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ICESMATF 2023 Exhibition Catalog

1. Tatiana Lissa, Alien Contsert, New York, Art League NYC, USA 2. Tatiana Lissa, Self Portrait-New Cubism and Realism, New York, Art League NYC, USA 3. Zvetan (TSVETAN MUMDZHIEV) Mumdgiev, Emerald and Turquase, BULGARIA 4. Zvetan (TSVETAN MUMDZHIEV) Mumdgiev, Hot Joy to All of Us, BULGARIA 5. Zvetan (TSVETAN MUMDZHIEV) Mumdgiev, Colors and Architecture of Persia, BULGARIA 6. Seçil Sever Demir, Sonsuzlukta Lale, TÜRKİYE 7. Assist. Prof. Ashkan RAHMANI, “Kilim Design -1/Flatweaves Design-1”, IRAN 8. Assist. Prof. Ashkan RAHMANI, “Kilim Design -2/Flatweaves Design-2”, IRAN 9. Assist. Prof. Ashkan RAHMANI, “Kilim Design -3/Flatweaves Design-3”, IRAN 10. Gözde Ermin-New Identitiy, TÜRKİYE 11. Shobitha Hariharan, Bengal, INDIA 12. Shobitha Hariharan, Gujarat, INDIA 13. Karel Fehr-Art for fun 2010-Decorative Photographic Art, AVUSTRALASYA 14. Karel Fehr-GrassHopper, AVUSTRALASYA 15. Mayumi Goto-Shin Yamagishi-JAPAN 16. Professor Dr. Roma Madan Soni-Artwork Name: Melting I, KUWAIT 17. Professor Dr. Roma Madan Soni-Artwork Name: Melting II, KUWAIT 18. Hope Tian-Far East, CHINA 19. Alison Berkey, Animation, Washington, USA 20. Alison Berkey, Illustration, Washington, USA 21. Sylvie Grich-Relaxation an Afternoon of Geso: Texture Work an Afternoon of Pigment: Having Fun Creating Effects a Moment of Freedom in Coal Linen Canvas-Pays de la Loire, FRANCE 22. Len Cicio, The Astor Staircase Upper Westside Manhattan, New York, USA 23. Mahmoud Salem, Sculpture of the Tilapia Fish from Rose Granite, EGYPT 24. Hans Koenen, Divers and Inclusive, HOLLAND 25. Nigora (Isaevna) Razakova,"Colors of Asia", UZBEK 26. Dr. Mehmet Konuklar-Sustainable Stretching, TÜRKİYE 27. Yang Ji & Ze Gao-Symbiosis: From the Present to the Future, CHINA 28. Nerza Villegas-Sin título 40 x 40 cm Técnica mixta sobre madera, Madrid, SPAIN 29. Lecturer Gülseren Haylamaz-Disappearing Expressions on Portrait, TÜRKİYE 30. Dr. Pınar Köymen Çağar-Wearing Nature, TÜRKİYE 31. Prof. Dr. Ziynet Öndoğan-Homecoming, TÜRKİYE 32. Assoc. Prof. Serkan Boz-Asymmetry Versus Symmetry, TÜRKİYE 33. Dr. Ece Nüket Öndoğan-Dancing of Nature Colors, TÜRKİYE 34. Seray Akın-Portrait of Nature, TÜRKİYE 35. Assist. Prof. Özlem Kurtoğlu Necef-Unexpected Moments, TÜRKİYE 36. Assist. Prof. Arzu Şen Kılıç-Reflections, TÜRKİYE 37. Res. Assist. Esra Yarar- Dionyos and Sadness, TÜRKIYE 38. Res. Assist. Esra Yarar-Dionyos and Grate, TÜRKIYE

Published: 2023-02-01

Total Pages: 79


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1st International Congress and Exhibition on Sustainability in Music, Art, Textile and Fashion (ICESMATF 2023) January, 26-27 Madrid, Spain Exhibition Book Publisher: Global Academy Publishing House
ICSSIET CONGRESS 1st International Congress and Exhibition on Sustainability in Music, Art, Textile and Fashion (ICESMATF 2023) January, 26-27 Madrid, Spain ABSTRACT BOOK Editor Assoc. Prof. Shajara Ul DURAR ISBN: 978-625-8284-27-0 Publishing Date: 28.01.2023 All rights of this book belong to Global Academy Publishing House. No part of this publication may be reproduced, stored, retrieved system, ortransmitted, in any form or by any means, without the written permission of the Global Academy Publishing House. Norbe otherwise circulated in any form of binding or cover. ©Copyright January, 2023 Certificate No: 64419 Publisher: Global Academy Publishing House [email protected] https://www.globalacademy.com.tr/ The individual essays remain the intellectual properties of the contributors. All papers published in this abstract book have been peer reviewed. https://www.icssietcongress.com/icesmatf-2023
Editor Assoc. Prof. Shajara Ul DURAR ISBN: 978-625-8284-28-7 Publishing Date: 31.01.2023 Global Academy Publishing House
Preface Art, Design, Communication and Fashion: An Interdisciplinary Approach; is a thought-provoking book for academics, researchers, doctoral students and policymakers interested in fine arts, design, fashion and the field, providing valuable information on contemporary issues in art, design, fashion. In this book; the first chapter aims to prepare pre-service teachers while serving the community by addressing the previously identified needs with an emphasis on the pedagogical methodology of service learning (S-L). S-L is different from volunteering and internships. In this context, the process of implementing S-L at the Royal Conservatory of Music of Granada is described. Popular culture is defined as a way of life that the majority of people in society live or will live. In the second chapter, visual art teachers' views on popular culture and approaches in classrooms are investigated. The third chapter highlights the potential for strategically designed systems, known as circadian lighting, to have a beneficial impact on people's health, alertness, productivity, and more. Since the fourth chapter is about holistic knowledge of the design process in fashion design, which is one of the fundamental skills for any graduate in the field, it is aimed to diagnose the curricular knowledge of the graduates of fashion design at the Federal Institute of Rio Grande do Norte (IFRN) - Caicó campus in the context of the idea that the student of Fashion Design should have a theoretical and practical mastery of the contents. Also this chapter aims to diagnose the level of mastery of curricular content by undergraduates in Fashion Design at IFRN – Caicó. The fifth chapter explains whether the materials of cardboard boxes and umbrellas can be recycled in fashion, as well as whether a garment can be created from the materials, in the context of economic, environmental and social sustainability concepts. The sixth chapter provides examples of how the artist uses symbols to convey a message of protection and attract attention. In general, considerations in the context of mythology studies include a close analysis of works of art that use mythological themes and symbols to represent ecosystems, and an assessment of the cultural and historical contexts in which these works of art were created. It is thought that this chapter will contribute to the ongoing study of how art fits into a broader tradition of mythical representations of natural environments and environmentalism in art. The seventh chapter discusses some sustainable design products, taking into account the importance given to the product life cycle in Portugal in the context of developing products with national and environmentally friendly materials that have the agreed-upon value for material culture. The authors of this book present a wealth of literature and research that will contribute to an understanding of the role of decision-makers and international organizations in the field of fine art in promoting growth and development. The book is an excellent resource for anyone interested in learning about the most recent trends and emerging issues in the fine art field.