyclopaedia. For a brief survey of ancient Indian coinage system, I would refer the reader to the Introduction of my Encyclopaedia of Indian Coins (Ancient Coins of Northern India up to c 650 AD) 1, to my Gleanings in Ancient Indian Numismatics, and to my joint work with Professor K K Thaplyal, Coins of Ancient India. In the Dictionary proper, the divinites and their symbols, occurring on ancient Indian coins, have been arranged in an alphabetical order. The Select Bibliography begins at page number 195. I acknowledge, with a profound sense of gratitude, the inspiration I always receive from my Guru, Professor K K Thaplyal, and the warm support extended to me by my family, and extended family of students—Wife Dr Nidhi Srivastava, daughters Pratichi and Purvi, son-in-law Kumar Aishvarya, and students Dr Umesh Singh, Dr Jitesh Kumar Singh, Sushil Chand and Abhay Pratap Singh Rajawat. 27 November 2022. Prashant Srivastava.
Vaisnavism Played A Very Significant Role In Socio-Religious And Artistic Expressions Of Kashmir In Ancient And Medieval Periods. Vaisnavism Carved Its Due Place In The Minds Of The People In The Valley With Equal Amount, If Not More Than That Of Buddhism And 'Saivism. In General, The Religion Of Vishnu In The Kashmir Valley Shared The Pan-Indian Notion, Yet In Certain Aspects, It Maintained Its Individualistic Approach. Such Differences Are Noted In The Texts As Well As In The Artistic Expressions Of The Valley. The Present Book Deals With The Various Facets Of Vaisnavism In Kashmir With Particular Reference To The Vaisnava Icons And Art. The Book Deals With Para, Vyuha And Vibhava Aspects Of Vishnu As Well As With Composite And Syncretic Aspects Of The God. Attention Has Also Been Paid To The Minor Vaisnavite Deities Including The Personification Of Vishnu'S Attributes. There Has Been A Dearth Of A Comprehensive Study On Vaisnava Art And Iconography Of Kashmir And This Book Is Likely To Fill The Gap
The Dictionary details the characteristic attributes,chronology and symbolism of over twelve thousand main and minor deities.It reflects the extraordinary cultural, literary,aesthetic and spiritual achievements of several nations of Asia over two millennia.It will help to identify the masterpieces along with the profusion of masters and divine beings around them.The last few decades have seen an exuberant flourishing of the study and popularisation of the patrimony of Buddhist art for its aesthetic magnificence.This Dictionary will add a dimension of precision and depth of perception to the visual tradition of paintings and sculptures.
The present book throws new light on the gradual development of the concept of Rudra-Siva in his animal, phallic and human forms, since the days of the Harappa Civilization. It examines how Siva, the composite Aryan-non-Aryan Divinity, was not only admitted but was ultimately crowned with an exalted position in the Brahmanical pantheon; how the bull once identified with the deity, was regulated to the position of a vahana; how phallism was related to Saivism and also how Siva, in his different forms, was represented in early Indian Art and the Art of Further India. The wide range and depth of the author's research fills a vital gap in the subject and his treatment of the entire subject is unique. This methodical study on Siva also contains an exhaustive bibliography.
Drawing on textual and art historical sources, this book traces the conceptual and iconographic development of the Indian riverine goddess of knowledge Sarasvati from sometime after 1750 B.C.E. to the seventh century C.E.
The monotheistic religions of Judaism, Christianity, and Islam have severely limited the portrayal of the divine as feminine. But in Hinduism "God" very often means "Goddess." This extraordinary collection explores twelve different Hindu goddesses, all of whom are in some way related to Devi, the Great Goddess. They range from the liquid goddess-energy of the River Ganges to the possessing, entrancing heat of Bhagavati and Seranvali. They are local, like Vindhyavasini, and global, like Kali; ancient, like Saranyu, and modern, like "Mother India." The collection combines analysis of texts with intensive fieldwork, allowing the reader to see how goddesses are worshiped in everyday life. In these compelling essays, the divine feminine in Hinduism is revealed as never before--fascinating, contradictory, powerful.