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In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.
• Helps bridge the gap between love of God and love of nature • A separate Facilitator’s Guide accompanies the book for small group usage Many people experience God most strongly in nature but do not know how to incorporate this experience into their spiritual life. Others question whether Christianity has room for nature at all and seek alternatives elsewhere, often leaving Christianity entirely. This book addresses this crucial issue by providing a resource for fostering a closer relationship with God and creation. With a step-by-step approach, this book provides a framework integrating asceticism with the contemplation of nature. Each chapter contains a “take it home” section for applying the lessons learned outdoors to everyday life, connecting God and nature as seamless components of spirituality. Topics include gratitude, delight, ppreciation, wonder, discernment, reverence, mortality, love, beauty, humility, silence, and hope.
John Thiel, one of the most influential Catholic theologians today, argues that modern theologians have been unduly reticent in their writing about 'last things': death, judgment, Heaven, and Hell. He offers a revision of the traditional Catholic imaginary regarding judgment and life after death that highlights the virtuous actions of all the saints in their Heavenly response to the vision of God.
Step-by-step instructions for painting icons, from original drawings through finished product. For more than a thousand years, Eastern Christians have used their hands and hearts to create icons, proclaiming God’s reality in a visible–and breathtakingly beautiful–way. This ancient art is enjoying a renewed interest in the West, as people of faith create icons and use them to meditate on mysteries for which there are no words. A Brush with God is a guide to painting icons and using them in prayer. Written with warmth and energy, it describes the history of icons and examines why they’ve been a spiritual tool for so many centuries. Written from a uniquely Western perspective, the book guides artists–from novices to professionals–through the process of icon painting, using traditional techniques but employing contemporary materials. Included are eight full-color plates of the artist’s icons.
The Ecumenical Work of the Icon is an invitation to the students and faculties of Catholic seminaries to be a part of the tradition of the icon through the lens of ecumenis. With a view of ecumenism as lived in both the Roman Catholic and Orthodox traditions, the visual theological language of the icon may be engaged more fully and respectfully, thus enriching the theological education and future ministry of those who learn and teach in a Catholic setting. In the third portion of the book, readers are offered multiple practical pedagogical examples of how to integrate teaching and learning about the icon into seminary courses and beyond, including writing assignments, oral presentations, and hands-on activities.
SOON TO BE A MAJOR TV SHOW, FROM THE NETWORK BEHIND THE WALKING DEAD '[W]hen I found Rice's work I absolutely loved how she took that genre and (...) made [it] feel so contemporary and relevant' Sarah Pinborough, bestselling author of Behind Her Eyes '[Rice wrote] in the great tradition of the gothic' Ramsey Campbell, bestselling author of The Hungry Moon FROM INTERNATIONALLY BESTSELLING AUTHOR AND 'QUEEN OF THE UNDEAD', ANNE RICE The Vampire Chronicles continue with a riveting, rich saga - part adventure, part fairy tale - of Prince Lestat and the story of how he came to rule the vampire world From his ancestral chateau high up in the mountains of France, Prince Lestat grapples to instil a new ideology of peace and harmony among the blood-drinking community. Accustomed to welcoming the Undead from far and wide, one night he awakes to news of a ruthless attack by a group of maverick vampires. After fleeing to investigate the terror, Lestat learns of several new enemies who are intent on disrupting the harmony he tries so hard to maintain. But is Lestat strong enough to take on such evil alone or will sacrifices have to be made? Will his cry for peace be heard in a world riddled with violence?
Amid the growing dissatisfaction with Catholic church architecture since the Second Vatican Council, and the general lack of clear and vibrant direction in liturgy, this book responds to the timely question of "How ought we build our churches?" Drawing upon the texts of the Second Vatican Council, recent papal encyclicals, and the Catechism of the Catholic Church, Schloeder examines this question in depth with regard to history, theology, iconography and symbolism. Schloeder seeks not merely to analyze why modern churches are so uninspiring, but he offers positive direction for the renewal of an authentic Catholic architecture: one that respects the traditions of the Church's magnificent artistic heritage while advancing the vision of the Second Vatican Council. The key to the solution is to regain a sacramental vision of the liturgy and of architecture, a vision that will help us to build churches that nurture the human spirit with beauty and meaning.
Interweaving art history, patristics, theology, and aesthetics, this original phenomenological study develops a fresh new approach to the icon.