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This 1936 memoir was the first investigation into and illustration of the beautiful and intimate patterns of Iban textiles. Haddon began his study of these native fabrics and garments with the collection in the Sarawak museum, Kuching. His own collection is now in the Cambridge Museum of Archaeology and Ethnology.
IBAN OR SEA DAYAK FABRICS AND THEIR PATTERNS. A decriptive catalogue of Iban fabrics in the Museum of Archeology and Ethnology Cambridge. This book provides an analysis of the fascinating patterns used in the traditional wovern textiles of the Iban. Also includes a vocabulary of iban words used in connection with the cloths and in descibing the patterns. Originally published in 1936. Many of the earliest books on weaving, textiles and needlework, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Explores how the long history of fashion from antiquity to c. 1800 created global networks and animated world communities.
At the completion of this bibliography, the second of the planned series on language study in Indonesia, the authors acknowledge with gratitude the kind assistance of Father Donatus Dunselman, Dr A. H. Hill and Dr P. Voorhoeve who have read all or part of the manuscript. Also our heartfelt thanks are due to those who have provided us with information indispensable for the compilation of the bibliographical data, or have given us the opportunity to inspect their archives for linguistic literature on Borneo, i.e. the very Rev. A. Antonissen, Jesselton, North Borneo, Father W. Boon, Rector of the Catholic Mission, Mukah, Sarawak, Dr N. C. Scott, the Society for promoting Christian Knowledge, London, the British and Foreign Bible Society, London, the School of Oriental and African Studies, London, the Basle Mission, Basle, Switzerland, the Rhenish Mission, Wuppertal, Germany, the Dutch Bible Society, Amsterdam. The authors greatly appreciate the grant from the Netherland Institute for International Cultural Relations which made this public ation possible.