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Iain Ross’s Woman by Emilie Richards Men of Midnight series New to e-book, a classic romance from USA Today bestselling author Emilie Richards… Iain Ross has spent his life alone as the laird of a small Highland community. Alone, that is, until he rescues a soaked, half-drowned Billie Harper from an icy loch. Before he knows what’s happening, this earthy and utterly irresistible woman has turned his carefully guarded world upside down. But Iain and Billie have history they don’t even realize–until it’s almost too late. An age-old family curse threatens their love and even their lives. Can they remain apart if it means saving themselves? Or are they willing to face their fates–as long as they’re together? Don’t miss the other two books in the Men of Midnight series—Duncan’s Lady and MacDougall’s Darling. Originally published in 1995
New to e-book, three classic romances from USA Today bestselling author Emilie Richards… Originally published in 1995 Iain Ross’s Woman Iain Ross has spent his life alone as the laird of a small Highland community. Alone, that is, until he rescues a soaked, half-drowned Billie Harper from an icy loch. Before he knows what’s happening, this earthy and utterly irresistible woman has turned his carefully guarded world upside down. Duncan’s Lady When Duncan Sinclair needs a safe haven for his young daughter, away from the drama invoked by his ex, the small Scottish town of his childhood is a godsend. When he meets Mara MacTavish, he is overcome. The last thing Duncan wanted was to fall for another charismatic woman. But this time may be different...and Mara may be just what he, and his daughter, both need. MacDougall’s Darling Fiona Sinclair returns home to face the demons of her past. When Andrew MacDougall offers the shelter of his arms, she finally feels ready to face her future. But she needs more than a white knight—she needs the family she’s always been denied. And though Andrew is destined for many things, marriage isn’t one of them...
New to e-book, a classic romance from USA Today bestselling author Emilie Richards… Originally published in 1995 When Duncan Sinclair needs a safe haven for his young daughter, the small Scottish town ofhis childhood is a godsend. He wants them to live a simpler life, away from the dramainvoked by his ex. When he meets Mara MacTavish, he is overcome. There is something very special abouther—she seems connected to the Highlands themselves, with a beguiling nature that bothcompels and concerns him. The last thing Duncan wanted was to fall for another charismaticwoman. But this time may be different…and Mara may be just what he, and his daughter,both need. Don't miss the other two books in the Men of Midnight series—Iain Ross's Woman andMacDougall's Darling.
New to e-book, a classic romance from USA Today bestselling author Emilie Richards… Originally published in 1995 Fiona Sinclair returns home to face the demons of her past—the traumatic accident that scarred her for life and caused her family to desert her. When Andrew MacDougall offers the shelter of his arms, she finally feels ready to face her future. But she needs more than a white knight—she needs someone who will give her the life, the family, she’s always been denied. And though Andrew is destined for many things, marriage isn’t one of them… Don’t miss the other two books in the Men of Midnight series—Iain Ross’s Woman and Duncan’s Lady.
Zinaida Bondarenko is returning to Odessa, Ukraine from Detroit, USA, with one companion, Valentine Pechenko, a Ukrainian-American who is in love with her. Zina came to Detroit in search of her mother, met Valinka (Valentine), and forged a strange relationship with him. Now Zina-as Valinka ends up calling her-has been deported. Upon their return to Odessa, they are greeted by her father and a country at the brink of war with Russia. It's 2014, and the Euromaidan Movement is underway in Kiev. Odessa appears to be taking her usual unique path.On May 2nd, 2014, the worst violent event in Odessa since the Great Patriotic War (World War II) took place in the fire in the Building of Trade Unions along Kulikovo Field. This event will bring Zina's and Valinka's journeys to an end. It will both unite and divide Odessa. It will show how even Odessa, long thought to be "not Ukraine" because of the language (most Odessans still speak Russian), must decide on her identity.
Oscar Wilde's imagination was haunted by ancient Greece; this book traces its presence in his life and works.
Shedding new light on the alternative, emancipatory Germany discovered and written about by progressive women writers during the long nineteenth century, this illuminating study uncovers a country that offered a degree of freedom and intellectual agency unheard of in England. Opening with the striking account of Anna Jameson and her friendship with Ottilie von Goethe, Linda K. Hughes shows how cultural differences spurred ten writers' advocacy of progressive ideas and provided fresh materials for publishing careers. Alongside well-known writers – Elizabeth Gaskell, George Eliot, Michael Field, Elizabeth von Arnim, and Vernon Lee – this study sheds light on the lesser-known writers Mary and Anna Mary Howitt, Jessie Fothergill, and the important Anglo-Jewish lesbian writer Amy Levy. Armed with their knowledge of the German language, each of these women championed an extraordinarily productive openness to cultural exchange and, by approaching Germany through a female lens, imported an alternative, 'other' Germany into English letters.
This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers.
Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances of Walter Scott and Robert Louis Stevenson, this book corrects male-dominated histories of the Scottish novel by demonstrating how women appropriated the masculine genre of romance.
Do you ever wonder what happened to Oliver Twist and the Artful Dodger from the Dickens novel? This volume includes Mr. Montgomery's previous novel, The Further Adventures and Life of Jack Dawkins, Also Known as the Artful Dodger, polished, changed slightly, and expanded in order to give more attention to all aspects of Dodger's personality. In it, Dodger meets people from his past, some of them good and some quite nasty. The greatest danger, however, comes through his love for Angelica. The second portion of this book begins four years after the close of the first. Oliver Twist, still in England, finds a formidable enemy in Ian Ross, a man who is trying to distance himself from the reputation of his family, notably his Uncle Fagin. Once Oliver flees England to America, he meets his old friends, also finding people lost to him in his past. But enemies don't give up easily, and the staunch foe appears again to threaten all those who knew and felt loyalty to Fagin.