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Ibero-American Letters in a Comparative Perspective is an analysis of various aspects of Ibero-American letters and comprises of the proceedings of the Tenth Annual Comparative Literature Symposium held on 26 to 28 January 1977.
The genesis of Comparative Cultural Studies and Latin America stems from the contributors' conviction that, given its vitality and excellence, Latin American literature deserves a more prominent place in comparative literature publications, curricula, and disciplinary discussions. The editors introduce the volume by first arguing that there still exists, in some quarters, a lingering bias against literature written in Spanish and Portuguese. Secondly, the authors assert that by embracing Latin American literature and culture more enthusiastically, comparative literature would find itself reinvigorated, placed into productive discourse with a host of issues, languages, literatures, and cultures that have too long been paid scant academic attention. Following an introduction by the editors, the volume contains papers by Gene H. Bell-Villada on the question of canon, by Gordon Brotherston and Lúcia de Sá on the First Peoples of the Americas and their literature, by Elizabeth Coonrod Martínez on the Latin American novel of the 1920s, by Román de la Campa on Latin American Studies, by Earl E. Fitz on Spanish American and Brazilian literature, by Roberto González Echevarría on Latin American and comparative literature, by Sophia A. McClennen on comparative literature and Latin American Studies, by Alberto Moreiras on Borges, by Julio Ortega on the critical debate about Latin American cultural studies, by Christina Marie Tourino on Cuban Americas in New York City, by Mario J. Valdés on the comparative history of literary cultures in Latin America, and by Lois Parkinson Zamora on comparative literature and globalization. The volume also contains a bibliography of scholarship in comparative Latin American culture and literature and biographical abstracts of the contributors to the volume.
Offered here is a consideration of films and the dramas or books from which they derive as seen through the eyes of literary critics, a veteran Hollywood producer, and the screenwriters themselves.
Epic and Epoch is a collection of essays based on the works of artists such as Homer, Vergil, Statius, Ovid, Dante, among others. The essays in this book are not only based on history, but on various interpretations of a genre. Rhetorical, literary historical, feminist, and cultural are a few of several perspectives represented in this book.
With the rise of a succession of sophisticated approaches that largely disregard literature's traditional role as a mirror of life, climate and other environmental factors have been generally disregarded in the interpretation of literary texts during recent decades. For that reason, it is only fitting that the climatological dimension be re-explored after a forty-year hiatus."Climate and Literature embraces a significant revision of the original telluric "notions" about the determinist relationship between climate and the attitudes and behavior of literary characters set in particular surroundings. In place of such vague notions, we find within these pages interesting and stimulating examples of true applied science and contemporary literary theory that more often than not treat literary depiction of climate not so much as a reflection of influence of particular geographic environments, but as a powerful symbol for psychological or textural processes undergone by the novels' characters, narrators or readers." Dr. Thomas Franz, Ohio State University."
This book makes the argument that Machado de Assis, hailed as one of Latin American literature’s greatest writers, was also a major theoretician of the modern novel form. Steeped in the works of Western literature and an imaginative reader of French Symbolist poetry, Machado creates, between 1880 and 1908, a “new narrative,” one that will presage the groundbreaking theories of Swiss linguist Ferdinand de Saussure by showing how even the language of narrative cannot escape being elusive and ambiguous in terms of meaning. It is from this discovery about the nature of language as a self-referential semiotic system that Machado crafts his “new narrative.” Long celebrated in Brazil as a dazzlingly original writer, Machado has struggled to gain respect and attention outside the Luso-Brazilian ken. He is the epitome of the “outsider” or “marginal,” the iconoclastic and wildly innovative genius who hails from a culture rarely studied in the Western literary hierarchy and so consigned to the status of “eccentric.” Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
In this survey of Central and South American literature, Earl E. Fitz provides the first book in English to analyze the Portuguese- and Spanish-language American canons in conjunction, uncovering valuable insights about both. Fitz works by comparisons and contrasts: the political and cultural situation at the end of the fifteenth century in Spain and Portugal; the indigenous American cultures encountered by the Spanish and Portuguese and their legacy of influence; the documented discoveries of Colón and Caminha; the colonial poetry of Mexico’s Sor Juana Inés de la Cruz and Brazil’s Gregório de Matos; culminating in a meticulous evaluation of the poetry of Nicaragua’s Rubén Darío and the prose fiction of Brazil’s Machado de Assis. Fitz, an award-winning scholar of comparative literature, contends that at the end of the nineteenth century, Latin America produced two great literary revolutions, both unique in the western hemisphere, and best understood together.
DIVExamines what happens to our paradigms of the American south if we understand the "south" hemispherically, to include Latin America and the Caribbean./div
This volume of essays constitutes a critical reappraisal of a front-rank world author, Gabriel García Márquez. Its principal objective is to reflect the breadth and variety of critical approaches to literature applied to a single corpus of writing; here, the major novels (including Love in the Times of Cholera, 1986) and a selection of his short fiction are considered.