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From the author of Fire and Fury, this irresistible account offers an exclusive glimpse into a man who wields extraordinary power and influence in the media on a worldwide scale—and whose family is being groomed to carry his legacy into the future. If Rupert Murdoch isn’t making headlines, he’s busy buying the media outlets that generate them. His News Corp. holdings—from the New York Post, Fox News, and The Wall Street Journal, to name just a few—are vast, and his power is unrivaled. So what makes a man like this tick? Michael Wolff gives us the definitive answer in The Man Who Owns the News. With unprecedented access to Rupert Murdoch himself, and his associates and family, Wolff chronicles the astonishing growth of Murdoch's $70 billion media kingdom. In intimate detail, he probes the Murdoch family dynasty, from the battles that have threatened to destroy it to the reconciliations that seem to only make it stronger. Drawing upon hundreds of hours of interviews, he offers accounts of the Dow Jones takeover as well as plays for Yahoo! and Newsday as they’ve never been revealed before.
A renowned journalist’s “vivid” account of his battle with Murdoch after the global media baron bought the Times of London (Chicago Tribune). In 1981, Harold Evans was the editor of one of Britain’s most prestigious publications, the Sunday Times, which had thrived under his watch. When Australian publishing baron Rupert Murdoch bought the daily Times of London, he persuaded Evans to become its editor with guarantees of editorial independence. But after a year of broken promises and conflict over the paper’s direction, Evans departed amid an international media firestorm. Evans’s story is a gripping, behind-the-scenes look at Murdoch’s ascension to global media magnate. It is Murdoch laid bare, an intimate account of a man using the power of his media empire for his own ends. Riveting, provocative, and insightful, Good Times, Bad Times is as relevant today as when it was first written. With details on the scandalous deal between Murdoch and Margaret Thatcher, this updated ebook edition includes an extensive new preface by Evans, the New York Times–bestselling author of Do I Make Myself Clear?, discussing the Rupert Murdoch phone-hacking scandal.
Presenting a thoughtful justification for the left in American education, Donald Lazere argues that to teach students rhetoric and critical thinking, key components of a humanist education, educators must discuss and teach students to grapple with the conservative bias in academia, the media, and politics that is considered to be the status quo.
What links Margaret Thatcher, Rupert Murdoch, Prince Charles and Mick Jagger? Each have illuminated our Elizabethan age in their own, inimitable, way. Margaret Thatcher - the first female Prime Minister, who dedicated herself with messianic zeal to breaking the mould of post-war British politics Rupert Murdoch - the billionaire media mogul whose empire, built on an ethical void, has polluted the channels of communication from London to Sydney, from New York to New Guinea Prince Charles - the royal dilettante whose erratic exploits shook the throne and put his own succession to it at risk Mick Jagger - lead singer of the Rolling Stones, who embodied the sixties counter-culture of sex and drugs and rock 'n' roll yet aspired to be a gentleman and accepted a knighthood at the behest of Tony Blair. The sequel to Brendon's bestselling Eminent Edwardians, Eminent Elizabethans is written in the same witty, ironic and irreverent style and reveals how each one played out a major theme in the new Elizabethan medley. Each portrait vividly and vitally captured through pungent anecdote, piquant quotation and mordant commentary. In short, these brilliant miniatures are as entertaining as they are illuminating. 'Excellent' Guardian 'Entirely refreshing' Daily Mail 'A delight' Daily Express
ownership of the News : 1st report of session 2007-08, Vol. 2: Evidence
Vision On narrates the turbulent yet distinguished history of one of the fundamental pillars of British broadcasting--the arts. This volume chronicles the years of dynamic and often controversial collaboration between broadcasters and the Arts Council, a key player in bringing art films to the wider public audience. Beginning with the earliest TV documentaries, the arts became central to the remit of public broadcasters, and by the 1980s Channel 4 and the Arts Council were boldly redefining the relationship of the arts and the media by commissioning and airing exclusive and innovative films. With detailed discussion of the cultural role of television programmes such as Civilisation (1966) and Arena (1974 onwards), close analysis of over 25 films and exclusive access to the Arts Council's collection of the 450 films supported between 1953 and 1999, this volume illuminates the vanguard role the arts have played in the proud history of British public broadcasting, and attempts to locate the place of arts broadcasting in today's multi-channel, multi-media world.
(Applause Books). This book traces three tumultuous decades of avant-garde theatre in the U.S. It begins with the Living Theatre, and explores diverse ensembles such as The Open Theatre, The Performance Group, and Bread and Puppet Theatre. It also looks at the women's theatre movement, and examines the work of Robert Wilson, Meredith Monk, Richard Foreman and more. There are sections devoted to ritual concepts, theatre in the streets, radical participation of the spectator, workshops in prisons, spectacles such as the Greenwich Village Halloween Parade, and much more. This giant colloquium involves the people who changed the face of theatre from the '60s onward. Filled with photos, drawings, private notes and fliers, it is part ongoing history, part document, part journal, part complaint and part blessing.
In A Guide to the New Ruins of Great Britain, Owen Hatherley skewered New Labour’s architectural legacy in all its witless swagger. Now, in the year of the Diamond Jubilee and the London Olympics, he sets out to describe what the Coalition’s altogether different approach to economic mismanagement and civic irresponsibility is doing to the places where the British live. In a journey that begins and ends in the capital, Hatherley takes us from Plymouth and Brighton to Belfast and Aberdeen, by way of the eerie urbanism of the Welsh valleys and the much-mocked splendour of modernist Coventry. Everywhere outside the unreal Southeast, the building has stopped in towns and cities, which languish as they wait for the next bout of self-defeating austerity. Hatherley writes with unrivalled aggression about the disarray of modern Britain, and yet this remains a book about possibilities remembered, about unlikely successes in the midst of seemingly inexorable failure. For as well as trash, ancient and modern, Hatherley finds signs of the hopeful country Britain once was and hints of what it might become.
"I never ask for mercy and seek no one's sympathy. I would never, as was once needlessly feared in this court, be a fugitive from justice in this country, only a seeker of it." —Conrad Black, in his statement to the court, June 24, 2011 In 1993, Conrad Black was the proprietor of London's Daily Telegraph and the head of one of the world's largest newspaper groups. He completed a memoir in 1992, A Life in Progress, and "great prospects beckoned." In 2004, he was fired as chairman of Hollinger International after he and his associates were accused of fraud. Here, for the first time, Black describes his indictment, four-month trial in Chicago, partial conviction, imprisonment, and largely successful appeal. In this unflinchingly revealing and superbly written memoir, Black writes without reserve about the prosecutors who mounted a campaign to destroy him and the journalists who presumed he was guilty. Fascinating people fill these pages, from prime ministers and presidents to the social, legal, and media elite, among them: Margaret Thatcher, Tony Blair, George W. Bush, Jean Chrétien, Rupert Murdoch, Izzy Asper, Richard Perle, Norman Podhoretz, Eddie Greenspan, Alan Dershowitz, and Henry Kissinger. Woven throughout are Black's views on big themes: politics, corporate governance, and the U.S. justice system. He is candid about highly personal subjects, including his friendships - with those who have supported and those who have betrayed him - his Roman Catholic faith, and his marriage to Barbara Amiel. And he writes about his complex relations with Canada, Great Britain, and the United States, and in particular the blow he has suffered at the hands of that nation. In this extraordinary book, Black maintains his innocence and recounts what he describes as "the fight of and for my life." A Matter of Principle is a riveting memoir and a scathing account of a flawed justice system.