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Both an intellectual biography and an intellectual history of the mid-century, this book reconstructs Ian Watt's wartime world and shows how our ideas about the social, moral, and psychological work that the novel accomplishes can be traced to the crises of the Second World War and its aftermath.
In this volume, Ian Watt examines the myths of Faust, Don Quixote, Don Juan and Robinson Crusoe, as the distinctive products of modern society. He traces the way the original versions of Faust, Don Quixote and Don Juan - all written within a forty-year period during the Counter Reformation - presented unflattering portrayals of the three figures, while the Romantic period two centuries later recreated them as admirable and even heroic. The twentieth century retained their prestige as mythical figures, but with a new note of criticism. Robinson Crusoe came much later than the other three, but his fate can be seen as representative of the new religious, economic and social attitudes which succeeded the Counter-Reformation. The four figures help to reveal problems of individualism in the modern period: solitude, narcissism, and the claims of the self versus the claims of society. They all pursue their own view of what they should be, raising strong questions about their heroes' character and the societies whose ideals they reflect.
"Nothing short of a masterpiece. . . . One of the great critical works produced since the 1950s."—New York Times This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980. "Nothing short of a masterpiece. . . . One of the great critical works produced since the 1950s."—New York Times This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek
This is the story of a most ingenious invention: the novel. Desribed for the first time in The Rise of The Novel, Ian Watt's landmark classic reveals the origins and explains the success of the most popular literary form of all time. In the space of a single generation, three eighteenth-century writers -- Daniel Defoe, Samuel Richardson and Henry Fielding -- invented an entirely new genre of writing: the novel. With penetrating and original readings of their works, as well as those of Jane Austen, who further developed and popularised it, he explains why these authors wrote in the way that they did, and how the complex changes in society – the emergence of the middle-class and the new social position of women – gave rise to its success. Heralded as a revelation when it first appeared, The Rise of The Novel remains one of the most widely read and enjoyable books of literary criticism ever written, capturing precisely and satisfyingly what it is about the form that so enthrals us.
A landmark collection of Ian Watt's essays on Joseph Conrad.
The novel was born religious, alongside Protestant texts produced in the same format by the same publishers. Novels borrowed features of these texts but over the years distinguished themselves, becoming the genre we know today. Jordan Alexander Stein traces this history, showing how the physical object of the book shaped the stories it contained.
Neil Garvin is a seventeen year old living in a small town outside Las Vegas. Abandoned by his mother when he was three, he blames his abusive father - the local sheriff - for driving her away. Neil is good-looking, popular, the quarterback of the high school football team and as cruel to his peers as his father is to him. He plans to get out of town on his "million dollar arm," until the night he accidentally commits a terrible crime and his father, unasked, covers up for him. As the FBI arrives and begins to narrow in, Neil and his father become locked in a confrontation that will break them apart and set them free
This is an examination of the principle works of Anglo-American novel criticism, defining the values, method and concepts that these works have in common and advancing a defence of Anglo-American humanistic criticism and the ideas proposed by Structuralism, Marxism and deconstruction.
'One of Australia's best historical fiction authors' Canberra Weekly Peter Watt brings to the fore all the passion, adventure and white-knuckle battle scenes that made his beloved Duffy and Macintosh novels so popular. It is 1857. Colonial India is a simmering volcano of nationalism about to erupt. Army surgeon Peter Campbell and his wife Alice, in India on their honeymoon, have no idea that they are about to be swept up in the chaos. Ian Steele, known to all as Captain Samuel Forbes, is fighting for Queen and country in Persia. A world away, the real Samuel Forbes is planning to return to London - with potentially disastrous consequences for Samuel and Ian both. Then Ian is posted to India, but not before a brief return to England and a reunion with the woman he loves. In India he renews his friendship with Peter Campbell, and discovers that Alice has taken on a most unlikely role. Together they face the enemy and the terrible deprivations and savagery of war - and then Ian receives news from London that crushes all his hopes... PRAISE FOR THE QUEEN'S TIGER 'Watt has a true knack for producing captivating historical adventures filled with action, intrigue and family drama' Canberra Weekly
'An impenetrable mystery seems destined to hang for ever over this act of madness or despair.'Mr Verloc, the secret agent, keeps a shop in London's Soho where he lives with his wife Winnie, her infirm mother, and her idiot brother, Stevie. When Verloc is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be 'ASimple Tale' proves to involve politicians, policemen, foreign diplomats and London's fashionable society in the darkest and most surprising interrelations.Based on the text which Conrad's first English readers enjoyed, this new edition includes a critical introduction which describes Conrad's great London novel as the realization of a 'monstrous town', a place of idiocy, madness, criminality, and butchery.