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Orphaned as a young boy in the rainforests of Borneo, Bujang is brought up by a family of orangutans, but his adult future has already been decided for him by Sengalang Burong, the Iban warpath god. On reaching adulthood, Bujang must leave his ape family and serve the warpath god as a warrior and a headhunter. Having survived his first assignment — to kill an ill-tempered demon in the form of a ferocious wild boar — subsequent adventures see Bujang converse with gods, shamans, animal spirits and with the nomadic people of Borneo as he battles evil spirits and demons to preserve the safety of those he holds dear to him. But Bujang’s greatest test is still to come and he must rally a large headhunting expedition to free his captured wife and those of his fellow villagers. In this unique work of fantasy fiction, author Golda Mowe — herself an Iban from Borneo — uses real beliefs, taboos and terminology of the Iban (a longhouse-dwelling indigenous group of people from Borneo who, until very recently, were renowned for practising headhunting) to weave an epic tale of good versus evil.
Twenty-year-old Ratai is proud and strong for she is the eldest child of Nuing, the Iban warrior who went to the invisible world and returned alive, and the granddaughter of Bujang Maias, the great headhunter who was raised by apes. Despite her pedigree, however, she is frustrated and confused. Although a more successful hunter than the men her age she has still not managed to master the weave necessary to prove her feminine skills and win a man’s heart. After a bad omen befalls her longhouse, Ratai feels compelled to join a war party to take enemy heads and save her people. The longhouse is against her joining the headhunting expedition but Ratai is stubborn because she has been adopted by Kumang, the goddess of the weave and the patroness of headhunters. Ratai must overcome deadly tasks, both in the forests of Borneo and in the Iban dream world, and she must find a balance between her desire to be the perfect Iban woman and her lust for adventure. Iban Woman is the third in the Iban Dream series of standalone novels by Golda Mowe, the most prolific Iban novelist in English of her generation and a descendant of the erstwhile headhunters of Borneo. In this her latest book, readers are once again immersed in Iban culture, learning the art of the weave, how to interpret omens in nature and how to hunt for animals … and human heads.
Though his father, Bujang, loves him, Nuing runs away from home because the people of the longhouse reject him. Following a failed war expedition, Bunsu Jugam, the spirit of the youngest sun bear, rescues Nuing and brings him into the invisible world where he tells him that Bujang has been kidnapped by K’lansat demons. The python spirit of his father’s trophy head spits on Nuing and causes his skin to burn and swell until he looks like a deformed rhinocerous. He manages to rescue his father and on their return they are attacked by four men. Bujang kills one, and Nuing three. When the thick skin finally comes off and the people learns that their hero is Nuing, they grudgingly accepts him back, believing that the curse of his birth is nullified by the power of the three heads he took. Iban Journey is volume two in this unique series of fantasy fiction — that includes Iban Dream — in which author Golda Mowe, herself an Iban from Borneo, uses real beliefs, taboos and terminology of the Iban (a longhouse-dwelling indigenous group of people from Borneo who, until very recently, were renowned for practising headhunting) to weave epic tales of good versus evil.
Textiles provide a visual history of a country's culture and crafting traditions in a way few other things can accomplish. In Textiles of Southeast Asia, Dr. Robyn Maxwell provides the definitive work on Southeast Asian textiles. Traditional textiles are one of the most widely collected and important categories of Southeast Asian art. Using an extensive range of locally produced raw materials and an astonishing array of techniques--including applique, weaving, batik and embroidery--the textiles of Southeast Asia are astonishing in their versatility and originality. Textiles are used to fashion everything from everyday clothing to sacred and ceremonial costumes, shrouds and wrapping cloths, hangings, banners and ritual regalia--all of which are represented and explained in Textiles of Southeast Asia. This authoritative text focuses on the changing relationship between indigenous Southeast Asian traditions and the outside influences continuing to be brought to the area, which change the nature of the region's textile traditions. This book considers the various ways Southeast Asian textile artisans reacted over the centuries to the steady stream of new and powerful ideas and raw materials arriving from India, China, the Islamic world and Europe. A detailed and definitive resource, Textiles of Southeast Asia is a welcome addition to the field of textiles.
Larsson takes the reader on a fast-paced, worldwide journey that extends from the slums of Rio to the brothels of Bangkok and shows what access to global markets means for those struggling to get ahead in the world.
This book comprises a collection of essays that address a significant gap in the study of Malaysian Literature in English by exploring selected local and diasporic writings produced in the new postcolonial millennium, including works by established, emerging, and new writers. The literary developments in this new millennium have been substantial and are reflected in the production of new voices, viewpoints, themes, trends, styles, and forms. By articulating these changing postcolonial perspectives and conditions, the chapters in this volume can inform and enrich the study of nation, society, and culture in a globalized and hyperreal age. Tapping into the difference, diversity, and hybridity of 21st-century historicized and glocalized multicultural Malaysia, the millennium writings explore the changing identities and relations and their social, cultural, and political dimensions through the intersections of race, gender, sexuality, and class. By examining new, different, or changing ideas, forms, themes, and representations, this book considers the vital ways the millennium voices and viewpoints can potentially help us critically rethink and resituate postcolonial studies on Malaysia as they spotlight challenges and new directions in the field. The book will be of interest to researchers, academics, and scholars in the field of Malaysian writing in English, Southeast Asian literature, Asian literature, diaspora, and literary studies. The chapters in the book were originally published as a special issue in the Journal of Postcolonial Writing.