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CARAF Books: Caribbean and African Literature Translated from FrenchThis book has been supported by a grant from the National Endowment for the Humanities, an independent federal agencY
Among the young women of Salem, Massachusetts, who were accused of witchcraft in 1692 was a West Indian slave who was released two years later and sold. This novel creates for her a fictional childhood in Barbados, where she was bought by the family who took her to Salem.
A fictionalized account of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts in 1692, and was arrested and jailed for two years.
Blending the fictional with the factual, this highly praised novel ranges from the warm shores of seventeenth-century Barbados to the harsh realities of the slave trade, and the cold customs of Puritanical New England. It tells the story of Tituba, the only Black victim of the Salem witch trials and in doing so recalls a life of extraordinary experiences and mystical powers. Foreword by Angela Davis. Winner of France's prestigious Grand Prix Literaire de la Femme.
Young readers “will be carried along by the sheer excitement of the story” of 17th-century slavery and witchcraft by the million-copy selling author (The New York Times). In 1688, Tituba and her husband, John, are sold to a Boston minister and sent to the strange world of Salem, Massachusetts. Rumors about witches are spreading like wildfire throughout the state, filling the heads of Salem’s superstitious, God-fearing residents. When the reverend’s suggestible young daughter, Betsey, starts having fits, the townsfolk declare it to be the devil’s work. Suspicion falls on Tituba, who can read fortunes and spin flax into thread so fine it seems like magic. When suspicion turns to hatred, Tituba finds herself in grave danger. Will she be judged guilty of witchcraft and hanged? Loosely based on accounts of the period and trial transcripts, Ann Petry’s compelling historical novel draws readers into the hysteria of America’s deadly witch hunts.
Tituba, a young house servant from the West Indies, allegedly influenced and encouraged occult activities among teenage girls in 17th century Massachusetts, which led to the infamous witch hunts of Salem. This book offers "an imaginative reconstruction of what might have been Tituba's past".--TIMES LITERARY SUPPLEMENT. "A valuable probe of how myths can feed hysteria".--THE WASHINGTON POST BOOK WORLD. 15 photos.
“Condé’s story is rich and colorful and glorious. It sprawls over continents and centuries to find its way into the reader’s heart.” —Maya Angelou “A wondrous novel” (The New York Times) by the winner of the 2018 New Academy Prize (The Alternative Nobel prize in literature) and author of The Gospel According to the New World The year is 1797, and the kingdom of Segu is flourishing, fed by the wealth of its noblemen and the power of its warriors. The people of Segu, the Bambara, are guided by their griots and priests; their lives are ruled by the elements. But even their soothsayers can only hint at the changes to come, for the battle of the soul of Africa has begun. From the east comes a new religion, Islam, and from the West, the slave trade. Segu follows the life of Dousika Traore, the king’s most trusted advisor, and his four sons, whose fates embody the forces tearing at the fabric of the nation. There is Tiekoro, who renounces his people’s religion and embraces Islam; Siga, who defends tradition, but becomes a merchant; Naba, who is kidnapped by slave traders; and Malobali, who becomes a mercenary and halfhearted Christian. Based on actual events, Segu transports the reader to a fascinating time in history, capturing the earthy spirituality, religious fervor, and violent nature of a people and a growing nation trying to cope with jihads, national rivalries, racism, amid the vagaries of commerce.
Possessing one of the most vital voices in international letters, Maryse Condé added to an already acclaimed career the New Academy Prize in Literature in 2018. The twelfth novel by this celebrated author revolves around an enigmatic crime and the young man at its center. Dieudonné Sabrina, a gardener, aged twenty-two and black, is accused of murdering his employer--and lover--Loraine, a wealthy white woman descended from plantation owners. His only refuge is a sailboat, La Belle Créole, a relic of times gone by. Condé follows Dieudonné’s desperate wanderings through the city of Port-Mahault the night of his acquittal, the narrative unfolding through a series of multivoiced flashbacks set against a forbidding backdrop of social disintegration and tumultuous labor strikes in turn-of-the-twenty-first-century Guadeloupe. Twenty-four hours later, Dieudonné’s fate becomes suggestively intertwined with that of the French island itself, though the future of both remains uncertain in the end. Echoes of Faulkner and Lawrence, and even Shakespeare’s Othello, resonate in this tale, yet the drama’s uniquely modern dynamics set it apart from any model in its exploration of love and hate, politics and stereotype, and the attempt to find connections with others across barriers. Through her vividly and intimately drawn characters, Condé paints a rich portrait of a contemporary society grappling with the heritage of slavery, racism, and colonization.