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“A terrific fast-moving book. . . a truly clever, rather wonderful book that both plays with and defies genre” – Irish Times A taxi-driver in 1930s Vienna impersonates a murder victim, and is caught into a dangerous spiral Twice adapted for film, I Was Jack Mortimer is a tale of misappropriated identity as darkly captivating and twisting as the books of Patricia Highsmith. “One doesn’t step into anyone’s life, not even a dead man’s, without having to live it to the end.” A man climbs into Ferdinand Sponer's cab, gives the name of a hotel, and before he reaches it has been murdered: shot through the throat. And though Sponer has so far committed no crime, he is drawn into the late Jack Mortimer's life, and might not be able to escape its tangles and intrigues before it is too late... Part of the Pushkin Press Classics series: outstanding classic storytelling from around the world, in a stylishly original series design. From newly rediscovered gems to fresh translations of the world’s greatest authors, this series includes such authors as Stefan Zweig, Hermann Hesse, Ryūnosuke Akutagawa and Gaito Gazdanov.
"Washington Confidential" by Lee Mortimer, Jack Lait. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Should teenagers have jobs while they're in high school? Doesn't working distract them from schoolwork, cause long-term problem behaviors, and precipitate a precocious transition to adulthood? This report from a remarkable longitudinal study of 1,000 students, followed from the beginning of high school through their mid-twenties, answers, resoundingly, no. Examining a broad range of teenagers, Jeylan Mortimer concludes that high school students who work even as much as half-time are in fact better off in many ways than students who don't have jobs at all. Having part-time jobs can increase confidence and time management skills, promote vocational exploration, and enhance subsequent academic success. The wider social circle of adults they meet through their jobs can also buffer strains at home, and some of what young people learn on the job--not least responsibility and confidence--gives them an advantage in later work life.
Jack and the Beanstalk, with a delicious twist! Illustrated by Liz Pichon, creator of the bestselling Tom Gates series. Fee-Fi-Fo-Fum, I smell ... jelly beans! When Jack sells his cow for jelly beans, his mum is furious. But (of course) these are magic beans and soon Jack is on a big adventure up in the clouds. Starring a hangry giant, a little white goose and a lifetime's supply of jelly beans! A deliciously funny tale, perfect for any child familiar with the original fairy story.
Sir John Dewey Fanning (Jack to his familiars) is magistrate in a corner of Oxfordshire plagued by one incident of petty mischief after another. To add to his aggravation, his matchmaking mama is due for a prolonged visit, just when his domestic staff is at sixes and sevens. Jack turns to Miss Madeline Hennessey both to organize his household and to serve as his mother's temporary companion, despite the fact that he's long harbored feelings for the ever-competent (and lovely!) Miss Hennessey. Madeline reluctantly accepts the position, and proximity leads to investigations of an amorous nature. Can Jack stop the crime spree and steal Madeline's heart, too?
'Love does not need any comforting. It does not even need requiting. All it needs is itself.' Florence, 1502. Marshal Louis de La Trémouille's small army has stopped off en route to Naples, to buy objects d'art for King Louis XII of France. Naturally, Leonardo da Vinci's workshop is on the shopping list; and during their visit to his house, the young nobleman de Bougainville chances upon the not-quite-finished Mona Lisa. He promptly, utterly and hopelessly falls in love with the woman in the painting, and is determined to find her - despite rumours that she has long ago died. A visit to an empty tomb, assault upon an Italian nobleman's mansion, duel and execution later, the secret of la Gioconda's smile is (possibly) revealed. An entertaining story, told with style - about love, life, art, and the Quixotic things that a man will do to realise his dream.
At once a chase novel, black comedy, and softly keening death song, Count Luna starts off at a gallop and accelerates into warp speed At the start of WWII, Alexander Jessiersky, an Austrian aristocrat, heads a great Viennese shipping company. He detests the Nazis, and when his board of directors asks him to go along with confiscating a neighbor’s large parcel of land for their thriving wartime business, Jessiersky refuses. Yet, without his knowledge, the board succeeds in sending the owner of the land, a certain Count Luna, to a Nazi concentration camp on a trumped-up charge. Years later the war is over, but after a series of mysterious events, Jessiersky, deeply paranoid, becomes convinced that Count Luna has survived and seeks vengeance; driven to kill the source of his dread, he decides to hunt down Luna—and his years-long chase after the spectral count finally takes him deep into the catacombs of Rome… The nightmare logic of Count Luna comes from deep within Jessiersky’s festering fears and serves up his brooding, insanity-spiced, delicious disquisitions—on what the Etruscans knew, on cemeteries as originally “sleeping places”—before coming at last to death itself: “Well, well, well, thought Jessiersky, swallowing hard. So you do die after all. You refuse to believe that someday you will die but then you die. And you don’t even notice it. And yet the fact that you don’t is the best thing about dying...”
An “intelligent, disturbing slice of noir” that portrays the man who derailed the police investigation into the Yorkshire Ripper (The Guardian). In this provocative novel, Mark Blacklock portrays the true and complex history of John Humble, aka Wearside Jack, the Ripper Hoaxer, a timewaster and criminal, sympathetic and revolting, the man hidden by a wall of words, a fiction-spinner worthy of textual analysis. In this remarkable work, John Humble leads the reader into an allusive, elusive labyrinth of interpretations, simultaneously hoodwinking and revealing. I’m Jack is a riveting novel about truth, lies, prison and shame. It is also a profound and furious love letter to Sunderland. It is a puzzle, a hoax, a multi-voice portrait and a virtuoso assemblage of textual elements. I’m Jack announces the arrival of a radically talented and innovative novelist. “A gripping study in self-invention—and, ultimately, self-erasure.”—Tom McCarthy, author of the Man Booker Prize finalists, Satin Island and C “Here are dark telegrams from an expertly realized otherness that is Sunderland. Spare. Swift. Smart. And dangerous. Carrying us through maps of shame to rescue a convincing fiction of the past from its sullen entropy.”—Iain Sinclair, award-winning author of The Last London “A chilling debut . . . An audacious exercise in mimicry . . . Its tone is mischievous, with a vein of dark, crafty humor—though the overall effect is somber. Blacklock’s Humble is impossible to like; yet by the end it is almost impossible not to feel sorry for him.”—Financial Times “A deftly executed ventriloquist act, it’s anchored in the true story of notorious hoaxer John Humble.”—Observer
The original breath-taking psychological thriller behind Hitchcock’s legendary film—the story of a man tormented by his search for the truth, and ultimately destroyed by a terrible secret It could have happened to any of us, but it happened to a man named Flavieres. His days as a detective were over, and everyone knew he had his reasons. But when an old friend appeared out of nowhere with concerns about his withdrawn and mysterious wife, Flavieres didn't have the heart to refuse. Soon, he would be scouring the streets of Paris in search of an answer—in search of a girl who belonged to no one, not even to herself. Intrigue would be replaced by obsession, and dreams replaced by nightmares. This is the story of a desperate man. A man who ended up compromising his own morality beyond all measure, while World War II raged outside his front door. A man tormented—and destroyed—by a dark, terrible secret.
A tense, unputdownable thriller from the author of Hangman. Timothy Blake has nothing to lose. He's headed to an isolated house in rural Texas with a hammer in his pocket and murder on his mind. His target is Fred, the ringleader of a criminal empire on the dark web. Once Fred is gone, Blake can disappear for good. But it turns out that Fred isn't alone. Five other psychopaths live in the house. They work together and call themselves the Guards. Torture, extortion and death are their business. Blake manages to convince them that he's one of their online associates. Soon they think he's a monster, like them. They're not wrong. Blake decides to pick them off one by one. But when a Guard is found with a bullet in his skull, Blake realises that someone else in the house may have the same idea - and he might be their next target. Meanwhile, who are the desperate people chained up in the building behind the house? One of them will change everything . . . A bloody, twisted roller-coaster of dark action and suspense from the acclaimed bestselling author of Hangman. 'Gloriously messed up . . . A crime series like no other.' - Gabriel Bergmoser, author of The Hunted 'Heath will make your spine tingle and your fingers flip pages.' - Candice Fox, author of Crimson Lake 'Thrilling, grisly and inventive: Jack Heath has single-handedly increased my carbon footprint through lights left on.' - Benjamin Stevenson, author of Either Side of Midnight