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"A story of the hardships and dangers of [the author's] own Breton fisherfolk in their periolous life on the northern seas." Pratt alcove.
First published in 2002. Of the many novels written by Pierre Loti, one of his most endearing is The Iceland Fisherman. About a group of French fishermen who leave Brittany to fish in the rough but bountiful waters off the coast of Iceland, this book is as much about the struggles they face in the violent weather of the North Atlantic as it is about the heartbreak faced by those left behind. Full of vivid descriptions of life both at sea and on land, the range of emotions felt by these men of the sea has never been better captured - from the solitude and isolation after many weeks at sea, to the jubilations of returning home after many months away.
An Iceland Fisherman is a novel by French author Pierre Loti that depicts the romantic but inevitably sad life of Breton fishermen who sail each summer season to the stormy Iceland cod grounds... A story of tragic love, set in the Breton village of Paimpol. In the 19th century, most of the young men joined the cod-fishing fleets, which spent several months each year in Icelandic waters. There was a high risk of mortality. First published in 1886, An Iceland Fisherman is considered to be a classic of French literature today.
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Iceland, Greenland, Northern Norway, and the Faroe Islands lie on the edges of Western Europe, in an area long portrayed by travelers as remote and exotic - its nature harsh, its people reclusive. Since the middle of the eighteenth century, however, this marginalized region has gradually become part of modern Europe, a transformation that is narrated in Karen Oslund’s Iceland Imagined. This cultural and environmental history sweeps across the dramatic North Atlantic landscape, exploring its unusual geography, saga narratives, language, culture, and politics, and analyzing its emergence as a distinctive and symbolic part of Europe. The earliest visions of a wild frontier, filled with dangerous and unpredictable inhabitants, eventually gave way to images of beautiful, well-managed lands, inhabited by simple but virtuous people living close to nature. This transformation was accomplished by state-sponsored natural histories of Iceland which explained that the monsters described in medieval and Renaissance travel accounts did not really exist, and by artists who painted the Icelandic landscapes to reflect their fertile and regulated qualities. Literary scholars and linguists who came to Iceland and Greenland in the nineteenth century related the stories and the languages of the “wild North” to those of their home countries.
Writing at first anonymously and later under the pen name Pierre Loti, French author Julien Viaud (1850-1923) produced a series of fictions that sympathetically portrayed male same-sex desire and its accompanying societal conflicts. Due to the constraints of the time, Viaud had to develop various strategies for discussing his subject covertly; his success in doing so is demonstrated by the great critical and commercial success he enjoyed during his lifetime, which included his election to the French Academy at age forty-one. Richard Berrong presents a gay reading of the novels and novellas of Julien Viaud, chronologically tracing his development of a distinct homosexual identity and the strategies that he employed to discuss it in a way that would not be obvious to the general public. In so doing, Berrong asserts that Viaud's development of a homosexual identity undermined and realigned dominant constructions of masculinity, presented the need for gay community, and elaborated the role of literature for gay men. The first book-length gay reading of Viaud's corpus, this work will make an important contribution not only to the study of Viaud, but also to the study of gay and lesbian history, culture, and literature.