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Handbook for Museums is the definitive guide of need-to-know information essential for working in the museum world. Presenting a field-tested guide to best practice, the Handbook is formed around a commitment to professionalism in museum practice. The sections provide information on management, security, conservation and education. Including technical notes and international reading lists too, Handbook for Museusms is an excellent manual for managing and training.
This volume provides an unparalleled exploration of ethics and museum practice, considering the controversies and debates which surround key issues such as provenance, ownership, cultural identity, environmental sustainability and social engagement. Using a variety of case studies which reflect the internal realities and daily activities of museums as they address these issues, from exhibition content and museum research to education, accountability and new technologies, Museums, Ethics and Cultural Heritage enables a greater understanding of the role of museums as complex and multifaceted institutions of cultural production, identity-formation and heritage preservation. Benefitting from ICOM’s unique position in the museum world, this collection brings a global range of academics and professionals together to examine museums ethics from multiple perspectives. Providing a more complete picture of the diverse activities now carried out by museums, Museums, Ethics and Cultural Heritage will appeal to practitioners, academics and students alike.
How did a kremlin, a fortified monastery or a wooden church in Russia become part of the heritage of the entire world? Corinne Geering traces the development of international cooperation in conservation since the 1960s, highlighting the role of experts and sites from the Soviet Union and later the Russian Federation in UNESCO and ICOMOS. Despite the ideological divide, the notion of world heritage gained momentum in the decades following World War II. Divergent interests at the local, national and international levels had to be negotiated when shaping the Soviet and Russian cultural heritage displayed to the world. The socialist discourse of world heritage was re-evaluated during perestroika and re-integrated as UNESCO World Heritage in a new state and international order in the 1990s.
A definitve guide to best practice in museums, at a time in which all museums require ever more innovative solutions to processes of interpreting the world's cultural and scientific heritage.
Lorenzo Casini delves into the increasing globalization of cultural heritage law in this innovative and thought-provoking Advanced Introduction. In addition to answering fundamental questions on cultural property, Casini connects national and global aspects of cultural heritage law, dissects old and contemporary dilemmas, and examines the future challenges of cultural heritage law in the digital age.
The report studied and evaluated the Army's personnel system by developing a model which enabled Army personnel management to assess quantitatively the impact of policies on deployment and readiness. The report deals with the development and use of DISTRO-II(Distribution Rotation model), essentially a modification of the General Matrix Manipulator (GMM). DISTRO-II, which simulates additional factors affecting personnel distribution, more accurately models deployability characteristics of the Army than does either the GMM or DISTRO-1. The DISTRO-II model is described. Principles of the GMM and its interface with DISTRO-II are presented in detail. FORTRAN listings of DISTRO2 subroutines are provided.
This guide is intended for anyone involved in the creation, development and management of museums in the 21st century--both those working inside museums and those working outside museums, such as government and foundation agency staff responsible for museums or grant-aid to them, designers and other museum service providers, and teachers and students in museum studies and related programs. Coverage includes the objectives, structure, and methods of museum management. Chapter concepts are illustrated by twelve case studies of contemporary museums and galleries contributed by specialists from the UK, the U.S., and Australia. This is a reprint of the text previously published by The Stationery Office in 1997. Distributed by Rowman and Littlefield. Annotation copyrighted by Book News, Inc., Portland, OR