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"Traditional Icelandic Embroidery has been out of print for almost a decade and is now available in revised edition. The main text contains a survey of the history of Icelandic traditional embroidery from the earliest times to the middle of the nineteenth century, emphasizing extant embroideries preserved in the National Museum of Iceland in Reykjavik. Included are fifty-four photographs in full color of embroideries and twenty-four pages of original patterns, all in the National Museum of Iceland, and an extensive updated bibliography of relevant books and articles. Also included are eight pages with stitch diagrams and descriptions of how to work the various techniques used in the embroideries, and twenty-four plates of traditional Icelandic squared embroidery designs.
This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organized workshops in urban settings employing standardized skill levels and as evidence of changing material use: from small amounts of fibers produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.
This practical step-by-step guide to haute couture embroidery covers everything from machine and hand stitching, to tambour beading, goldwork and monogramming. Whether you are interested in adding monogrammed initials to your favourite bathrobe, stitching a flower on your favourite jacket, adding sparkling beads to a new dress or creating a goldwork embellishment, Fashion Embroidery teaches you how to add a unique touch to your clothes. In this beautifully illustrated book, Jessica Pile, the Production Director at Hand & Lock embroidery, explores the intricate techniques used in fashion embroidery. With hand-drawn designs, catwalk photographs and step-by-step guides, this book is perfect for beginners looking to personalise their own clothes, as well as more experienced embroiderers who want to apply new techniques to different fabrics. Beginning with an inspirational overview of the fashion industry, Jessica looks at examples of embroideries and embellishments by a variety of couturiers, including Christian Dior, Louis Vuitton, Hardy Amies and Burberry. The book then demonstrates the basics of three main techniques – goldwork, tambour beading and embroidery stitches including silk shading, satin and stem stitch. In do-it-yourself projects, Jessica first helpfully explains the basics of materials; she teaches you how to pick the right fabric, what tools to use, where to source materials, what types of wire or beads to use and terminology. Taking influences from existing couture designs, she then shows you how to execute these learned techniques onto your own clothes. This book is perfect for fashion students, textile artists, and those who want a more unique look to their clothes.
Presents patterns for twenty-five knitting projects inspired by traditional artifacts from the Textile Museum in Blèonduâos, Iceland, including ideas for such items as mittens, socks, sweaters, wristwarmers, and shoe inserts.
"The first half [of the book] describes the practice of embroidery in many lands, the second deals with stitches and techniques"--Cover.
Illustrated instructions to rose-pattern knitting in Iceland, with twenty-six simple patterns and information on basic techniques and yarns.
One of the century's most spectacular archaeological finds occurred in 1921, a year before Howard Carter stumbled upon Tutankhamun's tomb, when Poul Norlund recovered dozens of garments from a graveyard in the Norse settlement of Herjolfsnaes, Greenland. Preserved intact for centuries by the permafrost, these mediaeval garments display remarkable similarities to western European costumes of the time. Previously, such costumes were known only from contemporary illustrations, and the Greenland finds provided the world with a close look at how ordinary Europeans dressed in the Middle Ages. Fortunately for Norlund's team, wood has always been extremely scarce in Greenland, and instead of caskets, many of the bodies were found swaddled in multiple layers of cast off clothing. When he wrote about the excavation later, Norlund also described how occasional thaws had permitted crowberry and dwarf willow to establish themselves in the top layers of soil. Their roots grew through coffins, clothing and corpses alike, binding them together in a vast network of thin fibers - as if, he wrote, the finds had been literally sewn in the earth. Eighty years of technical advances and subsequent excavations have greatly added to our understanding of the Herjolfsnaes discoveries. Woven into the Earth recounts the dramatic story of Norlund's excavation in the context of other Norse textile finds in Greenland. It then describes what the finds tell us about the materials and methods used in making the clothes. The weaving and sewing techniques detailed here are surprisingly sophisticated, and one can only admire the talent of the women who employed them, especially considering the harsh conditions they worked under. While Woven into the Earth will be invaluable to students of medieval archaeology, Norse society and textile history, both lay readers and scholars are sure to find the book's dig narratives and glimpses of life among the last Vikings fascinating.
Stumpwork is a highly decorative and imaginative embroidery technique, which typically uses raised and padded stitches that are rich in texture. This practical book explains how to create your own piece of stumpwork embroidery. Beginning with an introduction to the appropriate materials, equipment and tools, it instructs on a wide range of stitches and techniques, and illustrates them with ten delightful projects. It then explains how to design your own piece of stumpwork before advising on finishing, presenting and caring for you work. Written by a leading embroiderer, this beautiful book will inspire and encourage you to try this exciting technique and create your own exquisite designs. Contents include: Practical advice on working with threads, as well as how to stretch and prepare fabrics; Over 900 photographs to guide the reader through a wide range of decorative and raised stitches; Detailed instructions on combining stumpwork with a range of other techniques to create unique designs; Ten projects show how to use the stitches in designs, including stumpwork human figures. This practical guide will be of great interest to embroiderers, designers, theatre designers, interior designers and historians, and is beautifully illustrated with 983 colour photographs.