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On 12th September 1977, Steve Biko was murdered in his prison cell. He was only 31, but his vision and charisma - captured in this collection of his work - had already transformed the agenda of South African politics. This book covers the basic philosophy of black consciousness, Bantustans, African culture, the institutional church and Western involvement in apartheid.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Subjected to 22 hours of interrogation, torture and beating by South African police on September 6, 1977, Steve Biko died six days later. Donald Woods, Biko's close friend and a leading white South African newspaper editor, exposed the murder helping to ignite the black revolution.
On the New York Times bestseller list for over 20 weeks * A New York Times Notable Book * A National Book Award Finalist * Named a Best Book of the Year by Fresh Air, Time, Entertainment Weekly, Associated Press, and many more “If you’re looking for a superb novel, look no further.” —The Washington Post From the Pulitzer Prize–winning author of All the Light We Cannot See, comes the instant New York Times bestseller that is a “wildly inventive, a humane and uplifting book for adults that’s infused with the magic of childhood reading experiences” (The New York Times Book Review). Among the most celebrated and beloved novels of recent times, Cloud Cuckoo Land is a triumph of imagination and compassion, a soaring story about children on the cusp of adulthood in worlds in peril, who find resilience, hope, and a book. In the 15th century, an orphan named Anna lives inside the formidable walls of Constantinople. She learns to read, and in this ancient city, famous for its libraries, she finds what might be the last copy of a centuries-old book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. Outside the walls is Omeir, a village boy, conscripted with his beloved oxen into the army that will lay siege to the city. His path and Anna’s will cross. In the present day, in a library in Idaho, octogenarian Zeno rehearses children in a play adaptation of Aethon’s story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege. And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father. Anna, Omeir, Seymour, Zeno, and Konstance are dreamers and outsiders whose lives are gloriously intertwined. Doerr’s dazzling imagination transports us to worlds so dramatic and immersive that we forget, for a time, our own.
Dwayne Wong (Omowale) is the author of more than a dozen books on the historical experiences and the culture of African people around the world. "I Like What I Write" is the latest of his fourteen books. This work is a collection of various essays by Dwayne Wong (Omowale). The essays cover a wide range of topics including Shaka Zulu, Menelik II and Ezana of Ethiopia, Pedro Albizu Campos, Errol Barrow, Daniel Hale Williams, Thomas Sankara, Martin Delany, and more.
I hope this book will help all those who face the dilemmas of being Christian in this evil apartheid society and who, because of their commitment to the liberation struggle, can truly say they have no life of their own. --Frank Chikane Frank Chikane, one of the leading figures in the Christian resistance to apartheid, recounts his life--beginning with his childhood, growing up black under apartheid, and continuing through his call to Christian ministry. He tells of his family's increasing involvement in the struggle against apartheid, of disapproval and suspension from his own church. He relates a harrowing story of escalating harassment, detention and firebombing, torture and exile--and his return, despite death threats and further detention, to South Africa to continue the fight. Through it all, one thing is clear: Frank Chikane is a man whose faith compels and sustains him in a courageous and selfless journey toward freedom.
Persuasiveness. Influence. A certain something that makes it impossible for people to say no. Call it what you will, some people have it. DJ Sbu certainly does. It's the quality that has helped him evolve from an ambitious boy growing up on Tembisa's rough streets to a DJ, an entrepreneur, an author, a philanthropist and a speaker who graces stages around the world. In The Art of Hustling Sbu shares the secrets to cultivating this irresistible quality. Using events that have shaped his own life, he reveals how a positive outlook, resilience, hard work and determination can help you win in every sphere. This inspiring read also acts as a practical handbook, showing you how to apply The Art of Hustling to become a winning salesperson. It is DJ Sbu's firm belief that, if you know how to sell, you will never go hungry. He also believes that this simple skill holds the key to solving Africa's considerable unemployment problem. His passion for youth development comes through loud and clear in this easy-to-read, easy-to-use handbook. Full of practical examples, sound advice and no-nonsense insights, it's a must-have for every person who wishes to further their lives and their careers, whether in the corporate world or starting out on an entrepreneurial journey. DJ Sbu's career is testimony to his strength, resilience and spirit of innovation; the very qualities needed to get ahead in today's rapidly evolving business environment. In sharing his story, he hopes to ignite others' success.
What comes first to mind when one thinks of political trials in South Africa are the Rivonia Trial of 1956–61 and the Treason Trial of 1963–64. Rarely, if ever, is the 1976 SASO/BPC trial mentioned in the same breath and yet it was perhaps the most political trial of all. The defendants, all members of the South African Students Organisation, or the Black People’s Convention, were in the dock for having the temerity to think; to have opinions; to envisage a more just and humane society. It was a trial about ideas, but as it unfolded it became a trial of the entire philosophy of Black Consciousness and those who championed its cause. On 2 May 1976, senior counsel for the defence in the trial of nine black activists in Pretoria called to the witness stand Stephen Bantu Biko. Although Biko was known to the authorities, and indeed was serving a banning order, not much about the man was known by anyone outside of his colleagues and the Black Consciousness Movement. That was about to change with his appearance as a witness in the SASO/BPC case. He entered the courtroom known to some, but after his four-day testimony he left as a celebrity known to all.
Court transcripts of South African activist Steve Biko; includes background information.